Lit Century

Hosts Elisa Gabbert, Isaac Butler, and Catherine Nichols discuss W. G. Sebald's 1992 novel, The Emigrants, a hybrid fiction/nonfiction work made up of four long narratives about four people who emigrated from Germany around the time of WWII. A Sebald-like narrator travels in the footsteps of these characters, mentally and geographically, in an elegiac, oblique book that is ultimately about the long shadow of the Holocaust and more generally about loss and memory.

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In this episode, critic K. Austin Collins joins hosts Catherine Nichols and Isaac Butler to discuss Albanian author Ismail Kadare's 1971 novel The General of the Dead Army. In this novel, an Italian general comes to Albania 20 years after World War II to find the bodies of Italian soldiers who died there and return them to their families, and ends up in a small village looking for the remains of a particular army captain with a particularly brutal reputation.

Working as a writer in the Stalinist Albania of Enver Hoxha, Ismail Kadare became an international literary figure and a preeminent commenter on totalitarianism. His nominating juror for the Neustadt Prize wrote: "No one since Kafka has delved into the infernal mechanism of totalitarian power and its impact on the human soul in as much hypnotic depth as Kadare."

K Austin Collins is a film critic for Rolling Stone and a programmer for the New York Film Festival. He was formerly film critic for The Ringer, and has also written for the Los Angeles Review of Books, Reverse Shot, and the Brooklyn Rail. He writes crosswords for The New Yorker, The New York Times and the American Values Crossword Club. He lives in Brooklyn.

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`In this episode, writer, actor, and performance artist M. Leona Godin joins host Catherine Nichols to discuss Helen Keller's 1908 book The World I Live In. Helen Keller (1880-1968) was an American author, lecturer, vaudeville performer, and political activist. At nineteen months, she suffered an illness that left her deaf and blind; The World I Live In offers Keller's remarkable insight of the world as perceived through three senses.

M. Leona Godin, is a performance artist, actor and writer with a PhD in literature. She has written a play, "The Star of Happiness," about Helen Keller's vaudeville years, and another on the invention of Braille. Godin's first book, There Plant Eyes, is a personal and cultural history of blindness. She is also, among many other things, the founding editor of Aromatica Poetica, an online magazine exploring the arts & sciences of smell & taste.

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Hosts Sandra Newman and Catherine Nichols discuss Yukio Mishima's 1963 novel The Sailor Who Fell From Grace With the Sea, a disturbing, sui generis book about a young boy watching the developing relationship between his urbane, well-heeled mother and a quiet sailor with dark, secret dreams of glory. The boy also has secrets: he is spying on the sailor and his mother when they have sex, and he belongs to a secret society of boys that will ultimately condemn the sailor to death. The book reads like an intimate and damning portrayal of the mentality of fascism, but Mishima himself was one of the most famous Japanese fascists of the post-war period; he died by committing seppuku after leading a failed right-wing coup against Japan's democratic government.

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In this episode, geneticist Maria Naylor joins host Catherine Nichols to discuss James Watson and Francis Crick's 1953 paper "A Structure for DNA," for which they won the Nobel Prize (with many references also to Watson's book about the discovery, The Double Helix). The discovery of DNA's structure had a rich social context, which ultimately determined not only who got credit for the work, but who was effectively able to do it. Most notoriously, there was the malicious exclusion of Rosalind Franklin from the story, but this episodes also looks at how collaborations between scientists were facilitated or obstructed by rapidly changing rules about class, race, and gender.

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In this week's episode, art historian Robert Wiesenberger joins hosts Catherine Nichols and Isaac Butler to discuss artist Jenny Holzer's "Truisms" from 1978, "Truisms" is a group of declarative sentences Holzer first put up anonymously on posters all over New York City: "Labor is a life-destroying activity.," "Lack of charisma can be fatal," "Private property created crime." The work originated in a period when Holzer was frustrated with painting and turned to language as a more direct means of expression. "Language is a good way to convey meaning," as Holzer put it.

Robert Wiesenberger is the associate curator of Contemporary Projects at the Clark Art Institute and co-author of Muriel Cooper (MIT Press 2017). He has also contributed catalog essays for the Harvard Art Museums and the Walker Art Center, and is a contributing editor to Art Papers magazine.

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In this episode, novelist and poet Kathleen Rooney joins hosts Catherine Nichols and Elisa Gabbert to discuss Robert Aickman's 1988 collection of stories The Wine-Dark Sea, with particular focus on the title story and the uncanny dollhouse story "The Inner Room." Aickman's work is often characterized as horror fiction, but he preferred the term "strange stories." His stories take the reader imperceptibly across the gauzy line between mundane reality and surreal terror. As one of his characters says: "Dreams are misleading because they make life seem real."

Kathleen Rooney is the author of nine books of poetry, fiction, and nonfiction. Her most recent novel is Cher Ami and Major Whittlesey. She is also the author of the national bestseller Lillian Boxfish Takes a Walk and The Listening Room: A Novel of Georgette and Loulou Magritte. She is also a founding editor of Rose Metal Press, a nonprofit publisher of literary work in hybrid genres, and a founding member of Poems While You Wait.

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In this episode co-hosts Catherine Nichols and Sandra Newman discuss Jacqueline Susann's 1966 mega-bestseller Valley of the Dolls, looking at how it treats women's bodies, sexuality, success, and glamour purely as sources of misery. In this book (nominally a cautionary tale about drug addiction) the only real joy comes from pills.

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In this episode, novelist Miranda Popkey joins hosts Catherine Nichols and Isaac Butler to discuss Norman Mailer's 1960 essay, "Superman Comes to the Supermarket," a landmark work in the history of New Journalism. The essay is about the presidential campaign of JFK and the cultural changes it embodies, particularly the emergence from the fifties culture of conformity and the way television impacts politics. Today's conversation deals not only with the essay but with Norman Mailer's legacy, and how it's been reassessed in the light of his habit of violence, most notably exemplified by the fact that he stabbed his wife just months after the publication of this essay.

Miranda Popkey is a writer, editor, and translator from the Italian. Her debut novel is Topics of Conversation, and it was chosen as a Best Book of the Year by TIME, Esquire, Real Simple, Marie Claire, Glamor, Bustle, and more.

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In this episode, writer and critic Elisa Gabbert joins host Catherine Nichols to discuss T.S. Eliot's 1915 poem "The Love Song of J. Alfred Prufrock," a poem about aging, limitations and disillusionment written by a young poet on the threshold of a brilliant career. How do the poet's youth and the narrator's age affect the tone of the poem? What makes it such a potently memorable (but also elusive) work? Included in the episode is discussion of Eliot's essay about Marvell. Lit Century also wants to thank the T. S. Eliot Society for use of the audio recording of Eliot.

Elisa Gabbert is the author of five collections of poetry, essays, and criticism: The Unreality of Memory & Other Essays, out now from FSG Originals and Atlantic UK; The Word Pretty (Black Ocean, 2018); L’Heure Bleue, or the Judy Poems (Black Ocean, 2016); The Self Unstable (Black Ocean, 2013); and The French Exit (Birds LLC, 2010). The Unreality of Memory and The Word Pretty were both named a New York Times Editors’ Choice, and The Self Unstable was chosen by the New Yorker as one of the best books of 2013. She writes a regular poetry column for the New York Times, and her work has appeared in Harper’s, The New Yorker, the New York Times Magazine and Book Review, the New York Review of Books, the Guardian Long Read, the London Review of Books, A Public Space, the Paris Review Daily, American Poetry Review, and many other venues.

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