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In this episode we interview one of our hosts Brendan Dreaper, best known for his touring work with Snoh Aalegra, his work in bay area venues including The Independent, and huge amounts of studio work including the non-profit Zoo Labs. We discuss how he started his career in live sound, his experience, and what he's planning for the future.--- Support this podcast:
https://anchor.fm/livesoundbootcamp/support
Yet another continuation of the previous episode, in part four we deep dive into effects. We chat about the multiple reverb types, how they're different, and when we might use each of them. We also jump into some of how we may process the sends and returns. We also jump into delays and the ways that we use those in a mix. We even touch on some of the lesser used effects such as phasers, flangers, and choruses. This episode could have gone on for weeks too!--- Support this podcast:
https://anchor.fm/livesoundbootcamp/support
Yet another continuation of the previous episode, in part three we jump into dynamics. Not just the basics of how gates and compressors work, but some of the many ways to use them, and even how we all differ on our uses of each. Compression in mixing is one of those dark arts that can be understood but somehow we all use it differently. Enjoy this one, we could have gone for hours.--- Support this podcast:
https://anchor.fm/livesoundbootcamp/support
As a continuation of the previous episode, in part two we jump into concepts about the process including order of operations, setting your filters, making EQ changes. Although it sounds like this isn't a lot to talk about, somehow we talked about it for an hour, going over all the reasons for every move, breaking down corrective versus creative changes, boosts vs cuts, and even understanding what you can and can't EQ.--- Support this podcast:
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Up front, it's time to figure out how to actually put together the mix. In this episode we cover how to start at FOH, from getting talkbacks up, routing your outputs, the order of your channels and fader positions, and of course the biggest one: Gain Staging. This episode has a lot of different ideas and opinions in it. --- Support this podcast:
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Rather than getting ultra-technical, in this episode, we go over how we address issues in PA systems. Much like the last episode on PA system design, this process is complicated and learning about it can span your entire career, so do take our basic information here with a grain of salt. We review the goals of a PA system, the difference in perspective for tuning for a system designer and a band engineer, as well as some methods for measuring, and the things you can apply to a system to achieve your desired output.--- Support this podcast:
https://anchor.fm/livesoundbootcamp/support
In this episode, we dove into the basics of the FOH speaker system design. This topic as a whole spans entire careers, so do take our basic information here with a grain of salt. We talk through speaker types, coverage goals, placement, and how to integrate subs, front fills and other PA into your setup. --- Support this podcast:
https://anchor.fm/livesoundbootcamp/support
In this episode, we jump into the first steps of understanding the signal flow of a FOH system. Covering the physical wiring, and the patching inside of desks. We jump through things like festival patches, methods for managing your patch, and how get out of the desk to PA systems. It's a quick overview on the basics, to be continued in the next episode on system design.--- Support this podcast:
https://anchor.fm/livesoundbootcamp/support
We figured it was time to get away from technical topics for an episode, and talk about something personal. The three of us have all reached where we are in our careers in different ways along different routes, and we had some fun with our different perspectives on the idea of how to get the job. This episode covers the various audio jobs that exist, and some of the common paths to those various positions. We talk about networking, and even cover some odd things like how to say no to a gig. --- Support this podcast:
https://anchor.fm/livesoundbootcamp/support
This episode is the remainder of the conversation from the previous episode, and is the third in the series on building a monitor mix. Here we get into some of the details Sends on Fader workflows, where to keep your output masters, how the room changes once it fills up, how the PA affects your mix, and of course effects in monitors. This episode also gets pretty deep in methods for how to approach actually putting the mix together for Wedges, Side Fills, Subs, versus In Ear Monitor setups. This episode gets pretty technical, and hits on specific workflows.--- Support this podcast:
https://anchor.fm/livesoundbootcamp/support
From the publisher's feed
Hosted by a trio of touring engineers, Live Sound Bootcamp (LSBC) is meant to help new engineers to learn live sound from the ground up, and also maybe provide some insight and humor to seasoned…
Ryan O John is a musician turned engineer, turned product designer, turned podcast host. He was playing instruments by 5 years old, with his first shows at age 12, recording his own albums by 13, and touring by 16 -- he leans heavily toward the geeky side of sound. From small local clubs to international stadiums, metal to pop, Ryan's career in live sound mixing has covered a lot of ground traveling the world with a ton of artists including Jessie J, Andy Grammer, Tove Lo, Banks, Liam Payne, Capital Cities and many more. Beyond just touring with pop and rock acts, he also designs audio consoles and software, mix records, and race cars.
After Brendan Dreaper picked up the drums in middle school, live music became an important part of his life. With a number of diversions under his belt, which included studying economics and working as a professional glassblower, he returned to music and found his footing behind the mixing console. Working from bar gigs to local festivals and eventually to touring with Magic! and Snoh Aalegra, Brendan has had the pleasure of making live music happen. Outside of geeking out about live sound on a podcast, he likes to play drums with the band vverevvolf, produce music and get real nerdy about anything Lord of the Rings related.
The third member of the trio, Joe Santarpia, is a live sound and recording/mixing engineer of 15 years, Tour Manager, Musician and Producer. His touring resume includes Mac Demarco, King Gizzard & the Lizard Wizard, Connan Mockasin, Best Coast, Surfer Blood, Inner Circle and others. Joe was a former staff engineer at Circle House Studios in Miami, FL and Faultline Studios (RIP) in San Francisco. during his free time he is an electronics hobbyist and recreational ice hockey player.

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