Incontro tra il curatore Carlo Sala, il fotografo Piero Percoco (@therainbow_is_underestimated), il regista Pietro Daviddi e il direttore artistico del MACRO Luca Lo Pinto.

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Partecipano
Claudio Di Biagio (autore e regista), Stefano Sardo (sceneggiatore e regista), Aaron Ariotti (sceneggiatore e docente della Scuola Holden), Erica Barbiani (autrice e produttrice di documentari), Fabrizio Bettelli (sceneggiatore e docente).

Moderatori
Mary Stella Brugiati e Alessandro Bosi, sceneggiatorə e curatorə del Premio Sonego.


Dopo l’anno appena trascorso, a che punto sono le storie che muovono il mercato dell’audiovisivo nazionale e internazionale? E in tutto questo, la figura dell’autorə, è cambiata? Se sì, come? Cosa cerca il mercato oggi? Consigli pratici e non per chi si affaccia per la prima volta a questo mondo.
Sceneggiatorə, autorə, criticə e registə del panorama italiano dialogano con i finalisti del Premio Rodolfo Sonego 2021.

Parallelamente alla nuova edizione del Premio dedicato ai giovani sceneggiatori, ha preso vita un ricco palinsesto di attività, approfondimenti, incontri, talk, masterclass e laboratori interamente dedicati allo sceneggiatore della commedia all’italiana: RODOLFOSONEGO100.

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A trip with filmmaker Francesco Montagner in the pre-production and writing of his award-winning documentary Brotherhood to understand the way he found to relate with the complex bosnian community portrayed in the film. A wonderful dive in the way to approach cinematic subject both in documentary and fiction.

Francesco Montagner (Treviso, 1989) is a documentary filmmaker. He trained in documentary filmmaking at FAMU in Prague. He debuted with the co-directed, written and co-produced documentary, Animata resistenza (2014), about the life and works of animator Simone Massi, winning the Venezia Classici award at the 71st Venice International Film Festival. His second feature-length documentary Brotherhood (2021), a coming-of-age movie about the adolescence of three Bosnian siblings, won the Pardo D'oro Cineasti del Presente at the 74th Locarno Film Festival and was selected at more than 30 international festivals (IFFR, True/False, RIDM, CPH:Dox, Ji.hlava, DOC NYC), winning numerous awards. He is selected at Berlinale Talents, Locarno Academy, Ji.hlava Academy as an emerging director. Francesco teaches filmmaking at FAMU Prague, CISA Locarno and EICTV Cuba.

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A Shape of Film to Come is a new festival talk format that puts Lago Film Fest guests in dialogue to investigate and reason together about the art of cinema, the cinema of the future and to answer the question: what is the shape of cinema to come?

A Shape of Film to Come is developed in a schedule of meetings open to all with the most interesting names in contemporary cinema.

The fourth talk of A Shape of Film to Come will feature a dialogue between Mitra Farahani, (Fireworks LFF22) winner of the Special Jury Prize at the Berlinale 2022, and Matías Piñeiro (jury member of the international competition LFF22) discussing the diverse productive and creative approaches in the art of filmmaking, seen as a perpetual laboratory of experiments and variations.

More info on www.lagofest.org

A Shape of Film to Come is a new festival talk format that puts Lago Film Fest guests in dialogue to investigate and reason together about the art of cinema, the cinema of the future and to answer the question: what is the shape of cinema to come?

A Shape of Film to Come is developed in a schedule of meetings open to all with the most interesting names in contemporary cinema.

The third talk of A Shape of Film to Come will feature a dialogue between Elsa Charbit, (jury member of the international competition and former director of Entrevues de Belfort and Brive International Film Festival) and Kiro Russo, (Fireworks LFF22) winner of the Special Jury Prize at the Venice Film Festival 2021, in conversation with the artistic direction of Lago Film Fest on the future of film festivals and the relationship between public viewing and curation.

More info on www.lagofest.org

A Shape of Film to Come is a new festival talk format that puts Lago Film Fest guests in dialogue to investigate and reason together about the art of cinema, the cinema of the future and to answer the question: what is the shape of cinema to come?

A Shape of Film to Come is developed in a schedule of meetings open to all with the most interesting names in contemporary cinema.

The Lago Dance talks are informal and sincere lounges featuring directors, filmmakers, dancers, choreographers, curators. This year we have Carl Olsson and Sarah Möller as guests who will allow us to open a window on how cinema and dance interact and how cinematographic and choreographic movement intersect. How the filmmaker uses dance in his work and vice versa how the choreographer or performer uses cinema. The differences and the similarities. We will also try to explain how to enter and start in the world of dance screening if you are a filmmaker or choreographer-performer and what are the prerequisites for a fruitful collaboration.

More info on www.lagofest.org

A Shape of Film to Come is a new festival talk format that puts Lago Film Fest guests in dialogue to investigate and reason together about the art of cinema, the cinema of the future and to answer the question: what is the shape of cinema to come?

A Shape of Film to Come is developed in a schedule of meetings open to all with the most interesting names in contemporary cinema.

Second talk of A Shape of Film to Come that will feature in dialogue Alexandre Koberidze, (LFF21 retrospective and curator focus CARTE BLANCHE TO ALEXANDRE KOBERIDZE) author of WHAT DO WE SEE WHEN WE LOOK AT THE SKY? Critics’ Prize Winner at the Berlinale 2021, and Kiro Russo, (Fireworks LFF22) Special Jury Prize Winner at the Venice Film Festival 2021, on the boundaries of realism and fiction in the cinema to come.

More info on www.lagofest.org

A cura di Nicola Tescari: Colorare una scena: Musica per l’immagine.

From LFF 2019

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A cura di Federico Savina: I nuovi Compositori di Musica per Film.

From LFF 2019

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L’arte della raccolta del suono nel set cinematografico, attraverso le scelte tecniche, teoriche e narrative che la caratterizzano.

Nell’ambito di Behind the Soundtrack, la masterclass dei giurati LOST che svela le trame del tessuto sonoro cinematografico, abbiamo organizzato una masterclass con Angelo Bonanni, ingegnere del suono, vincitore di 3 David di Donatello nella categoria miglior suono (nel 2016 per “Non essere cattivo” di Claudio Caligari, nel 2017 per “Veloce come il vento” di Matteo Rovere e nel 2020 per “Il Primo Re” di Matteo Rovere).

Il fonico di presa diretta dirige le riprese audio nelle produzioni cinematografiche e televisive. La sua sfida consiste non solo nel riprodurre, nel modo più fedele ed efficace, l’ambientazione sonora corrispondente alla scena, ma, soprattutto, nel potenziare l’efficacia narrativa ed emozionale delle immagini, dando maggior rilievo ai dettagli e alle sfumature sonore che interessano, cogliendone l’essenza nella relazione con il contesto. Angelo Bonanni condurrà i partecipanti della Masterclass lungo questo percorso, in cui l’apporto creativo, unito alle conoscenze tecniche, gioca un ruolo fondamentale.

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