Mindframes — Best of 2025 Episode Title

Best Films of 2025 — Trends, Themes, and the State of Cinema

Film Information

This is a multi‑film recap episode.

Primary Shared Films Discussed:

• Weapons

• Eddington

• Hamnet

• Sinners

• One Battle After Another

• Train Dreams

• Universal Language

• Frankenstein

Additional Films Referenced:

• It Was Just an Accident

• Ebony and Ivory

• Sirât

• The Zone of Interest

• Everything Everywhere All at Once

• Avatar: Fire and Ash

Episode Summary

In this year‑end episode of Mindframes, Michael Cockerill and David Canfield look back on what they agree was one of the strongest years in cinema in recent memory. Rather than ranking films strictly by quality, the discussion centers on how 2025's movies reflected the emotional, cultural, and political realities of the moment. The hosts explore major technical trends—such as the return of controlled formalism, the renewed importance of sound design, and a more disciplined use of CGI—before turning to deeper thematic currents running through the year's films. Across genres, 2025 cinema repeatedly grappled with loss, systemic failure, alienation, and the fragile possibility of hope. The episode concludes with personal picks, shared favorites, and a defense of films that dared to resist cynicism through human connection and formal craft.

Themes & Discussion Controlled Formalism Returns

Many of the standout films of 2025 rejected frenetic camera work in favor of classical composition—locked‑off shots, wide frames, symmetry, and negative space. This stylistic restraint allowed emotion to emerge gradually rather than being chased by the camera. Films like Hamnet exemplified how formal discipline can deepen emotional resonance and restore cinematic patience.

Sound, Silence, and the Off‑Screen World

Sound design emerged as a dominant expressive tool, often prioritizing diegetic and off‑screen audio over traditional sweeping scores. Silence itself became a source of tension, especially in horror, where absence of sound replaced musical cues. This trend reflects both creative evolution and the challenge of balancing theatrical sound design with home viewing habits.

Loss, Systems, and the Crisis of Hope

Across genres, filmmakers returned obsessively to stories of missing or dead children, institutional collapse, and moral ambiguity. These narratives frame despair as a defining emotional condition of the era, while asking whether hope can survive systemic pressure. Some films embraced the darkness; others, like Universal Language, quietly resisted it through small acts of human connection.

⏱ Timestamp Breakdown Time Topic 00:00 Episode introduction & format 02:00 Why 2025 was a great year for film 03:00 Controlled formalism & visual trends 07:00 Superhero films & genre reinvention 10:00 Sound design, silence, and scoring 18:00 CGI vs practical effects 21:00 Lighting: flat vs dynamic 25:00 Thematic trends: children, systems, despair 32:00 Criteria for personal picks 35:00 Dave's picks: Train Dreams & Ebony and Ivory 42:00 Michael's picks: It Was Just an Accident & Universal Language 50:00 Shared Top Films discussion 1:18:00 Final reflections on cinema & culture Hosts

• Michael Cockerill

• David Canfield

Links & Contact

• 🌐 https://mindframesfilm.com

• 📘 Facebook

• 🎧 Now Playing Network

• ✉️ [email protected]

Mindframes is a sometimes half‑assed but always wholehearted conversation about film, culture, and the moments that shape us.

🎧 Episode Title: Hamnet and the Ghosts We Inherit

🎮 Film Discussed: Hamnet (2025) 🗓️ Release Date: December 13, 2025 🎧 Hosts: Michael & David

⏱️ Timestamps & Highlights:

• 00:00 – Intro Michael and David introduce the show and kick off discussion of Hamnet, Chloe Zhao's adaptation of Maggie O'Farrell's novel.

• 00:48 – Film Overview Chloe Zhao's recent directorial triumph, premiere at TIFF, her filmography from Nomadland to Eternals, and Hamnet's awards buzz.

• 02:23 – Plot & Themes The story centers on Agnes Hathaway and her marriage to Shakespeare, their shared grief over their son Hamnet's death, and how personal loss influenced artistic creation.

• 04:11 – Cinematography by Lukasz Zal Discussion of Zal's previous work (The Zone of Interest, Loving Vincent), his visual storytelling, use of natural light, and the film's stunning forest imagery.

• 06:15 – Book Origins and Historical Context Exploration of Maggie O'Farrell's novel, historical liberties, Shakespeare's personal life, and their dramatized relationship.

• 10:00 – Jesse Buckley as Agnes Performance praise and her emotional depth, evolution from earlier roles (I'm Thinking of Ending Things, The Lost Daughter).

