Les Yeux Orange

BUY LINK: https://centrl.lnk.to/BackToFunk

Label: CENTRL Music (@centrl-music)

www.instagram.com/centrlmusicofficial/

> Syncia (@syncia)

www.instagram.com/synciaofficial/

With the prolific producer drops his latest single Back To Funk . Reflecting an early Armand van Helden vibe, this raw UK styled track is earmarked to deliver some solid chart results. DJ’s heralding the track as “Big, bad and nasty as f**k!” - EFKT, “Feeling This” - Jamie Jones.

Coming back with the same collaborative and intercultural spirit, the third release of Behua Icára is an EP - VA of reworks from the album “Non Axebo” by Withner FaGo, an activist and rapper from the Shipibo Konibo Xetebo community. Singing in his native language, FaGo narrates myths and legends, as well as stories of cultural and environmental resistance from his community in the central Peruvian Amazon.

Some of these stories emerge from the collective’s imagination and worldview of his community, such as “Chaikonibo,” which refers to enchanted men who protect the jungle; “Non Nete” - Our World - which describes the four indigenous worldviews of the community: Jakon Nete (The Upper World), Non Nete (The Earthly World), Pashin Nete (The Underworld), and Jene Nete (The Water World); and “Mai Yoshin” - Land of Demons - a generational tale from Pucallpa.

“Chaikonibo” has been reimagined by the polyrhythmic talent Crisa, who recreates the mystique of the story with an ensemble of organic Afro-Peruvian percussion. “Non Nete,” originally produced by Toma Kami for the label’s second compilation, now remixed by E-Unity, elevates the narrative, taking us to the rhythmic-astral plane with ascending syncopations. In the case of “Mai Yoshin,” by Argentine producer Mlee, it transports us to Pashin Nete (the underworld) with the calamitous possibilities of drum and bass.

Other stories tackle the daily struggle of the community against the threat of extractive and polluting industries. “Non Mai” - Our Land - a protest song against oil companies and deforestation, has been reinterpreted by Eomac, with a harsh and frantic percussive syntax, making it the perfect soundtrack for frontline defense.

“Koiramenon Ikanwe” - Let’s Take Care of Ourselves - denounces the threat of drug trafficking and the usurpation of the community’s agricultural land for illegal coca leaf cultivation. Produced by Reptile & Supersadfish, a duo from Guadalajara, deconstructs the protest into beautiful fractals between IDM and Jungle.

Finally, “Ea Ninkakanwe” - Listen to Me - narrates the experience of FaGo’s grandfather and his encounter with the depredation of his people’s habitat. Jasmín take, injects the perfect dose of 4/4 in a subversive measure.

S7RENS - Drop It / Boss It

BUY LINK: https://s7rens.bandcamp.com/album/drop-it-boss-it

> (https://soundcloud.com/s7rens77)

https://www.instagram.com/s7rens77/

Composed and produced by S7RENS

Mixed by S7RENS

Mastered by Justin Drake

Unex Pected Records, the advanced sub-label of Mixcult Records, is proud to present its first release compiled by none other than Ultranoise, a master. The “Color Filters EP” UNX001 is a sonic tour that conveniently merges the current and past of electronic music offering an enthralling amalgam of progressive, tribal and garage influences in today’s jazzy wrapping.

From the moment the first beat drops until the closing note, it is clear that every Ultranoise composition has been crafted with love and attention to details, meaning that this album will not only make you feel nostalgic but also excited about what lies ahead. Each track on this record aims at attracting all those who love dancing; they come with entrancing melodies that are backed up by pulsating beats which can either be deep or infectious making one respond by simply moving.

Rediscover the old school essence of electronic music in new colours. If you are already a seasoned collector of vinyl records or if you want to attract more beauty into your ears as a beginner, then this piece should never be out of your shelves. Don’t be left out when Unex Pected Records’ debut ever comes calling.

This is a highly recommended album for any serious collector interested in adding some new life onto their dancefloor.

Label:

https://mixcult.bandcamp.com/

https://soundcloud.com/mixcult

https://www.youtube.com/MixCultPodcast

https://www.instagram.com/mixcult_radio/

https://www.facebook.com/MixCultPodcast

I have always thought that capturing an inspiration, a feeling, an experience, or anything a human being can see or feel and being able to transform it into an object, music or any kind of art, is one of the most beautiful forms of magic that can happen.

