Can you imagine living in a world where millions of people are glued to their screens 24/7, watching the life of an ordinary person unfold while being bombarded with advertisements that are disguised as part of the entertainment?

Of course you can! It’s 2024, and we’re already there. But back in 1998, the premise of THE TRUMAN SHOW was still a pretty radical idea, giving moviegoers a glimpse of the future shortly before the reality TV boom of the 2000s and long before the rise of social media. Audiences who thought they were in for a summer comedy starring Jim Carrey found themselves instead confronted with deep philosophical questions about freedom versus choice, artifice versus authenticity, surveillance versus privacy, and other heady topics – unaware that they were witnessing the rise of the world’s first influencer.

The film stars Jim Carrey as likable everyman Truman Burbank, who’s lived his entire life unaware that every move he makes is broadcast to adoring fans across the globe. His mom, his wife, his best friend, and everybody else in town are in on it. The Truman Show gave Carrey newfound credibility as a dramatic actor and showcases peerless supporting performances from Laura Linney as Truman’s increasingly unhinged wife and Ed Harris as the God-like “creator” behind this massive production.

There’s no question that Peter Weir’s fable-like film was ahead of its time in numerous ways, which only lends itself to an even richer conversation than was possible back in the late 90s. But how does this unusual blend of comedy, drama, and satirical science fiction hold up as entertainment now that there are millions of Truman Burbanks among us? Is the movie held back by dated technology and a plot that hinges on 1990s broadcast television, or is it time to hail The Truman Show as a timeless masterpiece?

Follow When We Were Young on Twitter and Instagram at @WWWYshow, on Facebook at Facebook.com/WWWYShow and email episode suggestions to [email protected]. Don’t forget to subscribe and review us on Apple Podcasts and Google Podcasts (or wherever you get your podcasts) so more folks check out the show!

Help us defray the costs of creating this show, which include recording remotely, purchasing movies/shows/music to review, delivery food to eat our feelings, and producing & editing in-house at the MFP Studio in Los Angeles, California by donating to our Patreon account at patreon.com/WhenWeWereYoung

Are they original? Not a bit. Are they the only one? Certainly not. Are they sexual? Well, that’s up for debate! 

The When We Were Young podcast dives into all these questions and more as we discuss the Backstreet Boys, pioneers in the bubblegum pop craze that was larger than life in the late 1990s and early 2000s. 

Boy bands were all the rage around the turn of the millennium, starting with the international success of everybody’s favorite musical act named after an Orlando flea market. (Okay, maybe they are the only one.) 

The Boys broke out big time with “I’ll Never Break Your Heart,” the first of many heart-related tracks that would soon hit the charts. Over the next few years, Nick, Brian, Kevin, Howie, and A.J. rocked our bodies, showed us the meaning of being lonely, and announced their return before most of us had even heard of them. They also fought to dominate the charts against a wave of other crooning gentlemen seeking to capitalize on their formula for teenage infatuation, including *NSYNC, 98 Degrees, and LFO.

But all fads fade with time, so how do these massive hits sound to our 2024 ears? Are the Boys still our fire? Or is sharp-tongued criticism all we have to give? Yes, it’s finally time for Chris, Becky, and Seth to take on BSB. So if you want it that way, we’ve got it that way! (If you want it some other way, we can’t help you.)

Follow When We Were Young on Twitter and Instagram at @WWWYshow, on Facebook at Facebook.com/WWWYShow and email episode suggestions to [email protected]. Don’t forget to subscribe and review us on Apple Podcasts and Google Podcasts (or wherever you get your podcasts) so more folks check out the show!

Help us defray the costs of creating this show, which include recording remotely, purchasing movies/shows/music to review, delivery food to eat our feelings, and producing & editing in-house at the MFP Studio in Los Angeles, California by donating to our Patreon account at patreon.com/WhenWeWereYoung

New Year, new you? Who better to turn to for inspiration than a good-looking, well-educated, wealthy New York City investment banker with a razor sharp wit and killer taste in music? 

Patrick Bateman has a flawless skin care routine, does one thousand crunches per day, stays up to date on the latest in fashion and food, can share insightful music criticism at the drop of a hat, and always returns his videotapes on time. Aside from his need to engage in homicidal bloodlust on a massive scale, he’s practically perfect!

