Ambrose Bierce fought as a Union officer at the battle of Chickamauga in September of 1863. Twenty-six years later, he wrote this story about it.

A warning before you press play. "Chickamauga" is brief and graphic. Bierce describes wounded and dying men in unflinching detail, and there is a small child at the center of the story. If you've served, if you've lost someone to war, or if you're listening with children present, take a moment before you begin.

This is not the Civil War of monuments and ceremony. It is the war as Bierce saw it, written by a man who refused to let his country forget.

A note on the language: Bierce wrote for readers of 1889, and his vocabulary, sentence length, and classical allusions reflect that. He expected his audience to do some work. The difficulty is part of the experience.

The battle in the title was a real battle. More than 34,000 men were killed, wounded, or captured over three days in north Georgia. One of them, captured on September 20th, 1863, was John B. Anderson of the 6th Indiana Volunteer Infantry — my great-great-grandfather. He survived Libby Prison, Danville, and Andersonville, and walked home on the last day of 1864.

His story inspired The Line Uncrossed, a novel following a young soldier named Levi Anderson from enlistment through capture, captivity, and homecoming. It's available May 22nd, 2026, wherever books are sold.

You can also immediately purchase a special ebook package with The Line Uncrossed and a three story bonus ebook with this story and two original stories from the world of The Line Uncrossed for only $5 at donmcdonald.com

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Henry Pollard has always had a dangerous relationship with words.

In 1861 Indianapolis, while the country rushes headlong toward war, Henry would prefer to remain where he is: alive, sarcastic, and safely distant from glory. But a simple errand on behalf of a worried mother places him at a recruiting table outside the statehouse, where one ordinary moment begins quietly rearranging the rest of his life.

The Pen is an original short story set in the world of The Line Uncrossed, a literary Civil War novel about family, memory, survival, and the irreversible weight of seemingly small decisions. Told with wit, warmth, and the hindsight of years, it offers a deeply human glimpse into the young men who marched toward war before they understood what war truly was.

The Line Uncrossed, available May 22, 2026 at Amazon.com, BN.com, and a host of other book and e-book services.

Podcast listeners can get an early access to The Line Uncrossed e-book offer with bonus stories, including this one, at donmcdonald.com

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A man is offered five gifts by a fairy, and told that only one of them holds any real value. He is asked to choose. What follows is one of Mark Twain's bleakest parables, written in the shadow of personal loss, and rendered with the dark precision of a writer who had stopped pretending that wisdom arrives in time to be useful.

The Five Boons of Life was published in 1902, when Mark Twain was sixty-six years old, and it belongs to a period of his work that bears little resemblance to the river-bright comedy of Tom Sawyer or the rolling satire of Huckleberry Finn. By the time he wrote this fable, the man born Samuel Clemens had buried his beloved daughter Susy, who died of meningitis in 1896 while he was abroad, unable to reach her. His wife Olivia, the center of his emotional life for more than three decades, was in failing health and would die two years after this story was written. His youngest daughter Jean, who suffered from epilepsy, would drown in a bathtub on Christmas Eve of 1909, four months before Twain himself died. He outlived nearly everyone he had built his life around.

He had also outlived his own fortune. A series of disastrous investments, most notoriously in the Paige typesetting machine, had bankrupted him in the 1890s and forced him to undertake a global lecture tour, in his sixties, to pay back creditors he was not legally obligated to repay. He did it anyway, because his name was on the debt, and his name had once meant something to him.

By 1902, fame had become, in his own assessment, a kind of haunting. Pleasure had thinned. Love had cost him more than he believed any human heart should be asked to pay. And wealth, he had learned twice over, was a borrowed thing that the world reclaimed without warning. What remained was the suspicion, hardened by experience into something like conviction, that the only mercy available to a human being was the one nobody wanted to ask for, and that even that mercy was distributed without justice.

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In April, 2026, an American F-15E Strike Eagle went down over western Iran. The weapons officer ejected into the Zagros Mountains and was eventually recovered, in an operation whose full scope remains classified, but which is understood to have involved the destruction of hundreds of millions of dollars in American aircraft on the ground rather than risk leaving them, or him, behind.

The Crevice is a work of fiction built on the bones of that event. The names are invented. The mountain is invented. The man wedged into the rock is invented. But the cost was real. The promise that brought the helicopters in was real. And the men who flew through the dark to keep that promise, the special operators and aircrews who do this work in places most of us will never know about, for people whose names they will never learn, they are real, and they are the reason the story ends the way it does.

This story is being presented on Litreading for limited time to help build the audience for its eventual primary home, New Tales Told part of Short Storyverses. New Tales Told is made up of totally original modern stories written with the feel of classic short stories (suitable for all ages). There are now fourteen original stories so please check start listening and subscribing to New Tales Told. On Apple Podcasts it is part of the Short Storyverses Channel.

