If you've only heard Lizzo's hit "Good As Hell" you might think the Twin Cities singer is a funny and ingratiating but fairly straightforward purveyor of self-affirmation and charismatic confidence. But as her joyful and explosive live show unfolded, complete with the arrival of the ecstatic backup dancers she calls "The Big Girls," it became clear that Lizzo has something more powerful going on: 1. Worship, 2. Phone, 3. Bam Bam, 4. Deep, 5. Drone Bomb Me, 6. Easy Easy, 7. 'Scuse Me, 8. Coconut Oil, 9. Good As Hell

When PWR BTTM takes the stage, it doesn't take long to figure out what you're going to get. From the first glitter-smeared seconds of the set-opening "Silly," the band came to shred and swagger with infectious joy, complete with backbends and solos and spangly outfits — at least one of which wouldn't survive the band's set at Stubb's BBQ in Austin, Texas, recorded live for NPR Music on March 15, 20217.

Hear the country singer blaze through a set that demonstrates she's forging her own path.

Baker's ragged-edged voice and ringing Telecaster were all it took to win over the Newport audience.

The Beyoncé and Jack White collaborator combined vulnerability with swagger in her Newport set.

Hear Costello perform with several special guests, including Glen Hansard and Middle Brother.

"These are the smallest songs you'll hear at this folk festival this year, I think," Shelley said of her set with guitarist Nathan Salsburg. Small songs, perhaps, but each one contained a world.

The folk-pop band builds mountains out of sensitive harmony lines at the Newport Folk Festival. Kam Franklin of Houston soul band The Suffers joined them on a Woody Guthrie-Wilco cover.

The rootsy soul band worked through simmering soul grooves and hip-swinging honky-tonk.

The off-again, on-again rock band from Milwaukee, Wisc., built a careening, playful set around mainstays like "Blister In The Sun" and new songs like "I Could Be Anything."