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This is an excerpt of a full length episode currently only available to patrons. To become a patron and support what we're doing from £3 per month, head to www.patreon.com/LoveMessagePod.
In the final part of the essay, Tim shows how music from Africa, Latin America and Europe was a central component of what he calls 'Discotheque music' (ie records you would hear on the DJ-led dancefloors) which produced the original disco sound. With reference to SalSoul, Saturday Night Fever, Nigerian disco, contemporary reissue labels and more, Tim makes the case for these non-American, largely non-white musics to be included in an expanded edition of the disco archive. Lots of great musical examples are used in this show to illustrate the essay.
Tracklist:
By Love is the Message podcast4.9
4545 ratings
This is an excerpt of a full length episode currently only available to patrons. To become a patron and support what we're doing from £3 per month, head to www.patreon.com/LoveMessagePod.
In the final part of the essay, Tim shows how music from Africa, Latin America and Europe was a central component of what he calls 'Discotheque music' (ie records you would hear on the DJ-led dancefloors) which produced the original disco sound. With reference to SalSoul, Saturday Night Fever, Nigerian disco, contemporary reissue labels and more, Tim makes the case for these non-American, largely non-white musics to be included in an expanded edition of the disco archive. Lots of great musical examples are used in this show to illustrate the essay.
Tracklist:

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