Marvel Us Disney

Aaron Adams & Jim Hill start off this week’s episode with an update on the Stan Lee elder abuse case. Then Aaron serves up an enthusiastic review of the new Amazon Video limited series which is based on Neil Gaiman & Terry Pratchett’s 1990 comic novel

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Aaron Adams & Jim Hill share e-mails from two listeners who actually got to see “Spider-Man Turn Off the Dark” during its Broadway run. Then Aaron uses his audio expertise to demonstrate how Marvel Studios used the removal-of-sound as a way to add tension to the battle scenes in “Avengers: Endgame” 

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Aaron Adams & Jim Hill start things off by talking about Robert Downey Jr.’ s very impressive payday for “Avengers: Infinity War.” Then Jim digs into the troubled production history of Marvel’s very first Broadway musical. Which – when it finally closed in January of 2014 – posted a record-breaking $60 million loss.

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Aaron Adams & Jim Hill start off this week’s episode by talking about why Disney is taking a low-key approach to celebrating the fact that “Avengers: Endgame” has just overtaken “Titanic” (at least when it comes to all-time box office champs). Aaron also points out some of the more intriguing ripple effects that this Russo Brothers movie is causing within the Marvel Cinematic Universe.

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Aaron Adams & Jim Hill start off this week’s episode by going over the menu at Universal Studios Hollywood’s Marvel Mania restaurant. They then discuss what they enjoyed about the Russo Brothers’ final film for Marvel Studios

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Aaron Adams & Jim Hill start off this week’s show by talking about how “Spider-Man: Far From Home” is now supposed to be the final film in the Infinity Saga. They then share audio that Drew Taylor gathered at the global media junket that Marvel Studios held earlier this month for “Avengers: Endgame”

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Aaron Adams & Jim Hill start off this week’s episode by talking about how the limited series that Marvel Studios is producing for Disney’s soon-to-launch subscription streaming service will be different from “Agents of S.H.I.E.L.D” & “Agent Carter.” Jim then does a deep dive on Disney’s August 2009 acquisition of Marvel Entertainment and reveals that – given the weird way that Hollywood does its books – it’s entirely possible that the Mouse has yet to recover the full $4.2 billion that it spent to buy that comic book company.

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Aaron Adams & Jim Hill start off this week’s show by discussing how “Avengers: Endgame” ‘s three-hour-plus run-time may prevent this Russo Bros. movie from topping “Infinity Wars” record-breaking opening weekend box office take. They also talk about how the positive reaction that “Dark Phoenix” got at WonderCon last month really helped turn the toxic reputation that this X-Men movie had acquired around.

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Aaron Adams & Jim Hill talk about how James Gunn’s offensive Tweets problem forced Kevin Feige to change up Marvel Studios’ batting order. They also wonder whether – after “The Infinity Saga” wraps – moviegoers will continue to turn out in record number for new Marvel Cinematic Universe releases or whether Marvel film fatigue will set in

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Aaron Adams & Jim Hill start off this week’s episodes by talking about how Disney & Universal actually came together to plus Stan Lee’s cameo appearance in “Captain Marvel.” They then discuss the role that Disney’s acquisition of Fox & ABC’s firing of Roseanne played in the “Guardians” director debacle

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