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Nearly 30 years after Marianne Jean-Baptiste received an Oscar nomination for her first collaboration with director Mike Leigh, Secrets & Lies, the pair are back together with Hard Truths. “It’s been so nice to just spend time with him,” Jean-Baptiste tells Newsweek’s Parting Shot. Jean-Baptiste plays Pansy, a depressed, angry, middle-aged woman who seems to find conflict with everyone. “I’m not too worried about her not being likable, but I was worried about people not having compassion for her.” Part of what makes a Leigh film so unique is the preparation that goes into crafting a character. “He is the only one that works in the way that he works, with the preparation, with the rehearsal.” Once again, Jean-Baptiste is receiving awards buzz for her multilayered performance. But for her, it’s less about her performance and more about people discovering the film. “It’s becoming more and more difficult to get people to go to the cinema to see films, especially one like this that hasn’t got that big money behind it. So for this film to be sort of the little David against Goliath, it’s a real thrill.”
Marianne Jean-Baptiste and Mike Leigh chats with H. Alan Scott about Hard Truths, their collaborations and Leigh’s singularly unique way of filmmaking.
See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
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Nearly 30 years after Marianne Jean-Baptiste received an Oscar nomination for her first collaboration with director Mike Leigh, Secrets & Lies, the pair are back together with Hard Truths. “It’s been so nice to just spend time with him,” Jean-Baptiste tells Newsweek’s Parting Shot. Jean-Baptiste plays Pansy, a depressed, angry, middle-aged woman who seems to find conflict with everyone. “I’m not too worried about her not being likable, but I was worried about people not having compassion for her.” Part of what makes a Leigh film so unique is the preparation that goes into crafting a character. “He is the only one that works in the way that he works, with the preparation, with the rehearsal.” Once again, Jean-Baptiste is receiving awards buzz for her multilayered performance. But for her, it’s less about her performance and more about people discovering the film. “It’s becoming more and more difficult to get people to go to the cinema to see films, especially one like this that hasn’t got that big money behind it. So for this film to be sort of the little David against Goliath, it’s a real thrill.”
Marianne Jean-Baptiste and Mike Leigh chats with H. Alan Scott about Hard Truths, their collaborations and Leigh’s singularly unique way of filmmaking.
See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
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