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This is an excerpt of a full length episode currently only available to patrons. To become a patron and support what we're doing from £3 per month, head to www.patreon.com/LoveMessagePod.
In this episode Daphne talks with Tim and Jeremy about the writers, practitioners and 'organic intellectuals' who have created a new discourse around Black female sound, taking in figures such as the writer and collector of field recordings Zora Neale Hurston, the writer, journalist and singer Pauline Hopkins, and the writer and playwright Lorraine Hansberry. They dig into what it means to hold precious these forgotten figures, affectionate writing praxis, and the relationship between curatorial or archival work and contemporary music making. In part 2, coming in a fortnight, we will hear about some of the contemporary artists featured in the book, including Janelle Monáe and Beyonce.
Daphne A. Brooks is William R. Kenan, Jr. professor of African American studies, American Studies, Women's, Gender and Sexuality Studies and Music at Yale University; she is also director of graduate studies.She specializes in African American literary cultural performance studies, especially 19th century and trans-Atlantic culture. She is a rock music lover and has attributed her research interests in black performance to being a fan of rock music since a very young age.
Produced and edited by Matt Huxley.
Tracklist:
Books:
By Love is the Message podcast4.9
4545 ratings
This is an excerpt of a full length episode currently only available to patrons. To become a patron and support what we're doing from £3 per month, head to www.patreon.com/LoveMessagePod.
In this episode Daphne talks with Tim and Jeremy about the writers, practitioners and 'organic intellectuals' who have created a new discourse around Black female sound, taking in figures such as the writer and collector of field recordings Zora Neale Hurston, the writer, journalist and singer Pauline Hopkins, and the writer and playwright Lorraine Hansberry. They dig into what it means to hold precious these forgotten figures, affectionate writing praxis, and the relationship between curatorial or archival work and contemporary music making. In part 2, coming in a fortnight, we will hear about some of the contemporary artists featured in the book, including Janelle Monáe and Beyonce.
Daphne A. Brooks is William R. Kenan, Jr. professor of African American studies, American Studies, Women's, Gender and Sexuality Studies and Music at Yale University; she is also director of graduate studies.She specializes in African American literary cultural performance studies, especially 19th century and trans-Atlantic culture. She is a rock music lover and has attributed her research interests in black performance to being a fan of rock music since a very young age.
Produced and edited by Matt Huxley.
Tracklist:
Books:

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