At least, that’s what too many viewers of 2000’s AMERICAN PSYCHO seem to think, based on the way Christian Bale’s suave psychopath has been memed and emulated across the internet. Fresh off our last episode, which examined the problematic worship of Scarface’s Tony Montana, we’re scrutinizing an even more deranged cinematic role model. Patrick Bateman first stirred up controversy in the publishing world as the narrator of Bret Easton Ellis’ 1991 novel, then caused an uproar all over again in Mary Harron’s satirical film adaptation, even as it proved Bale had the chops to be a leading man.

Does American Psycho really glorify violence and celebrate misogyny, racism, and homophobia the same way the Bateman character does? Or has this subversive send-up of 1980s materialism just been misunderstood by certain audiences (like, say, TikTok influencers)? This podcast makes for ideal listening during intricate skin care routines, insane workouts, and even while waiting for a table at the hottest restaurant in town! (For audio accompaniment to murders and executions, we recommend Huey Lewis and the News.)

Follow When We Were Young on Twitter and Instagram at @WWWYshow, on Facebook at Facebook.com/WWWYShow and email episode suggestions to [email protected]. Don’t forget to subscribe and review us on Apple Podcasts and Google Podcasts (or wherever you get your podcasts) so more folks check out the show!

Help us defray the costs of creating this show, which include recording remotely, purchasing movies/shows/music to review, delivery food to eat our feelings, and producing & editing in-house at the MFP Studio in Los Angeles, California by donating to our Patreon account at patreon.com/WhenWeWereYoung

Bright lights, joyful music, expensive baubles, and white powder everywhere! Could it be Christmastime again? Or is it perhaps a sweltering, sweaty drug war in Miami, circa 1983?

Actually, it’s both, as When We Were Young celebrates the holidays the only way we know how – with narcotics, chainsaws, and expletives galore, all courtesy of Brian De Palma’s ultraviolent crime classic SCARFACE.

Americans have a long history of looking up to men who aren’t the best role models. That explains why Tony Montano, the Cuban crime lord unforgettably embodied by Al Pacino, became an unlikely role model for millions of moviegoers who turned the controversial gangster flick into a stone cold classic over the four decades that followed its release. Some viewers find inspiration in Tony Montana’s upwardly mobile immigrant story, while others find the film’s execution of the American dream to be even more crass than the capitalist excess it’s critiquing. And then there are those who just really like the F-word and machine guns!

To celebrate the film’s 40th anniversary, Chris, Becky, and Seth sample from Scarface’s many extremes, exploring everything from the incestuous implications of its sibling relationship to the over-the-top carnage of its finale – all set to a throbbing disco soundtrack, of course. Do we still consider Scarface to be a lil’ fren’ to cinema? Or is Tony Montana a bad guy we prefer to say “goodnight” to indefinitely?

Follow When We Were Young on Twitter and Instagram at @WWWYshow, on Facebook at Facebook.com/WWWYShow and email episode suggestions to [email protected]. Don’t forget to subscribe and review us on Apple Podcasts and Google Podcasts (or wherever you get your podcasts) so more folks check out the show!

Help us defray the costs of creating this show, which include recording remotely, purchasing movies/shows/music to review, delivery food to eat our feelings, and producing & editing in-house at the MFP Studio in Los Angeles, California by donating to our Patreon account at patreon.com/WhenWeWereYoung

Death comes to us all – unless you’re Meryl Streep and Goldie Hawn. These two actresses have found the secret to living forever: being immortalized in one of the most beloved horror comedies of cult cinema, DEATH BECOMES HER (1992).

Robert Zemeckis broke new ground with the movie’s mind-bending Oscar-winning (and neck-twisting) special effects, and the film was a hit at the box office despite critics not being too impressed by the literal death-defying antics of these two frenemies.

Has time been kind to Mad(eline) and Hel(en) in the last 30 years? Or is “Death Becomes Her” just a rotting corpse covered in spray paint? Join us as we revisit the past and share our own insecurities about aging. Bottom’s up!

Follow When We Were Young on Twitter and Instagram at @WWWYshow, on Facebook at Facebook.com/WWWYShow and email episode suggestions to [email protected]. Don’t forget to subscribe and review us on Apple Podcasts and Google Podcasts (or wherever you get your podcasts) so more folks check out the show!

Help us defray the costs of creating this show, which include recording remotely, purchasing movies/shows/music to review, delivery food to eat our feelings, and producing & editing in-house at the MFP Studio in Los Angeles, California by donating to our Patreon account at patreon.com/WhenWeWereYoung

Put on your yarmulke, it’s time to celebrate ADAM SANDLER! In the third and final installment of our series Saturday Night Leavers – Celluloid Man-Children Of 90s Cinema, we revisit Adam Sandler’s most memorable Saturday Night Live sketches, from Canteen Boy to Opera Man.