• 17:00 – Paul Mescal as Shakespeare A restrained but complex portrayal. Debate over his reception compared to Buckley's, and reflections on artistic introspection.

• 23:00 – Visual Language & Direction Comparison to Zone of Interest, Chloe Zhao's style (landscapes, close-ups), forest symbolism, and interiority of grief.

• 30:00 – Pacing & Emotional Resonance Defense of the film's slow pace, importance of patient visuals, and building emotional payoff.

• 35:00 – Art vs Family Sacrifice Broader film trends about artistic sacrifice, complexity of Shakespeare as a father, and cultural reflections.

• 45:00 – Critical Response & Awards Speculation David and Michael reflect on Oscars potential, critical responses, and "devastating" as a recurring descriptor.

• 47:00 – Third Act & Theatrical Closure A spoiler-free nod to the finale's emotional crescendo, visual poetry, and synthesis of nature and performance.

• 50:00 – Final Reviews Michael gives it 5 stars, calls it a career-best for Buckley; David praises its emotional impact and timeless resonance.

🧠 Final Takeaways:

• Theme(s): Grief, art as legacy, sacrifice, nature vs language, emotional communication, family and connection.

• Mindframe(s) Rating: 5/5 haunted honeybees 🐝

• Listener Question: How do you process grief—through nature, through storytelling, or something else entirely?

Bugonia

Directed by: Yorgos Lanthimos Written by: Will Tracy and Jang Joon-hwan

Starring: Emma Stone, Jesse Plemons, Aiden Delvis, Alicia Silverstone, Stavros Halkias Cinematography: Not specified (shot on VistaVision, 35mm, Willcam equipment) Release: 2025 IMDB: https://www.imdb.com/title/tt12300742/

🎧 Episode Summary

In this episode, Dave and Michael dive deep into Bugonia, the latest satirical and enigmatic offering from Yorgos Lanthimos. With a plot centering on two conspiracy-minded men who kidnap a powerful CEO they believe to be an alien, the hosts explore Lanthimos' signature blend of absurdism, social critique, and tonal precision. The conversation touches on thematic elements like power hierarchies, detachment from humanity, and the inescapable dynamics of empathy. Throughout, Dave and Michael reflect on Lanthimos' evolving filmography, his standout collaborations with Emma Stone, and the fascinating psychological and visual language of the film.

🧠 Thematic Discussion

Bugonia offers a searing satire of corporate detachment, power inversion, and societal alienation. The film explores how humanity is distorted by institutional power, media messaging, and emotional denial. Through its bizarre plot and aesthetic choices, it challenges viewers to empathize with morally gray characters and question the systems that produce them.

⏱️ Major Segments & Timestamps Time Segment Description 00:00 Introduction Dave and Michael introduce the episode and set the tone with a brief synopsis of Bugonia. 01:00 Yorgos Lanthimos' Filmography Discussion of Lanthimos' previous works like The Favourite, Poor Things, The Lobster, and how Bugonia fits into his oeuvre. 03:00 Themes of Power & Hierarchy Analysis of power dynamics and hierarchical inversions common in Lanthimos' films. 06:00 Empathy and Detachment Examination of how the film toys with emotional distance and the audience's capacity to empathize. 10:00 Emma Stone's Performance A focus on Stone's physicality, transformation, and recurring collaborations with Lanthimos. 13:00 Supporting Cast Breakdown of performances by Jesse Plemons, Alicia Silverstone, Stavros Halkias, and Aiden Delvis. 20:00 Visual Style & Cinematography Conversation about the film's use of camera angles, lens choice, lighting, and aspect ratio to reflect power and control. 25:00 Corporate Satire & Alien Allegory The hosts unpack the film's critique of corporate culture and dehumanization. 33:00 Spoiler Territory A deeper dive into specific scenes, character arcs, and philosophical implications, including a heated debate on "inhumanity" and moral ambiguity. 🌐 Contact & Links

• Website: mindframesfilm.com

• Facebook: facebook.com/mindframesmovies

• Network: Now Playing Network

• Email: [email protected]

Mindframes Podcast: Frankenstein (2025)

Directed by: Guillermo del Toro Written by: Guillermo del Toro, based on the novel by Mary Shelley Starring: Oscar Isaac (Victor Frankenstein), Jacob Elordi (The Creature), Christoph Waltz (Von Klemper), Mia Goth (Elizabeth/Claire Frankenstein), Charles Dance, Ralph Ineson, and David Bradley Cinematography: Dan Laustsen Release: 2025 (Netflix) IMDB: https://www.imdb.com/title/tt1312221/

🎧 Episode Summary

Dave and Michael explore Guillermo del Toro's long-awaited adaptation of Frankenstein — a film that blends gothic horror, Catholic melodrama, and emotional fantasy. They discuss del Toro's lifelong fascination with monsters, the film's lavish design, and how it rehumanizes one of literature's most tragic creations. The conversation dives into themes of creation, responsibility, and the eternal bond between monster and maker, while connecting the film to the long cinematic history of Frankenstein.

