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The guys scrub in to take a deep look at Paul Anka's (You're) Having My Baby which has been called chauvinistic upon many other things. Is the hype real? Is this song as self-obsessed as it seems? We certainly think there is a good case to be made...
Seth and Marc look at a song that was described as "racist, sexist and fetishistic" all in one fell swoop; Island Girl by Elton John (and Bernie Taupin.) A song that is swinging for a Caribbean feel and ends up being tone deaf in more than one way.
Seth and Marc drag the proverbial lake of lyrics in search of a line that isn't creepy as fuck in the song Possum Kingdom by Toadies. Unfortunately, they seem to come up pretty empty-handed.
Seth and Marc bring past favorite guests Adam and Logan to get into the inner workings of Lola by The Kinks. On one hand, we talk about what the lyrics reveal to people who may have heard the song in passing. On the other, we have a discussion on whether or not this song is transphobic and some of the lines that are double entendres. Minds were changed! Eyes were opened!
Special Guests: Adam and Logan.
Seth and Marc bring on Kristin, a recovering Buckcherry fan, to rip Crazy Bitch apart limb from limb. How high will the Creep Factor go on this one?
Special Guest: Kristin Herman.
The guys give a bit of a death metal history lesson before launching an all-out assault on the neanderthal-esque lyrics of Andrew WK's Party Hard. Incomplete thoughts and sentences abound in spite of his intelligence. Where did he go wrong?
Seth and Marc look past the first 2 better known verses of Jailhouse Rock by Elvis Presley and discover a little surprise!
The guys revisit Billy Squire with his early 80's hit non-single and best attempt at a Led Zeppelin song: Lonely Is The Night. These lyrics are an unmitigated disaster and even Billy's weak explanation leaves us scratching our heads... join us on our descent into madness.
Today, Seth and Marc find themselves in an elevator with New England's own Aerosmith for their ultra horny single Love In An Elevator. We discuss the music video, the complications of oral sex in an elevator, and the death wish hidden within.
The guys unveil the true story behind the 90's hit The Way which catapulted Fastball into the limelight. The lyrics, which seem to be about a couple who decide to shrug off the banality of the normal life in exchange for a life roaming the world, actually have a much sadder history.
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