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For the solstice, the sun tunnels in the West Desert of Utah.
Stories about going to war come from the top down, from media corporations that manufacture consent for war among the people. Stories about not going to war move from the bottom up, starting in conversations between family and friends, people speaking out for no money but just because they feel obligated to speak. In this approach there’s a shift in context where fear is taken out of the narrative—we are not being attacked, maybe these people are not our enemy. Maybe the real enemy is our government and our media that are being controlled by the military industrial complex. I believe bottom up stories can break apart the power structure coming down from above, so this is one of them.
Scott Carrier and William J. Astore on the house raft in Woods Hole Harbor.
By Scott Carrier4.9
11841,184 ratings
For the solstice, the sun tunnels in the West Desert of Utah.
Stories about going to war come from the top down, from media corporations that manufacture consent for war among the people. Stories about not going to war move from the bottom up, starting in conversations between family and friends, people speaking out for no money but just because they feel obligated to speak. In this approach there’s a shift in context where fear is taken out of the narrative—we are not being attacked, maybe these people are not our enemy. Maybe the real enemy is our government and our media that are being controlled by the military industrial complex. I believe bottom up stories can break apart the power structure coming down from above, so this is one of them.
Scott Carrier and William J. Astore on the house raft in Woods Hole Harbor.

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