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Look around you: Our communities are filled with people in their 60s, 70s, 80s, even 90s, doing things that would have been unthinkable at their age a generation ago. By 2030, the entire Baby Boomer generation will be 65 and older. By mid-century, more than 80 million Americans will be over the age of 65. By any prevailing definition, the United States will be a country full of older adults. But what does it mean to be old in an era of much longer life?
Welcome to Century Lives: The New Old, from the Stanford Center on Longevity! I’m your host, Ken Stern. In this season, we interview six extraordinary people who are challenging the way we think about aging—and inspiring new ways we can live our supersized lives.
Today: Margaret Cho. She is a Korean-American comedian, actress, musician, advocate, and entrepreneur. Most of us know her from her stand-up, where she pokes fun at topics like race, sexuality, body positivity, and politics. Decades after her network debut, she’s still using comedy as activism.
By Stanford Center on Longevity4.8
3939 ratings
Look around you: Our communities are filled with people in their 60s, 70s, 80s, even 90s, doing things that would have been unthinkable at their age a generation ago. By 2030, the entire Baby Boomer generation will be 65 and older. By mid-century, more than 80 million Americans will be over the age of 65. By any prevailing definition, the United States will be a country full of older adults. But what does it mean to be old in an era of much longer life?
Welcome to Century Lives: The New Old, from the Stanford Center on Longevity! I’m your host, Ken Stern. In this season, we interview six extraordinary people who are challenging the way we think about aging—and inspiring new ways we can live our supersized lives.
Today: Margaret Cho. She is a Korean-American comedian, actress, musician, advocate, and entrepreneur. Most of us know her from her stand-up, where she pokes fun at topics like race, sexuality, body positivity, and politics. Decades after her network debut, she’s still using comedy as activism.

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