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Fay Simpson speaks to Maria-Christina Oliveras about her recent successes on Broadway and beyond. Having worked together for several years, they discuss how Lucid Body helped her develop deeply embodied characters, from Luz Baccay in The Balusters to Persephone in Hadestown, as well as her dual roles as Queen and Belarius in Cymbeline.
Cecilia and Fay have a conversation about the importance of Shakespeare's text in the body. After teaching and working together for many years, these two exchange views of what it means to embody the complex and passionate text of the Bard.
Fay has a rich dialogue with Mike DeBlis about the repercussions of his acting training on both his personal life and work in the courtroom.
Kady and Fay first met at Michael Howard Studio in 2002. 22 years later, Kady is in France, teaching, directing and using the Lucid Body process she has diligently embodied to engage actors in expressing their authentic selves.
In this episode, Fay diagnoses several characters from recent stage and film performances she has witnessed, using the chakra language and layering tools. The characters come from Killers of the Flower Moon, Poor Things, Mister Halston, and Here We Are. This episode is directed at those who know and use the Lucid Body process to embody the character. So watch out...very geeky!! Enjoy.
Fay and Machel discuss the magic of making theater, from their own robust collaborations to the many influences that Machel has had along the way. A vibrant and important voice in today's theatre, Machel Ross is dreaming and scheming and lighting up our theatrical community.
Fay Simpson speaks with Margherita Peluso about their workshop in Sicily, On The Wings of Change from June 16th -June 21st. Daily Lucid Body classes will be combined with ritual and one on one sessions for physical balancing, along with explorations of small villages and ancient ruins. A true Lucid Body retreat for transformation, reflection, and renewal.
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