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This month, Keir Starmer was elected prime minister of the UK. He is something of a reformer in the Labor party, which, before him, had been led by Jeremy Corbyn. The two have a different public temperament and different public persona. They have a different attitude toward the Jewish people and the Jewish state. Corbyn normalized a degree of anti-Semitism within mainstream Labor politics that was so odious it forced ideologically committed Labor members who are Jewish to leave the party. Since Starmer took over, the party has made a conscious effort to put forward a different, more welcoming face toward Jews.
And what about beneath the surface? Is Starmer different in practice and policy toward Israel and the Jewish people? To answer that question, host Jonathan Silver speaks here with British journalist Melanie Phillips, who wrote an essay on the subject recently called "All Change."
Musical selections in this podcast are drawn from the Quintet for Clarinet and Strings, op. 31a, composed by Paul Ben-Haim and performed by the ARC Ensemble.
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This month, Keir Starmer was elected prime minister of the UK. He is something of a reformer in the Labor party, which, before him, had been led by Jeremy Corbyn. The two have a different public temperament and different public persona. They have a different attitude toward the Jewish people and the Jewish state. Corbyn normalized a degree of anti-Semitism within mainstream Labor politics that was so odious it forced ideologically committed Labor members who are Jewish to leave the party. Since Starmer took over, the party has made a conscious effort to put forward a different, more welcoming face toward Jews.
And what about beneath the surface? Is Starmer different in practice and policy toward Israel and the Jewish people? To answer that question, host Jonathan Silver speaks here with British journalist Melanie Phillips, who wrote an essay on the subject recently called "All Change."
Musical selections in this podcast are drawn from the Quintet for Clarinet and Strings, op. 31a, composed by Paul Ben-Haim and performed by the ARC Ensemble.

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