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Alana Wilson is a ceramicist based in Sydney, Australia. She has been practicing ceramics for 7 years, since graduating from the National Art School with a BFA (Hons) in 2012. She exhibits regularly both nationally and internationally, most recently in Japan. While most works are essentially contemplative, the ode to traditional forms seeks to honor the nobility of the vessel and it's foremost function alongside an inherent respect of ceramics as a medium. Subtle surface destructions and experimental glazing and firing techniques are a major focus in the studio. Firing to 1260ºC allows the metamorphosis of surface degradation to be captured, appearing to exist in a state of motion and decay, even once cooled. These quiet meditations into the beauty of the decayed utilitarian attempt to captivate and impel the viewer beyond the physicality and functionality of the works.
By Paul Blais4.9
523523 ratings
Alana Wilson is a ceramicist based in Sydney, Australia. She has been practicing ceramics for 7 years, since graduating from the National Art School with a BFA (Hons) in 2012. She exhibits regularly both nationally and internationally, most recently in Japan. While most works are essentially contemplative, the ode to traditional forms seeks to honor the nobility of the vessel and it's foremost function alongside an inherent respect of ceramics as a medium. Subtle surface destructions and experimental glazing and firing techniques are a major focus in the studio. Firing to 1260ºC allows the metamorphosis of surface degradation to be captured, appearing to exist in a state of motion and decay, even once cooled. These quiet meditations into the beauty of the decayed utilitarian attempt to captivate and impel the viewer beyond the physicality and functionality of the works.

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