Lit Century

Book scout Kelly Farber joins host Catherine Nichols to discuss Philip Pullman's 1995 novel The Golden Compass, the first of the His Dark Materials trilogy. They discuss the appeal of Pullman's imagined world and his place in both his intellectual and artistic traditions, his connections to C.S. Lewis and Milton, as well as the challenges of adapting this book for movies and television, and finally—what is Dust anyway?

Kelly Farber is an international literary scout, owner/proprietor of KF Literary Scouting.

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Writer Brian Hall joins host Catherine Nichols to discuss Ford Madox Ford's 1928 quartet of novels, Parade's End, focusing particularly on the first book, Some Do Not.... Their conversation covers the book's place in Modernist literature, comparisons to the work of E.M. Forster and Virginia Woolf, and particularly its descriptions of World War One: as granular as a soldier's perspective on the field all the way outward to the war's effects on every part of British society.

Brian Hall is the author of eight books, five of them novels, including The Saskiad (Houghton-Mifflin, 1997); I Should Be Extremely Happy In Your Company (Viking, 2003); and Fall of Frost (Viking, 2008). The Saskiad, a coming-of-age novel about a precocious and imaginative young girl, has been translated into 12 languages. I Should Be Extremely Happy In Your Company was named one of the best novels of the year by The Boston Globe, Salon Magazine, the Los Angeles Times, and The Christian Science Monitor. Fall of Frost was named one of the best novels of the year by The Boston Globe and The Washington Post. His most recent novel is The Stone Loves the World (Viking, 2021).

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In this episode, writers Andrea Pitzer (Icebound: Shipwrecked at the Edge of the World) and Matthew Hunte join host Catherine Nichols to discuss Virginia Woolf’s 1925 novel, Mrs Dalloway. They discuss the paired stories of Clarissa Dalloway and Septimus Smith and what these two characters bring to one another, the book's private nihilism, its place in both Modernist and Edwardian literature, and the meaning of a party where the host dislikes the guests.

Andrea Pitzer is a journalist whose writing has appeared in The Washington Post, The New York Review of Books, Outside, The Daily Beast, Vox, and Slate, among other publications. She has authored two previous books, One Long Night and The Secret History of Vladimir Nabokov--both critically acclaimed. She received an undergraduate degree from Georgetown University's School of Foreign Service in 1994, and later studied at MIT and Harvard as an affiliate of the Nieman Foundation for Journalism. She grew up in West Virginia and currently lives with her family near Washington, DC. Icebound is her most recent work.

Matthew Hunte is a writer from St. Lucia, whose essays include “In Praise of Minor Literature,” and “Albert Murray and the Americas.”

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Host Catherine Nichols discusses Helen Gurley Brown's 1962 Sex and the Single Girl with guests Briallen Hopper and Samantha Allen, both contributors to the 2022 collection Sex and the Single Woman: 24 Writers Reimagine Helen Gurley Brown's Cult Classic.

The conversation covers Brown's class consciousness as well as the perplexing combination of hope and drudgery involved in her advice for living a glamorous, feminine life. While Brown acknowledged before her death that her advice was only for a narrow slice of the population--she acknowledged that lesbians might exist, but she had no useful advice for them—Nichols, Hopper, and Allen discuss how her form of femininity affected their lives.

Briallen Hopper is the author of Hard to Love: Essays and Confessions (Bloomsbury, 2019) and Gilead Reread (forthcoming from Columbia University Press). Her work has appeared in the Los Angeles Review of Books, The Paris Review, the Washington Post, The Yale Review, and elsewhere. She teaches creative nonfiction in the MFA program at Queens College, CUNY and in the Yale Prison Education Initiative.

Samantha Allen is the author of Patricia Wants to Cuddle (Zando, 2022) and the Lambda Literary Award finalist Real Queer America: LGBT Stories from Red States (Little, Brown, 2019). She is a GLAAD Award-winning journalist and editor with bylines in The New York Times, Rolling Stone, CNN, and more.

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In this episode, film critic K. Austin Collins and John Lingan (Homeplace, A Song for Everyone: The Story of Creedence Clearwater Revival) join host Catherine Nichols to talk about Christina Stead’s 1940 novel The Man Who Loved Children. They discuss the book's place in American and Australian literature, and its political analysis of the traditional family, as well as its unique use of language to show the characters' psychological warfare on one another.

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In this episode, writers Sandra Lim and Brian Hall join host Catherine Nichols to discuss Jean Rhys's 1939 novel, Good Morning, Midnight. The novel is about a grieving, impoverished woman wandering through Paris, intermittently hopeful and despairing, The conversation addresses the novel’s artistic and political context and biographical links to Rhys's life, as well as literary depictions of poverty in the 19th and 20th centuries, particularly the Great Depression.

Sandra Lim is the author of three poetry collections: The Curious Thing (W.W. Norton, 2021), The Wilderness (W.W. Norton, 2014), and Loveliest Grotesque (Kore Press, 2006). The Wilderness was the winner of the 2013 Barnard Women Poets Prize and the Levis Reading Prize. Her poems have appeared in numerous literary journals and magazines, including The New York Review of Books, Poetry Magazine, The Yale Review, Boston Review, The New Republic, and Gulf Coast.

