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On this episode, Kaitlyn Airy talks about how her experience as an adoptee shapes the themes of her work on abandonment, identity, and history. Plus, she and Jared discuss the benefits they have both reaped after taking breaks from their rigorous writing habits, and Kaitlyn describes how UVA students get to design and teach their own undergraduate creative writing class.
Kaitlyn Airy is a Korean American poet. Born in Minneapolis, Minnesota, she was raised in the San Juan Archipelago off the coast of Washington State. In Spring 2020, her poem “Demilitarized Zone” was selected by Elizabeth Austen as the winner of the Phyllis L Ennes Contest, sponsored by the Skagit River Poetry Foundation. In 2022, Narrative Magazine named her one of their 30 Below 30. Her recent work has been featured or is forthcoming in EcoTheo, Crab Creek Review, Cream City Review, Moss, Post Road, Poetry Northwest, Palette Poetry, and Narrative Magazine. She is an MFA candidate in poetry at the University of Virginia, where she serves as the Editor-in-Chief of Meridian and as an Editorial Assistant for Poetry Northwest. Find her on Twitter @kaitlynairy and at her website kaitlynairy.com.
MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com.
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Jonathan Escoffery, author of the highly acclaimed debut collection If I Survive You, sits down with Jared to discuss how this book grew out of his MFA writing sample and how he plays with form while exploring “the unsolvable problem of family.” A recent MFA graduate and current PhD student, Jonathan also offers advice for emerging writers and shares what it’s like to go on your first book tour.
Jonathan Escoffery is the author of the linked story collection, If I Survive You, a New York Times Editor’s Choice and an Indie National Bestseller. If I Survive You (MCDxFSG) was long-listed for the National Book Award, the Andrew Carnegie Medal for Excellence, and was a finalist for the Southern Book Prize and a Golden Poppy Award. Jonathan is a graduate of the University of Minnesota’s Creative Writing MFA Program and currently attends the University of Southern California’s Ph.D. in Creative Writing and Literature Program as a Provost Fellow. He is a 2021-2023 Wallace Stegner Fellow at Stanford University. Learn more at his website, www.jonathanescoffery.com.
MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com.
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On this episode, Nikki Lyssy tells Jared about how, as a blind writer, she uses research to access the sighted world and fill her fiction with vivid imagery, while in her nonfiction, she explores her own experience with blindness and plays with ideas about which forms translate between braille and the page. Plus, Nikki talks about diversity and disability representation in young adult fiction, formal training in creative writing pedagogy, and support from faculty, friends, and family when she decided to change her thesis at the last minute.
Nikki Lyssy is a third-year MFA candidate at the University of South Florida, where she writes fiction and nonfiction. She is blind, and her thesis is a young adult novel that follows the life of 17-year-old Emma Reynolds as she adjusts to her blindness and sets out on a path of self-discovery and acceptance of her disability. Find her on Twitter @Blindnikkii.
MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com.
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It’s the third annual MFA application episode! This time, Jared is joined by Lindsay Bernal, poet and Academic Coordinator for the MFA program at the University of Maryland. She answers listener questions (starting at 27:15), including: What makes a personal statement good? Should I submit similar or varied poems? How do I know whether a program is truly invested in anti-racist work? Plus, Lindsay describes her path to an MFA, taking time between degrees, and the pros and cons of academic jobs, including positions beyond the tenure track.
Lindsay Bernal was born and raised in Rochester, NY, and holds a B.A. in English and Spanish from the University of Virginia and an M.F.A. in Poetry from the University of Maryland, where she coordinates and teaches in the Creative Writing Program and co-directs the Writers Here & Now reading series. Her first collection of poems, What It Doesn't Have to Do With, selected by Paul Guest as a winner of the National Poetry Series competition, was published by the University of Georgia Press in 2018. Find her at her website, www.lindsaybernal.com.
MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com.
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Happy MFA application season to all who observe! As you craft and revise your applications, here's last year's annual MFA application episode from a faculty member's perspective. We hope it provides you with insight, solace, and direction. The new (third annual) MFA application episode will be in your feed in two weeks.
The annual MFA application episode is back! This year, Jared is joined by Gregory Spatz, Professor and Program Director of the MFA program at Eastern Washington University, who explains what the application process looks like from a faculty member’s point of view. Answering listener questions, they discuss what to include (and avoid) in your personal statement, what makes a writing sample stand out, why to bother with an MFA at all, and more.
