This video poam, dedicated to Haesong Kwon and the CREAM CITY REVIEW where "The Culture of Snowmen" appeared as a print object poam, is a product of investigations of scale and simultaneity of activity in interactions in language systems, and is part of the Limited Fork Simultaneity Studies Series. This video poam forms different structures (including structures of meaning) when it interacts with static and focused platforms (also achievable by pause functions) such as document forms such as the pdf visual poam, available in this podcast, of still images from the video. The interactions are not limited to the sound poam, the video poam, and the pdf of stills. The print object poam "The Culture of Snowmen" is part of TOKYO BUTTER, my new collection of poetry from Persea. Please send any requests for LFP information or for sonic and/or video forked treatment of any of my print object poams to [email protected] and I'll post the resulting poams to the appropriate Limited Fork podcast(s) as soon as the poams are made. A high resolution widescreen version of this video poam is available from Thylias Moss ([email protected]).

A book of still poams, images from "Ostrich Culture of Snowmen" from the Limited Fork Poetics simultaneity studies video series. Companion poams are available in this podcast and in the Limited Fork Music podcast. This visual poam, dedicated to Haesong Kwon and the CREAM CITY REVIEW where "The Culture of Snowmen" appeared as a print object poam, is a product of investigations of scale and simultaneity of activity in interactions in language systems. The print object poam "The Culture of Snowmen" is part of TOKYO BUTTER, my new collection of poetry from Persea. Please send any requests for LFP information or for sonic and/or video forked treatment of any of my print object poams to [email protected] I'll post the resulting poams to the appropriate Limited Fork podcasts as soon as the poams are made.

A video poam for Mikel Alvarez whose request for the sound poam "Tornados" led to the creation of this video poam. I hope you like it, Mikel. "Tornado Pi" contains an image of the mother of Limited Fork Poetics taken by Ansted Moss. "Tornado Pi" also contains footage of the "Pi Song" ENG 429 players: Nate Barron, Rachel Harkai, Jennifer Obidike, Julia Ris, and Jennifer Sharkey. Nate and Jennifer Sharkey's video poams are available in the Limited Fork Video Anthology podcast. The soundtrack of "Tornado Pi" is available in the Limited Fork Music podcast. "Pi Song" is available in the Limited Fork podcast and the the Limited Fork Music podcast. The soundtrack of Jennifer Sharkey's video poam is also available in the Limited Fork Music podcast. "Colorful Dimensions," composed and performed by Ansted Moss, is the sonic structure that emerges with visual structures in this video poam. Please send any requests for sonic and/or video poams to [email protected]

This video poam reconfigures, in a context of access, images taken by the MADD Poets Society of Toledo, Ohio on the occasion of their visit to the north campus of the University of Michigan. The MADD Poets are Making a Direct Difference in their community with positive actions. Their Director is David Bush.

Audio extraction from the (Incredible) ACCESS video poam; a sound poam of only the words spoken about access, inspired by the occasion on which the MADD Poets Society of Toledo, Ohio came to the north campus of the University of Michigan. David Bush is Director of the MADD Poets Society.

A medley of three video poams made by three teams of members of the MADD Poets Society of Toledo, Ohio during their single day of access to Limited Fork Poetics and the north campus of the University of Michigan in April 2006. The MADD Poets Society is a group of teens Making A Direct Difference through positive actions in their community. David Bush is the director of the MADD Poets Society.

This movie poam debuted at the "Pleasurable Complexity" Limited Fork poetry event on 14 September at the University of Michigan. The theme is "place value: implications of the lattice." 37 layers (communities) of interacting language systems (communities) are latticed in the making of this poam. Poams related to this theme, including a "Pleasurable Complexity event book," may be found throughout all three Limited Fork podcasts: Limited Fork, Limited Fork Music, and Limited Fork Video Anthology. This poam contains images © 2005 by John Chervinsky and are used by permission. This poam also contains content from the "Pleasurable Complexity event book" also available in this podcast. The image of the women in burqas is by Steve Evans and is used under the Creative Commons license.

This visual poam is a companion to the "Pleasurable Complexity" Limited Fork poetry event that considered notions of place value and implications of the lattice. Some of Ansted's lattice looking images were part of a larger lattice or woven piece featuring the poam "Shadowbox Suite" by KC Trommer. This larger piece, "Latticed Shadowbox Suite," is available in the Limited Fork Video Anthology podcast and in the Limited Fork podcast. Other pieces related to the "Pleasurable Complexity" are also available in the Limited Fork podcast. Implications and interactions extend beyond the separate poams; such is the nature of resonance available for notice and further interaction and transformation.

A video poam exploring implications of the lattice in conjunction with the "Pleasurable Complexity" Limited Fork event on 14 September. A variation of the image sequence is also woven (interacting) into "Latticed Shadowbox Suite" which also features work by KC Trommer, a Limited Fork practitioner, and cellist Pablo Casals performing a suite for cello by Bach. Related poams are available in this and other Limited Fork podcasts. These poams are part of a lattice of inquiry considering notions of place value.

A video poam (product of an act of making) exploring scale and the simultaneity of experience in interacting language systems which form and reform poetic structures as a consequence of the ways in which their existences fold and unfold. "Place Value" is also about the location of poetry and the need for people to be (more) receptive to the incredible readiness for poetry exhibited by all that exists. The poam considers how value both is and isn't assigned to instances of this incredible readiness. The soundtrack is available from the Limited Fork Music podcast.