We are expanding our universe of short story podcasts on our new podcast channel, Short StoryVerses. Listen to some of Don's new, original short stories on the "New Tales Told" podcast. Look it up on your favorite podcast player.

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Lady Carlotta misses her train, and a stranger on the platform mistakes her for the new governess. Rather than correct the error, Lady Carlotta decides to accept the position — and teach history by a method the Quabarl household will not soon forget. From the inimitable Saki, a story of social comeuppance served with perfect composure.

Saki was the pen name of Hector Hugh Munro, born in Burma in 1870 and raised in England by two strict aunts whose tyrannies would later populate his fiction. He worked as a journalist and foreign correspondent before turning to the short story, where his wit, elegance, and appetite for mischief found their natural home. He enlisted at the outbreak of the First World War and was killed by a sniper in France in 1916.

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During the Civil War, the military's telegraph network was run by civilians. Teenagers, some of them. Elias Murrow was nineteen, careful, and precise. He trusted the procedure because the procedure had never failed him. Then two messages arrived that couldn't both be real, and he did exactly what he was trained to do.

This story is being presented on Litreading for limited time to help build the audience for its eventual primary home, New Tales Told part of Short Storyverses. New Tales Told is made up of totally original modern stories written with the feel of classic short stories (suitable for all ages). There are now fourteen original stories so please check start listening and subscribing to New Tales Told. On Apple Podcasts it is part of the Short Storyverses Channel.

We are expanding our universe of short story podcasts on our new podcast channel, Short StoryVerses. Listen to some of Don's new, original short stories on the "New Tales Told" podcast. Look it up on your favorite podcast player.

Hosted on Acast. See acast.com/privacy for more information.

A chance reunion at a Paris café. A photograph of a woman who looks like she's hiding something. And a story that asks a question Wilde never quite answers: What's worse, a woman with a secret, or a woman who simply loves the appearance of having one? Oscar Wilde's "The Sphinx Without a Secret," published in 1887, is a small, perfect jewel of a story about mystery, obsession, and the danger of needing people to be more complicated than they are.

Oscar Wilde wrote "The Sphinx Without a Secret" in 1887, when he was thirty-three and already the most quotable man in England. He's remembered for the big things, "The Picture of Dorian Gray," "The Importance of Being Earnest," the trials that destroyed him. But pieces like this one remind you that he could do more with a photograph and a cup of coffee than most writers can do with a hundred pages.

f you enjoyed this story, there's a lot more where it came from. At ShortStoryverses.com you'll find all of our podcasts: New Tales Told for original fiction, Season's Readings for holiday stories, Readastorus for the whole family, and FRIGHTLY for when you want to lose a little sleep. And if you've got a second, tap that five-star rating on Apple Podcasts or Spotify.

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The Committee Committee is a parable set in a village where things run smoothly—because they always have.

Problems are addressed. Responsibilities are shared. And when questions arise, there is a structure in place to handle them.

Over time, that structure has grown more refined, more comprehensive… and more complete.

This story is being presented on Litreading for limited time to help build the audience for its eventual primary home, New Tales Told part of Short Storyverses. New Tales Told is made up of totally original modern stories written with the feel of classic short stories (suitable for all ages). There are now fourteen original stories so please check start listening and subscribing to New Tales Told. On Apple Podcasts it is part of the Short Storyverses Channel.

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There are things we expect from the world.

Walls stay still. Rooms hold their shape. The spaces we live in behave.

And when they don’t, we look for explanations.

Old houses settle. Pipes shift. Light plays tricks.

But sometimes the world doesn’t explain itself.

When an answer can’t be seen, that doesn’t mean there isn’t one.

There is something.

Something all too real.

Something beyond frightening.

This story is being presented on Litreading for limited time to help build the audience for its eventual primary home, New Tales Told part of Short Storyverses. New Tales Told is made up of totally original modern stories written with the feel of classic short stories (suitable for all ages). There are now fourteen original stories so please check start listening and subscribing to New Tales Told. On Apple Podcasts it is part of the Short Storyverses Channel.

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First published in 1870, “My Watch” is one of Mark Twain’s sharpest short comic essays. What begins as a simple adjustment to a timepiece becomes an escalating satire of overconfidence, technical jargon, and the human tendency to meddle with what already works. In fewer than ten minutes, Twain turns a minor inconvenience into a masterclass in comic exaggeration.

Mark Twain was the pen name of Samuel Langhorne Clemens, born in 1835. A riverboat pilot, journalist, lecturer, and one of America’s most enduring humorists, Twain built his reputation on sharp observation, comic exaggeration, and a deep skepticism of human certainty. His works include The Adventures of Tom Sawyer and Adventures of Huckleberry Finn, but he was equally at home in short essays like this one — small mechanical failures turned into very large human truths.

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