Gregory Spatz is the author of the collection of linked stories and novellas, What Could Be Saved, and of the novels Inukshuk, Fiddler’s Dream and No One But Us, and the short story collections Half As Happy and Wonderful Tricks. His stories have appeared in many publications, including The New Yorker, Glimmer Train Stories, Shenandoah, Epoch, Kenyon Review and New England Review. The recipient of a Michener Fellowship, an Iowa Arts Fellowship, a Washington State Book Award, and an NEA Fellowship in literature, he teaches at Eastern Washington University in Spokane. Spatz plays the fiddle in the twice Juno-nominated bluegrass band John Reischman and the Jaybirds. Find him at his website gregoryspatz.com.
MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com.
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It’s increasingly common for writers to get accepted in their second (or third) attempts at MFA applications. In this episode, Sean Dolan shares what he did differently his second time around that strengthened his application and landed him a spot in a fully-funded, genre-flexible program. Plus, he and Jared talk about how they return to the page even when it’s hard, the blurred line between autofiction and fiction, and, in Sean’s words, “the ephemeral experience of a short story.”
Sean Dolan is a fiction writer from Missouri. His work has appeared in Hobart, 805 Lit + Art, The Los Angeles Review, and elsewhere. He is currently an MFA Candidate at Western Washington University where he is at work on his thesis -- a collection of short stories. He recently attended the Tin House Summer Workshop and will begin his position as Managing Editor of The Bellingham Review in the fall. You can find him on Twitter @SyannDoelann.
MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com.
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Can you find a close community in a low-res program? Emily St. Martin, having met her best friends in her MFA, says absolutely yes. She joins Jared to talk about how her program has helped her craft her memoir-in-progress, the fear and reward of vulnerability in creative nonfiction, and how writing lets us acknowledge and redefine our pasts.
Emily St. Martin is an independent journalist based in Los Angeles, CA. She has written for the New York Times, InStyle Magazine, Cosmopolitan, VICE, Los Angeles Magazine, The Fix, The Hollywood Reporter, People and elsewhere, including for the Southern California News Group where she won a third place award for best news feature with the LA Press Club in 2022. She holds a BA in Journalism from The University of La Verne and is currently pursuing an MFA in creative nonfiction in the University of California Riverside’s Palm Desert Low-Residency program. Find her on Twitter @ByEmilyStMartin and on TikTok at @edddrock.
MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com.
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As the editor-in-chief of Peach Mag, Rachelle Toarmino is consistently focused on the work of others. She chats with Jared about her own writing career, including finding and using playfulness in her poetry, coping with MFA faculty turnover through collective cohort support, and how learning a second language opened her mind to poetic craft.
Rachelle Toarmino is a poet, editor, and educator from Niagara Falls, New York. She is the author of the poetry collection That Ex (Big Lucks Books, 2020) and the chapbooks Comeback (Foundlings Press, 2021), Feel Royal (b l u s h, 2019), and Personal & Generic (PressBoardPress, 2016). Her poems and essays have appeared or are forthcoming in American Poetry Review, Bennington Review, Electric Literature, Literary Hub, Pretty Cool Poetry Thing, Metatron Press, Shabby Doll House, Salt Hill Journal, and elsewhere. She is also the founding editor-in-chief of Peach Mag and an editorial advisor to Foundlings Press. She lives between Buffalo and Western Massachusetts, where she is an MFA candidate in poetry at UMass Amherst. Find her on Twitter @rchlltrmn and at her website rachelletoarmino.com.
This episode was requested by Erika Walsh. Thank you for listening, Erika!
MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com.
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Welcome to Season 3! It’s finally time to tackle the oldest and most famous MFA of them all: the Iowa Writers’ Workshop. On this episode, Steven Duong and Jared discuss whether Iowa lives up to its competitive stereotype, the challenges and freedoms of playing with writing conventions and constraints, and why he—a long-time poet—decided to pursue a fiction degree.
Steven Duong is a writer from San Diego, California. He is the recipient of fellowships from the Academy of American Poets, the Watson Foundation, and the University of Iowa, and his poems, stories, and essays can be found in publications including The New England Review, The American Poetry Review, and Guernica. He is a current second-year MFA candidate in fiction at the Iowa Writers' Workshop. Find him at his website stevenduongwrites.com and on Twitter @boneless_koi.
This episode was requested by Tammy Breitweiser, Esty Downes, and April Ahmed. Thank you all for listening!
MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com.
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This week, as the pod team enjoys the last of our vacation, we’ve got a rerelease of a special episode from Season 2 of the podcast: Jared's conversation with George Saunders. This episode is full of advice for emerging writers, especially those considering an MFA. We’ll be back in two weeks with an all-new episode, the first of Season 3.
MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com.
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