Grammy Award-winning producer Matt Lawrence gives us a fun insight into his early years in the industry as an assistant producer, and offers a valuable selection of tips and ideas for launching a successful studio career today.

Chapters
00:00 - Introduction
00:35 - Working At Metropolis
02:26 - Recording Van Morrison
05:02 - Capturing A Moment
07:10 - The Craft Of Recording
09:34 - Learning From Others
13:32 - Musical Interests
15:04 - Getting Into The Industry Today
19:08 - Starting A Mix
22:40 - Time Spent On A Mix
24:25 - The Importance Of Pre-Production
26:55 - Different Approaches To The Same Mix
28:56 - Dither And Delay

#SSL #Neve

Matt Lawrence Biog
Matt Lawrence is a GRAMMY Award-winning mixer, producer and engineer who has worked on some of the most influential records of the past 20 years, contributing to over 11 billion streams worldwide. Matt is also a certified Dolby Atmos mix-engineer. Credits include Adele, Amy Winehouse, Bat For Lashes, Black Eyed Peas, Ellie Goulding, Foals, Frank Turner, Flowerovlove, George Ezra, Declan J Donovan, Laura Marling, Tom Chaplin, Tom Walker, Kodaline, You Me At Six, Macy Gray, Mumford & Sons, Naughty Boy, Emeli Sande, Sugababes, Beverley Knight, Katherine Jenkins, Keane, One Direction, Robbie Williams, Scissor Sisters, Kylie, Eric Clapton, Shirley Bassey, Joan Armatrading, George Michael, The Who, The White Stripes, The Vaccines, Van Morrisson, Lady Gaga, Beyoncé, Paloma Faith and Groove Armada. It was for his work on Mumford & Sons ‘Babel’ album, that won Matt a Grammy. Debuting at number one on both sides of the Atlantic, it has since gone 4x Platinum in the UK and has sold over 2.5 million copies in the US alone.

Starting out at Van Morrison’s studio in Bath, Matt worked on no less than seven of his studio albums, as well as with other artists such as Annie Lenox, Paul Weller and Stereophonics. Following a move to London’s Metropolis Studios, Matt rose through the ranks to Chief Engineer, working with acts such as U2, The Clash, The Rolling Stones, Elton John, Joe Cocker and Garbage, as well as more leftfield artists such as Bjork, DJ Shadow, Goldie and Jeff Beck. Honing his skills working alongside such a variety of high calibre producers and mixers has given Matt an almost unrivalled education and experience in making records. Names such as Sir George Martin, Gus Dudgeon, Marius DeVries, Butch Vig, Steve Osborne, Ben Hillier, Guy Sigsworth, Alan Moulder, Gary Langan, Nellee Hooper, Michael Kamen, Bill Price, Norman Cook, Mark Ronson, Justin Timberlake, Timberland and Will.i.am have all had a direct influence on his career. Although Matt’s work has already contributed to many hit records internationally, he also enjoys working with new and up and coming artists from an early stage in their careers.

Matt’s vast background in immersive and surround sound mixing allowed an easy transition into Dolby Atmos, where he has mixed albums for a wide range of clients, such as Lumineers, Mumford & Sons to NSG. Matt has also established himself as a ‘go-to’ for Live broadcast mix supervision, where during the busy festival season (namely Glastonbury, Reading and R1BW) he works alongside the artist and the BBC to ensure that the performances stand out as timeless concert classics. The ever-increasing client list who’s benefited include a wide range of artists such as George Ezra, Arctic Monkeys, Declan McKenna, Confidence Man to The Last Dinner Party. Matt’s production and mix work continues apace with current productions for Finnegan Tui and Olivier Martin and mixes for Jack Garratt and Flowerovlove.

https://www.matt-music.com/

Kevin Paul Biog
Kevin Paul started his career as a DJ but quickly found his passion was sound engineering. His first audio job was at Soho Studios in 1991, moving to Konk Studios six months later, where he worked alongside successful producers and engineers such as Bob Clearmountain, Adam Mosley, Pascal Gabriel and Gil Norton, as well as bands such as The Kinks, Galliano, Terrorvision, UFO and Elastica.
 
After working on archiving the Depeche Mode back catalogue in 1994, he was offered an engineering role at Mute Records’ in-house studio, which eventually lead to a position as Head Engineer, which gave him access to the entire Mute Records roster. Highlights include mixing Goldfrapp’s “Felt Mountain”, David Bowie’s “Hours” and Nick Cave’s “No More Shall We Part”. He also worked in 5:1, mixing Moby’s “Hotel”, Goldfrapp’s “Black Cherry“ and more for DVD.

In 2004 Kevin went freelance and re-mixed the entire Depeche Mode and Nick Cave and the Bad Seeds back catalogues for SACD/DVD. Since 2008, Kevin Paul has been in charge of mixing and remixing performances at the iTunes Festivals in the UK and Germany. He has mixed over 100 artists to date, including Adele, Ed Sheeran, Alicia Keys, Nick Cave & The Bad Seeds, The XX, Calvin Harris, Foo Fighters, Jack White, Linkin Park, Florence & The Machine, Deadmau5, David Guetta, Jessie J., Norah Jones, Oasis, Mumford & Sons, N.E.R.D., Lykke Li, James Blunt, KT Tunstall, Hot Chip, Paul Weller and many more.

He continues to record, engineer, produce and mix many projects in music and film, runs the mixing and surround mixing modules for the Masters Degree course at UK’s Westminster University and divides his time between London and Berlin. Recent works include the International selling new album by Nick Cave & The Bad Seeds and mixing the latest album of Denmark’s “Dúné” with the first single premiering at the Danish Music Awards, plus the latest iTunes Music Festival.

http://www.kevin-paul.com/

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