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It’s my twelfth birthday and we’re all waiting for Wormwood and everyone is here and I mean everyone. Me and Mom and Dad and Big Pa which is my grandpa who was the strong man at one of the last traveling carnivals in America, and Bigfoot of course, and a swarm of killer bees collectively named Kyle who aren’t really so mean. | © 2024 by David Anaxagoras. Narrated by Stefan Rudnicki.
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“Good evening, sir,” Dave says pleasantly, hiding his crossword puzzle under his computer keyboard, as the front door chimes. “Do you have a reservation?” “Afraid not.” The guest fiddles with his suitcase. “I saw the No Vacancy sign, but I gotta ask---” “No problem at all.” Dave’s keyboard clatters busily, a series of well-practiced keystrokes. | © 2024 by Aimee Ogden. Narrated by Stefan Rudnicki.
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Posit a man. He could be any man. She could be a woman. They could be any human being anywhere on the spectrum. The story would play out the same. This is, however, entirely the creation of a writer who has written plenty of formidable women, and so he exerts authority for this one time and says that this is a man, | © 2024 by Adam-Troy Castro. Narrated by Stefan Rudnicki.
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Finneus Lark finds the man nestled inside of the abdominal cavity of a doe, his skin so pale that his veins are like spiderwebs. Slick with visceral fluid, leaves and petals cling to the man’s bird-boned wrists. His face, haloed by damp curls and crowned by the doe’s diaphragm, is so peaceful he might as well have been asleep. | © 2024 by Lowry Poletti. Narrated by Mirron Willis.
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Alvin’s scripts arrived in yellow envelopes. They were hand delivered, placed inside his letter box as if part of the regular mail, but with no address or stamps on it. The scripts were typed on unlined paper. They were short, never longer than a page, never more than a scene. The scene would be set inside a shop, or a bar. | © 2024 by Ben Peek. Narrated by Mirron Willis.
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Once a decade, a titanium-nosed shuttle plows through the rings of the planet Tartarus with a new batch of prisoners destined for the Orpheus Factory. The debris that makes up the rings is so thick that it thunders like a hailstorm, deafening the passengers. As the orbiting debris bounces and scrapes against the hull, the prisoners squeeze their eyes closed. | © 2024 by Rachael K. Jones. Narrated by Justine Eyre.
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Kharatet moistens his sightless eyes with his tongue as he draws his finger across the limestone tablet glyphs. His audience today is a clutch of toddling nymphs, motionless save for their short tails rippling the shallow water impatiently. It’s a good age to read to, while the little ulmuns are still young enough. | © 2024 by Sloane Leong
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The first time you can’t answer the question, you are already within the Great Dragon. Any bad decisions today? Mindy’s text reads. Around you, the Great Dragon’s pistons squeal, stutter, while the crew’s stressed voices echo above and below you. | © 2023 by A.T. Greenblatt. Narrated by Judy Young.
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The two of us, myself and this man I did not know, sat at a table in a windowless white cell with an indefinite light source. I was afraid, as afraid as a human being can be. I remembered every step that had brought me here and I did not consider this a place of safety. | © 2023 by Adam-Troy Castro. Narrated by Stefan Rudnicki.
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The unkind witch in Hook Tree Woods has little use for people. Mothers and sisters, obviously, will only disappoint you, and friends—well. She never had many of those. Her only friends now are snakes and toads, who are far preferable to humans. | ©2023 by Carlie St. George. Narrated by Susan Hanfield.
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