
Sign up to save your podcasts
Or
Russian Orientalism in a Global Context: Hybridity, Encounter, and Representation, 1740-1940 (Manchester UP, 2023) features new research on Russia's historic relationship with Asia and the ways it was mediated and represented in the fine, decorative and performing arts and architecture from the mid-eighteenth century to the first two decades of Soviet rule. It interrogates how Russia's perception of its position on the periphery of the west and its simultaneous self-consciousness as a colonial power shaped its artistic, cultural and national identity as a heterogenous, multi-ethnic empire. It also explores the extent to which cultural practitioners participated in the discursive matrices that advanced Russia's colonial machinery on the one hand and critiqued and challenged it on the other, especially in territories that were themselves on the fault lines between the east and the west.
Maria Taroutina is Associate Professor of Art History and Slavic Studies at Brown University.
Allison Leigh is Associate Professor of Art History and the SLEMCO/LEQSF Regents Endowed Professor in Art and Architecture at the University of Louisiana at Lafayette
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
4.7
66 ratings
Russian Orientalism in a Global Context: Hybridity, Encounter, and Representation, 1740-1940 (Manchester UP, 2023) features new research on Russia's historic relationship with Asia and the ways it was mediated and represented in the fine, decorative and performing arts and architecture from the mid-eighteenth century to the first two decades of Soviet rule. It interrogates how Russia's perception of its position on the periphery of the west and its simultaneous self-consciousness as a colonial power shaped its artistic, cultural and national identity as a heterogenous, multi-ethnic empire. It also explores the extent to which cultural practitioners participated in the discursive matrices that advanced Russia's colonial machinery on the one hand and critiqued and challenged it on the other, especially in territories that were themselves on the fault lines between the east and the west.
Maria Taroutina is Associate Professor of Art History and Slavic Studies at Brown University.
Allison Leigh is Associate Professor of Art History and the SLEMCO/LEQSF Regents Endowed Professor in Art and Architecture at the University of Louisiana at Lafayette
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
5,389 Listeners
43,967 Listeners
3,193 Listeners
293 Listeners
1,789 Listeners
3,043 Listeners
13,053 Listeners
15,321 Listeners
1,758 Listeners
1,982 Listeners
346 Listeners
3,286 Listeners
421 Listeners
2,107 Listeners
321 Listeners