Then we dive into his big-screen adventures in BILLY MADISON, HAPPY GILMORE, and THE WEDDING SINGER, where Sandler plays men who range from romantic losers to (arguably) lovable idiots with anger issues. Adam Sandler has perfected the art of buffoonery in his decades-long, billion-dollar-earning career, but does his first chapter as a leading man still bring the laughs? Or are we all now dumber for having listened to it?

One last question: Do you have any more gum?

Follow When We Were Young on Twitter and Instagram at @WWWYshow, on Facebook at Facebook.com/WWWYShow and email episode suggestions to [email protected]. Don’t forget to subscribe and review us on Apple Podcasts and Google Podcasts (or wherever you get your podcasts) so more folks check out the show!

Help us defray the costs of creating this show, which include recording remotely, purchasing movies/shows/music to review, delivery food to eat our feelings, and producing & editing in-house at the MFP Studio in Los Angeles, California by donating to our Patreon account at patreon.com/WhenWeWereYoung

Saturday Night Live is not just a TV comedy institution but also an incubator for some of the brightest comedy stars of the silver screen. In our three-part miniseries Saturday Night Leavers – Celluloid Man-Children Of 90s Cinema, we are surveying the careers of three men who left the show in 1995, and who took their SNL fame to new heights by becoming movie stars.

In Part Two of the miniseries we discuss Chris Farley, one of the hottest stars to ever burst out into national fame from Saturday Night Live. Farley took his unforgettable comedic persona and superstardom to the cinema immediately after SNL fired him in 1995, but his career was tragically cut short by his death in 1997 at the age of 33.

We begin by discussing our own childhood needs for attention and approval from strangers, and then we investigate Chris Farley’s upbringing as a hell-raising but sensitive and devoutly Catholic boy in Wisconsin, his meteoric rise in improv comedy, and our own favorite moments of Farley’s career in SNL and beyond. Then we revisit Chris Farley’s two best known film roles: co-starring with SNL alum David Spade in 1995’s hit brake pad sales comedy TOMMY BOY, and in 1996’s less-than-hit political(?) comedy BLACK SHEEP. How do these movies hold up now?

Whether or not you knew him as a “heartbreaker” or “not hygienic,” and whether or not he ever really lived in a van down by the river, Chris Farley was an inescapable staple in American homes throughout the 1990s. And quotes from his sketch and movie characters were on the tongues of countless grade-school youth, including at least one host of this podcast. Do… do you remember that? It was awesome!

Follow When We Were Young on Twitter and Instagram at @WWWYshow, on Facebook at Facebook.com/WWWYShow and email episode suggestions to [email protected]. Don’t forget to subscribe and review us on Apple Podcasts and Google Podcasts (or wherever you get your podcasts) so more folks check out the show!

Help us defray the costs of creating this show, which include recording remotely, purchasing movies/shows/music to review, delivery food to eat our feelings, and producing & editing in-house at the MFP Studio in Los Angeles, California by donating to our Patreon account at patreon.com/WhenWeWereYoung

We hope you like the color pink, because that’s all you’re getting in this episode! In the second part of our Toys of Summer series, we look back at the most popular toys from our youth that were targeted at little girls – the gentle equines of MY LITTLE PONY, the disturbing, dead-eyed CABBAGE PATCH KIDS, the complicated backstory of JEM AND THE HOLOGRAMS, and of course the ubiquitous BARBIE, who first appeared on shelves wearing a black-and-white-striped bathing suit and has since become synonymous with the color pink. 

Mattel has sold billions of Barbie dolls in the last 60 years despite often being the target of controversy; the doll has been a best friend and role model to the little girls who play with her while also contributing to their low self-image. Is there still a place for Barbie today? The inevitable box-office success of Barbie’s first live-action big-screen adaptation might make you say Yes, but when it comes to the dolls, are we as willing to let the next generation of women spend their days imagining themselves as a buxom blonde bombshell?

Join Becky, Chris, and Seth as they explore the gender politics of playing with Barbies, try to make sense of the absurd backstories of Jem and the Holograms and the Cabbage Patch Kids, and compare the stark differences between marketing to boys and girls. 

Follow When We Were Young on Twitter and Instagram at @WWWYshow, on Facebook at Facebook.com/WWWYShow and email episode suggestions to [email protected]. Don’t forget to subscribe and review us on Apple Podcasts and Google Podcasts (or wherever you get your podcasts) so more folks check out the show!

