LifeLabNotes

Spirits, Souls, Beings. Whatever you call them, you can't see them. But you can hear them. Thirteen souls have been given their earthly voices back for the chance to tell their own stories. Oct 19th through 31st, each episode is a personal look at one immortal being.

Episode 6, Believe, was written by Phinneas Kiyomura and performed by Darrett Sanders.

Follow us on Twitter, Instagram, and Facebook, @LifeLabNotes, and visit us at www.LifeLabNotes.com

Spirits, Souls, Beings. Whatever you call them, you can't see them. But you can hear them. Thirteen souls have been given their earthly voices back for the chance to tell their own stories. Oct 19th through 31st, each episode is a personal look at one immortal being.

Episode 5, Threshold, was written by Silvie Zamora and performed by Jenny Flack and Justin Vasquez.

Follow us on Twitter, Instagram, and Facebook, @LifeLabNotes, and visit us at www.LifeLabNotes.com

Spirits, Souls, Beings. Whatever you call them, you can't see them. But you can hear them. Thirteen souls have been given their earthly voices back for the chance to tell their own stories. Oct 19th through 31st, each episode is a personal look at one immortal being.

Episode 4, Sand, was written by Silvie Zamora and performed by Abel Arias.

Follow us on Twitter, Instagram, and Facebook, @LifeLabNotes, and visit us at www.LifeLabNotes.com

Spirits, Souls, Beings. Whatever you call them, you can't see them. But you can hear them. Thirteen souls have been given their earthly voices back for the chance to tell their own stories. Oct 19th through 31st, each episode is a personal look at one immortal being.

Episode 3, Periphery, was written by Silvie Zamora and performed by Keith Ferguson.

Follow us on Twitter, Instagram, and Facebook, @LifeLabNotes, and visit us at www.LifeLabNotes.com

Spirits, Souls, Beings. Whatever you call them, you can't see them. But you can hear them. Thirteen souls have been given their earthly voices back for the chance to tell their own stories. Oct 19th through 31st, each episode is a personal look at one immortal being.

Episode 2, Maestra, was written and performed by Silvie Zamora.

Follow us on Twitter, Instagram, and Facebook, @LifeLabNotes, and visit us at www.LifeLabNotes.com

Spirits, Souls, Beings. Whatever you call them, you can't see them. But you can hear them. Thirteen souls have been given their earthly voices back for the chance to tell their own stories. Oct 19th through 31st, each episode is a personal look at one immortal being.

Episode 1, Host, was written by Silvie Zamora and performed by Rob Thurmond.

Follow us on Twitter, Instagram, and Facebook, @LifeLabNotes, and visit us at www.LifeLabNotes.com

Life Lab Notes had the great pleasure of attending the Podcast Movement 2018 conference in Philadelphia. Breakfast smoothies at Reading Terminal Market, followed by hours of inspiration and camaraderie, culminating in new ideas, new acquaintances, and new podcasting T-shirts. Success!

This episode was recorded live at the Podcast Pavilion, hosted by Talk Shoe and Heil Sound Pro Audio, so there are happy podcasters milling about in the background. This story was written especially for this live recording, and I'm joined by the cello stylings of Audre Brokes.

The third episode of Life Lab Notes' quirky little alien series, "H.A.B.I.T." This one's called Post Hoc, Ergo Propter Hoc. (Don't worry, there is no Latin in the actual episode.) Krraz and L'Seth Navi have some technical issues, but they don't immediately turn to logic and reason for the solution.

Featuring the voice talents of Keith Ferguson and Silvie Zamora, and the underscoring and SFX talents of Phil Ward, the H.A.B.I.T. series is written and produced for Life Lab Notes by Silvie Zamora.

Look for @LifeLabNotes on Facebook, Instagram and Twitter; and @HABITcrew on Instagram.

Each spring, Theatre of NOTE in Hollywood has a mini season of five 10-minute, one-act plays, produced by a professional team of actors and directors. And written by high school kids.

The Young Writers Project has been around for over fifteen years, which means hundreds of students have been coached by professional writers from Theatre of NOTE (in addition to working with their high school drama or English teachers) and hundreds of short plays have been submitted. But only five can be produced each year.

The choosing of which plays to produce is challenging and poignant. All of the plays submitted represent hours of creative work, and some of that work results in a deeply thoughtful and/or surprising piece for these students.

To honour these young writers and Theatre of NOTE and the Young Writers Project, I interviewed some students from a participating school. Ten plays were submitted from their school, one was chosen to be produced. I met with five of these kids to talk about writing, their voice, and not being chosen.

We observe humans. We process these observations. Then we report on our findings, in whatever format strikes our fancy. This month's report is part "Starsky and Hutch" and part "Angie Tribeca," with a theme song in loving homage to The Mod Squad.