This is my first recording by Mikhail Glinka (1804-1857). Glinka studied piano with John Field and his influence can be felt in this piece. The work is a Nocturne composed for Glinka's sister, Elizaveta. She was away in St. Petersburg at the time it was composed and thus the title, "The Separation" is quite appropriate.

This is my first recording by Mikhail Glinka (1804-1857). Glinka studied piano with John Field and his influence can be felt in this piece. The work is a Nocturne composed for Glinka's sister, Elizaveta. She was away in St. Petersburg at the time it was composed and thus the title, "The Separation" is quite appropriate.

This is one of Chopin's most famous Waltzes. It was composed sometime between 1846 and 1847. The piece is marked with the term "tempo guisto" - which means "strict time." When I recorded this piece I interpreted that to mean that any rubato should be limited to within a brief scope, probably that of a single bar. While this may be the case, I have since learned that it was more likely intended to indicate that the Waltz should not be played in the Viennese tradition which rushes slightly into the second beat.

This is one of Chopin's most famous Waltzes. It was composed sometime between 1846 and 1847. The piece is marked with the term "tempo guisto" - which means "strict time." When I recorded this piece I interpreted that to mean that any rubato should be limited to within a brief scope, probably that of a single bar. While this may be the case, I have since learned that it was more likely intended to indicate that the Waltz should not be played in the Viennese tradition which rushes slightly into the second beat.

This Sarabande is an excerpt from Bach's Partita No. 1 in B-flat. I have also recorded the Praeludium previously.

This Sarabande is an excerpt from Bach's Partita No. 1 in B-flat. I have also recorded the Praeludium previously.

One of Bach's most well-known works is this excerpt from his Notebook for Anna Magdalena Bach. It is a delightful melody that is simple to learn and easy to appreciate.

One of Bach's most well-known works is this excerpt from his Notebook for Anna Magdalena Bach. It is a delightful melody that is simple to learn and easy to appreciate.

I had never heard of this piece until I recently purchased the book Anthology of Romantic Piano Music published by Alfred and edited by Maurice Hinson. I instantly fell in love with the melody. The canon at measures 40-55 is a bit tricky and I should have given it quite a bit more study and practice, but it is what it is :)

I had never heard of this piece until I recently purchased the book Anthology of Romantic Piano Music published by Alfred and edited by Maurice Hinson. I instantly fell in love with the melody. The canon at measures 40-55 is a bit tricky and I should have given it quite a bit more study and practice, but it is what it is :)