Help us defray the costs of creating this show, which include recording remotely, purchasing movies/shows/music to review, delivery food to eat our feelings, and producing & editing in-house at the MFP Studio in Los Angeles, California by donating to our Patreon account at patreon.com/WhenWeWereYoung

In this “Boys’ Toys” episode of our two-part TOYS OF SUMMER podcast, we revisit icons ranging from Zack the Lego Maniac to Sergeant Slaughter in remembrance of the toys we played with in the 80s and 90s that were marketed primarily to boys.

As it turns out, some of our favorite cartoons from childhood were more than meets the eye – they were advertisements in disguise, created explicitly to get us to buy plastic playthings! The toy-to-TV-show trend kicked off with Hasbro’s relaunch of its G.I. JOE action figures in 1982, rebranded as the “Real American Hero” in a corresponding animated series. It was soon followed by action figure juggernauts HE-MAN AND THE MASTERS OF THE UNIVERSE and THE TRANSFORMERS. Using bulging muscles, explosive hardware, and cartoon violence to appeal to young boys, these series often wrapped up with a wholesome life lesson to balance out the mayhem (before cutting to a commercial break encouraging us to buy the latest bazooka-toting action figures).

Along the way, we touch on other toys marketed mainly to boys during this era, including Hot Wheels, Nerf, Tonka Trucks, and Super Soaker – and of course, share thoughts on 1986’s TRANSFORMERS: THE MOVIE and how the death of Optimus Prime traumatized a whole generation of youngsters.

With the fabulous secrets of our favorite toy brands revealed to us, do any of these products still have the power? Or do companies like Hasbro and Mattel just look like Decepticons to us now? With movies like BARBIE and TRANSFORMERS: RISE OF THE BEASTS in theaters this summer, it’s the perfect time to reconsider the lessons we learned from toy-branded cartoons and commercials in the 80s and 90s. Because now we know that the cartoons we loved as kids were a total sham — and knowing is half the battle!

(This episode may contain a choking hazard for children under 3. Becky, Chris, and Seth sold separately.)

Follow When We Were Young on Twitter and Instagram at @WWWYshow, on Facebook at Facebook.com/WWWYShow and email episode suggestions to [email protected]. Don’t forget to subscribe and review us on Apple Podcasts and Google Podcasts (or wherever you get your podcasts) so more folks check out the show!

Help us defray the costs of creating this show, which include recording remotely, purchasing movies/shows/music to review, delivery food to eat our feelings, and producing & editing in-house at the MFP Studio in Los Angeles, California by donating to our Patreon account at patreon.com/WhenWeWereYoung

After thoroughly raiding the lost ark in their previous outing, Chris, Becky, and Seth found themselves on shockingly shaky ground with Indiana Jones superfans. Can the three opinionated podcasters escape the wrath of Indy’s admirers this time around?

When We Were Young excavates the further adventures of cinema’s favorite tomb-raiding hunk, digging into Steven Spielberg’s wildly different sequels. First up is 1984’s INDIANA JONES AND THE TEMPLE OF DOOM, which saw Harrison Ford joined by Kate Capshaw and Ke Huy Quan for a disturbing descent into human sacrifice and child slavery. Stuffed with gross-out gags and ultra-macabre special effects, the film outraged parents and alienated critics, but still managed to rake in plenty of that sweet summer movie money and become a staple in many VHS collections. (Thanks in large part to a McDonald’s promotion!)

And finally, we delve into 1989’s INDIANA JONES AND THE LAST CRUSADE, which hewed closer to the adventuresome tone of the 1981 original, with daddy issues added to the mix as Sean Connery came aboard to play Indy’s cranky but lovable father. It was, of course, another gigantic hit, capping off the original film trilogy while paving the way for a TV series, video games, and a super popular Disneyland ride that would hold us over until Dr. Jones’ first return to the big screen nearly two decades later. 

Will When We Were Young rip fans’ still-beating hearts from their chests and crush them with criticism once again? Or will we permit these sequels to sip from the Holy Grail and live on for all eternity?

Follow When We Were Young on Twitter and Instagram at @WWWYshow, on Facebook at Facebook.com/WWWYShow and email episode suggestions to [email protected]. Don’t forget to subscribe and review us on Apple Podcasts and Google Podcasts (or wherever you get your podcasts) so more folks check out the show!

Help us defray the costs of creating this show, which include recording remotely, purchasing movies/shows/music to review, delivery food to eat our feelings, and producing & editing in-house at the MFP Studio in Los Angeles, California by donating to our Patreon account at patreon.com/WhenWeWereYoung