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Mark Gould is one of the most interesting, controversial, and hilarious musicians on the classical (and jazz) musical scene today. His new book, Gould on Music, is a fascinating look into many aspects of music, especially teaching. So it was interesting to hear Mark’s thoughts on so many different aspects of music and the music business.
In Part 1 of our conversation, I ask Mark about a number of his ideas about teaching, how he approaches each individual student differently, and how using humor can be a help in teaching, including ways to make concepts memorable. I ask him how he would teach me as a young student, he talks about the sound and approach of Adolph Herseth, and we end with a few funny stories of his time with the Metropolitan Opera.
By Anthony Plog (host), Eddie Ludema (Producer)5
2424 ratings
Mark Gould is one of the most interesting, controversial, and hilarious musicians on the classical (and jazz) musical scene today. His new book, Gould on Music, is a fascinating look into many aspects of music, especially teaching. So it was interesting to hear Mark’s thoughts on so many different aspects of music and the music business.
In Part 1 of our conversation, I ask Mark about a number of his ideas about teaching, how he approaches each individual student differently, and how using humor can be a help in teaching, including ways to make concepts memorable. I ask him how he would teach me as a young student, he talks about the sound and approach of Adolph Herseth, and we end with a few funny stories of his time with the Metropolitan Opera.

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