Love is a Crime

On the first episode of Fair Game, Vanity Fair’s new interview show, Mark Guiducci sits down with actor, writer, and director Colman Domingo for a conversation about Colman’s career, sense of style, and philosophy on the world. They touch on Colman’s role as a peacemaker on the set of Euphoria, his performance as Joe Jackson in Michael, and his early work in a political children’s circus where he played a salamander on stilts. “I've had to build this career,” Domingo says. “There's no career that looks like mine. No one writes musicals and plays and directs and acts and sings and dances… I created this space for myself. But it's not because I wanted to, it's because I had to”

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“The Journey,” an audio investigation hosted by the New Yorker staff writer Ava Kofman, unravels the mystery of how Guojun Xuan and Silvia Zhang, a wealthy Los Angeles couple, obtained dozens of children through nearly as many surrogates—and exposes a scandal that threatens to undermine the entire surrogacy industry.
In Episode 1, "Gifts," a woman in Texas agrees to carry a child for the couple. She thinks she’s helping a family in need. Then, she becomes a whistleblower.
In the Dark is an acclaimed investigative-journalism podcast that launched in 2016. Its third season won the 2025 Pulitzer Prize for audio.
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The wives and daughters of Dubai’s ruler live in unbelievable luxury. So why do the women in Sheikh Mohammed’s family keep trying to run away? The New Yorker staff writer Heidi Blake joins In the Dark’s Madeleine Baran to tell the story of the royal women who risked everything to flee the brutality of one of the world’s most powerful men. In four episodes, drawing on thousands of pages of secret correspondence and never-before-heard audio recordings, “The Runaway Princesses” takes listeners behind palace walls, revealing a story of astonishing courage and cruelty.

“The Runaway Princesses” is a four-part narrative series from In the Dark and The New Yorker. To keep listening, follow In the Dark wherever you get your podcasts or via this link https://link.chtbl.com/itd_f

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In one last noir twist, Joan marries for a fourth and final time to a man with a secret life. The last chapter of our story takes us from the Greenwich Village cross-dressing scene of the 1960s, to the set of Dario Argento’s giallo classic, Suspiria (Joan’s last film), to post-reunification Berlin, where Bennett’s legacy as a key face of film noir is solidified. What are the lasting reverberations of the violent act Walter Wanger committed in 1951 -- on Joan Bennett’s family, on film culture, politics and society? What, if anything, would be different today?

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While the shooting seems to enhance Wanger’s reputation in Hollywood’s eyes, the media frenzy that follows enacts a sharp price on the lives of Joan Bennett (Zooey Deschanel) and her children. Joan is forced to make a living largely through grueling touring theater. By the mid-1950s, Joan is essentially blacklisted from Hollywood movies, but her acting career gets a final boost, when Joan is cast in the legendary daytime supernatural soap, Dark Shadows, and acquires a whole new generation of fans. 

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Walter Wanger (Jon Hamm) emerges from prison, and relaunches his career by producing several important films inspired by his experience, including the Oscar-winning I Want to Live!, and the original Invasion of the Body Snatchers. He sinks his newly re-acquired power into one final, major folly: Cleopatra. Working with Elizabeth Taylor as she and Richard Burton are in the midst of one of the 20th century’s biggest adultery scandals gives Walter a newfound understanding of what he went through with Joan. Also featuring Lili Anolik from the podcast Once Upon a Time in the Valley.

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In December 1951, Walter Wanger (Jon Hamm) points his gun at Jennings Lang’s (Griffin Dunne) groin and fires -- and Joan Bennett’s (Zooey Deschanel) life and that of her family will never be the same. Though it’s her husband who commits a shocking act of violence, and it’s he who is actually sent to jail, Joan finds herself painted in the press as the perpetrator. As Hollywood and America rally around the gun-toting man, the adulterous woman is thrown to the wolves to fend for herself and her family. Also featuring Brian Comstock as Police Chief. 

Listen and subscribe at http://listen.vanityfair.com/loveisacrime or wherever you get your podcasts: http://listen.vanityfair.com/liac

For a transcript of this episode, please follow this link.

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