In our latest episode, we sit down with veteran comic book artist Mark Pennington to explore his remarkable career spanning four decades in the industry. Mark shares his journey from graduating the Joe Kubert School of Cartoon and Graphic Art in 1985 to starting his career doing designs for iconic toy lines like G.I. Joe  at Hasbro before transitioning to comic book inking in 1988. We dive into his extensive work across major publishers including Marvel, DC, Image, CrossGen, and others, inking legendary titles like X-Men, Spider-Man, Fantastic Four, Batman: Legends of the Dark Knight, Eclipso, Violator and more, with particular focus on his acclaimed work on Shade, the Changing Man, which earned him an Eisner nomination for Best Inker in 1993. Mark discusses the often-underappreciated art of inking, his collaboration process with pencilers, working on high-profile titles like Hellblazer and JLA, and how the industry has evolved since he started. We also explore his move into self-publishing and his continued passion for both commercial comic work and fine art.

You can follow Mark on Instagram @markpenningtonart.

Support the show

___________________

Check out video versions of this and other episodes on YouTube: youtube.com/dollarbinbandits!

If you like this podcast, please rate, review, and subscribe on Apple Podcasts or wherever you found this episode. And if you really like this podcast, become a member of the Dollar Bin Boosters on Patreon: patreon.com/DollarBinBoosters.

You can follow us @dollarbinbandits on Facebook, Instagram, and Bluesky, or @DBBandits on X. You can email us at [email protected].

___________________

Dollar Bin Bandits is the official podcast of TwoMorrows Publishing. Check out their fine publications at twomorrows.com.

___________________

Thank you to Sam Fonseca for our theme music, Sean McMillan for our graphics, and Pat McGrath for our logo.

Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.