That intangible moment when things just unfold, quickly, because it's in the air. This is what’s behind my new single “You’re Gone But I’m Still Thinking About You”. It speaks of a breath, a feeling, it talks about something that really happened.

Astroloop

Last Year at Marinbad slides back into view once again with a bountiful audial offering from musical polymath Alejandro Mosso, which contains just about all the emotive enrichment you could ever want from a dance music record.

Mosso, originally from Argentina but currently based in Berlin, has since 2002 released a plethora of records that have, over time, showcased his sound and craft as one of profoundness and emotional dexterity. Mosso has aligned himself within the threshold between House, minimal, tribal, and experimental music, with a firm eye on creating razor-sharp sounds and highly immersive audial palettes. This curiosity stems from Mosso's range of compositional and technical skills, with a degree in Sound Studies and Sonic Arts highlighting his fascination with the look and feel of what can be heard and touched upon with music. His live performances epitomize his approach to his craft and have been highly received around the world, no matter the space. Mosso's discography is littered with releases on some of the best labels going, including the likes of Hivern Discs, Third Ear, LumineresLaNuit, and his own imprint Mosso - a real journey throughout the electronic music cosmos.

BUY LINKS : https://alexzethson.bandcamp.com/track/terrella

https://open.spotify.com/album/1JMDOy3A9r7lpH8hQPaVyt

https://music.apple.com/us/album/terrella-single/1754244469?ls=1

Label: thanatosis produktion (https://soundcloud.com/thanatosis)

https://www.instagram.com/thanatosis_produktion/

> Alex Zethson (https://soundcloud.com/zethson)

https://www.instagram.com/alexzethson/

Composed and performed by Alex Zethson.

Recorded and mixed by Joel Danell at Piano Piano Studios, May 29th, 2024.

Mastering by Hans Olsson, Svenska Grammofonstudion.

Cover: Section from "Drops of rain" by Clarence Hudson White; from The White Family Collection in Memory of Clarence H. White, Jane Felix White, and Maynard Pressley White, Jr.

Real name Elisa Massara, Elasi is an Italian singer, songwriter, producer, and DJ whose style explores the surreal and the obscure to great lengths, attracting followers with her unique brand of pop filled electronica and left of centre vocal. Her music journeys across a metropolis of synths, drum machines and faraway rhythms, incorporating traditional instruments, chants, and global choir ensembles with her avant guard Italo disco style. A resident on Radio Raheem, Elasi has collaborations waiting in the wings with Bawrut, Clap! Clap!, Montoya, Anoraak, Sebra Cruz, and Populous.

Trident and Elasi bring on board Sebra Cruz ( Margot, Margot Records) for the rework, whom under his Pepe guise has been a key resident in the Romagna coastal clubs since the ‘90s, releasing on Life And Death, with DJ Tennis, Catz N' Dogz, and Joseph Ashworth. The Italo Disco vibe of Musica Especial is as exotic as it is wonky. It is shiny and electric, a musical Salvador Dali, designed for summer dancefloors and for twirling to beneath the midnight stars .

Sugar'' is the first work of the italian disco-funk band Le Dune, a new project led by Francesco Fisotti. The electronic drums and synthesizers blend with groovy bassline, sparkling guitars and pop-oriented vocals. In addition to the radio version, in the "Extended Mix" more space is given to the groove, the instrumental version is more percussive and tribal, in the end "La Notte Mix" is a late 80's proto-house edit co-produced by Issam Dahmani.

One of the best vocal anthems of recent times deservedly gets a clutch of very slick remixes here on Refuge Records from some very hot names. Tripmastaz do their bouncy '90s house rawness thing across two chunky remixes full of ravey stabs, woozy chord stabs, acid licks and phat bass. Scottish upstart Tiptoes continues his amazing run of form with a remix that harks back to golden age of soulful, propulsive UK garage, and Mr. Pitiful rounds off with soothingly beautiful jazz piano solos lacing his wonderfully deep Detroit-flavoured version.