Brian Hall is the author of eight books, five of them novels, including The Saskiad (Houghton-Mifflin, 1997); I Should Be Extremely Happy In Your Company (Viking, 2003); and Fall of Frost (Viking, 2008). The Saskiad, a coming-of-age novel about a precocious and imaginative young girl, has been translated into 12 languages. I Should Be Extremely Happy In Your Company was named one of the best novels of the year by The Boston Globe, Salon Magazine, the Los Angeles Times, and The Christian Science Monitor. Fall of Frost was named one of the best novels of the year by The Boston Globe and The Washington Post. His most recent novel is The Stone Loves the World (Viking, 2021).

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In this episode, poet and critic Elisa Gabbert (The Unreality of Memory) joins host Catherine Nichols to discuss Ernest Becker's Pulitzer Prize-winning book The Denial of Death. The book draws from psychology and philosophy to develop a theory of human behaviors motivated by fear of death and the desire to influence the world past an individual's natural life span. Gabbert and Nichols talk about how Becker's ideas look in a modern context of climate change, pandemic and sexual liberation.

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In this episode, writer and photographer Adalena Kavanagh and editor Jaime Chu join host Catherine Nichols to discuss Eileen Chang's 1943 novel Love In a Fallen City. Set in Shanghai and Hong Kong in the early days of World War II, it centers on Bai Liusu, a beautiful young woman who has divorced her husband and returned to her traditional Chinese family. They consider her spoiled goods and are trying to marry her off to a widower with five children. At the same time, they are trying to match her sister with the highly eligible and rich bachelor Fan Liuyuan; Bai Liusu decides she will have him instead.

Adalena Kavanagh is a writer and photographer in New York. Her writing has appeared in Electric Literature and The Believer, among many other publications, and she writes the weekly photography newsletter Mamiyaroid 5.5.

Jaime Chu is an editor, critic, and translator from Hong Kong, currently based in Beijing, who is currently a contributing editor at Spike Art Magazine, and a part of Chaoyang Trap, an experimental newsletter about contemporary life in China. She studied at Sarah Lawrence College and used to work in book publishing. Her writing on contemporary art and cultural criticism has appeared in Spike, The Nation, The Baffler, Groove, and Telekom Electronic Beats.

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In this episode, musician and editor Rob Weinert-Kendt joins hosts Isaac Butler and Catherine Nichols to discuss the musical "Sunday in the Park with George" with music and lyrics by Stephen Sondheim and book by James Lapine. The play focuses on the painter Georges Seurat and his common-law wife Dot, in the time when he was painting A Sunday Afternoon on the Island of La Grande Jatte, but in its second act goes to Seurat's great grandson, also an artist, and his personal crisis. The conversation address issues of muses, second acts, artistic isolation and connection, and how the play is inevitably read through the lens of biography, especially in the wake of Sondheim's death.

Rob Weinert-Kendt is the editor of American Theatre and a frequent contributor to America magazine. He is also a musician.

Here are some of Rob's pieces on "Sunday in the Park with George" and Sondheim:

An interview with Sarna Lapine, who directed the 2017 SUNDAY revival:

https://www.americantheatre.org/2017/03/21/how-sarna-lapine-makes-sunday-in-the-park-sing/

A preview of the 2008 revival (not on Time Out's site anymore, but hosted on own janky website): http://robkendt.com/Features&News/sundayinpark.htm

Thoughts on Sondheim's death

https://www.americantheatre.org/2021/11/30/nothing-thats-not-been-said-on-sondheim/

An in-depth interview with him from 10 years ago

https://www.americantheatre.org/2011/04/01/stephen-sondheim-playwright-in-song/

Then two from Isaac:

https://slate.com/culture/2021/11/stephen-sondheim-dead-obituary-career-west-side-story.html

https://slate.com/podcasts/culture-gabfest/2021/12/review-spencer-yellowjackets-stephen-sondheim

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In this episode, writer Luke Epplin joins host Catherine Nichols to discuss Leroy "Satchel" Paige's 1948 memoir Pitchin' Man: Satchel Paige's Own Story, written with sportswriter Hal Lebovitz. Paige was a baseball legend and an important figure in the early integration of baseball. He was one of the greatest athletes of his time, but his stardom was also the product of a genius for self-promotion. In the 1940s, this involved cultivating a comical, unthreatening persona that made white audiences comfortable. His memoir tells the story of his life through that persona, turning his career in Black baseball into a series of comical picaresque adventures. This pose would later be condemned by younger Black players.

Luke Epplin is the author of Our Team: The Epic Story of Four Men and the World Series That Changed Baseball, about the integration of baseball, and specifically the Cleveland Indians, in the 1940s. His other writing has appeared online in The Atlantic, The New Yorker, GQ, Slate, Salon, The Daily Beast, and The Paris Review Daily.

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