More and more men are showing up in therapy convinced that desire is a technical problem—something that can be solved through optimization, symmetry, and self-correction. Jawlines, ratios, bodies, images. Looksmaxxing promises certainty, control, and relief from rejection, but what it actually delivers is anxiety, perfectionism, and a dead end.

In this episode, I bring together several threads that have been colliding for me lately: re-watching Mad Men, clinical conversations with men struggling under the pressure to optimize themselves, and Jacques Lacan’s unsettling idea of objet petit a—the object-cause of desire that can never be perfected, possessed, or secured.

Along the way, I draw on Slavoj Žižek’s famous example of Cindy Crawford’s mole, and on Jessica Paré’s portrayal of Megan Draper, whose gap-toothed beauty in Mad Men illustrates a simple but uncomfortable truth: desire doesn’t emerge from flawlessness, but from the excess, the gap, and the imperfection that refuses to be optimized away.

This episode is a critique of looksmaxxing culture, perfectionism, and the fantasy that being desirable means becoming complete—and an invitation to think about desire as something far less controllable, far less marketable, and far more human.