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We're joined by film writer and filmmaker Jonah Koslofsky to go long on the 1997 neo-noir mindbender Lost Highway, a turning point in the career of David Lynch which would lay the stylistic groundwork that would come to define his output through the next 20+ years. We discuss the filmmaker's singular (and unexpectedly humanist) aesthetic, the futile endeavor of talking about David Lynch literally, and how the director's ideological influences propagate art that antagonizes the thresholds of the neoliberal imaginary.
Follow Jonah Koslofsky on Twitter
Read Jonah's Philip Seymour Hoffman column 'P.S.H. I Love You' at The Spool
Read Nick Pinkerton's 'Lost Highway' piece "Switchback" on Substack (Subscriber read only)
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Our theme song is "Mirror" by Chris Fish.
By Hit Factory4.3
7272 ratings
We're joined by film writer and filmmaker Jonah Koslofsky to go long on the 1997 neo-noir mindbender Lost Highway, a turning point in the career of David Lynch which would lay the stylistic groundwork that would come to define his output through the next 20+ years. We discuss the filmmaker's singular (and unexpectedly humanist) aesthetic, the futile endeavor of talking about David Lynch literally, and how the director's ideological influences propagate art that antagonizes the thresholds of the neoliberal imaginary.
Follow Jonah Koslofsky on Twitter
Read Jonah's Philip Seymour Hoffman column 'P.S.H. I Love You' at The Spool
Read Nick Pinkerton's 'Lost Highway' piece "Switchback" on Substack (Subscriber read only)
.
.
.
.
Our theme song is "Mirror" by Chris Fish.

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