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In Part 2, Mark and I discuss differing views of interpretation, specifically with the Hindemith Sonata for Trumpet and Piano. The question is always this: How faithful should the performer be to the exact text of the music? Mark, of course, has some very definite ideas! We also talk about his time with the Metropolitan Opera, and end this part of our conversation with a discussion of historical performance practice.
Would you like more inspirational stories, suggestions, insights, and a place to continue the conversations with other listeners? Visit anthonyplog-on-music.supercast.com to learn more!
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By Anthony Plog (host), Eddie Ludema (Producer)5
2424 ratings
In Part 2, Mark and I discuss differing views of interpretation, specifically with the Hindemith Sonata for Trumpet and Piano. The question is always this: How faithful should the performer be to the exact text of the music? Mark, of course, has some very definite ideas! We also talk about his time with the Metropolitan Opera, and end this part of our conversation with a discussion of historical performance practice.
Would you like more inspirational stories, suggestions, insights, and a place to continue the conversations with other listeners? Visit anthonyplog-on-music.supercast.com to learn more!
As a Contributing Listener of "Anthony Plog on Music," you'll have access to extra premium content and benefits including:
Learn more about becoming a Contributing Listener @ anthonyplog-on-music.supercast.com!

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