🧠 Thematic Discussion

The hosts highlight del Toro's Frankenstein as both a love letter to monster cinema and a meditation on faith, class, and parenthood filtered through a Latin American Catholic lens. They note how del Toro's signature gothic romanticism tempers horror with empathy, positioning the creature as both victim and philosopher. Ultimately, they frame the film as a study of what it means to create—and to be responsible for what we bring into the world.

⏱️ Major Segments & Timestamps Time Segment Description 00:00 Introduction Dave and Michael introduce Frankenstein (2025) and Guillermo del Toro's career-long passion for the story. 02:00 Del Toro's Vision Discussion of del Toro's love for classic monster films, "monster kids" culture, and gothic influence. 06:30 Cinematography & Design Michael details Dan Laustsen's visual approach, lighting style, and practical effects. 10:00 Cast Overview Breakdown of performances: Oscar Isaac's intense Victor, Jacob Elordi's soulful creature, Christoph Waltz's enigmatic benefactor, and Mia Goth's dual role. 12:30 Visual & Thematic Tone The hosts debate whether the movie's look favors Netflix's small screen or theatrical presentation. 15:00 Spoiler-Free Reviews Both hosts offer initial impressions and star ratings (Michael: ★★★, Dave: ★★★★½). 21:40 Frankenstein Through History A deep dive into past adaptations—from the silent era to Hammer Horror, to Branagh's 1994 version—and how portrayals of the monster evolved. 30:00 The Mad Scientist Trope Comparing Victor Frankenstein to mad scientists through film history, including Cushing, Clive, and Branagh. 36:00 Modern Takes & Decline They explore recent attempts to revive the story (Victor Frankenstein, I, Frankenstein) and why few have matched its cultural power. 39:00 Del Toro's Achievement Did he deliver the definitive Frankenstein? Dave says yes—an affectionate, gothic triumph for lifelong fans. 40:30 Outro & Next Episode Tease for the next episode on Bugonia, the follow-up collaboration from Poor Things director Yorgos Lanthimos. 🌐 Contact & Links

• Website: mindframesfilm.com

• Facebook: facebook.com/mindframesmovies

• Network: Now Playing Network

• Email: Reach the team via their assistant "Abby Normal" at [email protected]

Episode 103: Anemone 🎬 Principal Cast & Crew

• Director: Ronan Day-Lewis (feature debut)

• Writers: Ronan Day-Lewis & Daniel Day-Lewis

• Cinematography: Ben Fordsman

• Main Cast:

  • Daniel Day-Lewis as Ray

  • Sean Bean as Jem

  • Samantha Morton as Nessa Stoker

  • Samuel Bottomley as Brian Stoker

  • Safiya Oakley-Green as Hattie

🕰️ Episode Breakdown

00:00 – Intro & Overview Michael and Dave introduce Anemone, a moody psychological drama and feature debut by Ronan Day-Lewis, starring his father Daniel Day-Lewis. They tease the film's atmospheric visuals, layered performances, and thematic heft.

01:25 – Plot Summary Dave summarizes the plot: Ray (Daniel Day-Lewis), a haunted recluse in rural England, is visited by his brother Jem (Sean Bean), prompting a confrontation with past traumas, estrangement, and the question of familial reconciliation.

02:50 – Visual Aesthetic & Cinematography The hosts explore the film's striking use of natural light, magical realism, and "damp, green" Northern England landscapes, captured by cinematographer Ben Fordsman. The weather acts as a near-character in the story.

05:50 – Symbolism & Style Michael critiques some symbolic elements and magical realism as heavy-handed. Dave defends their emotional resonance. Both agree the film shows great directorial promise despite moments of overreach.

08:52 – Cast Discussion

• Daniel Day-Lewis: Praised for his intensity, though some monologues feel forced due to script limitations. Potential Oscar buzz.

• Sean Bean: Commended for nuance and believability in a rare emotionally rich role.

• Samantha Morton: Strong but underwritten role as the estranged wife.

• Supporting Cast: Critique of thinly developed side characters, including son Brian and friend Hattie—sparking a broader conversation on representation in modern cinema.

31:00 – Reviews

• Dave: ★★★☆☆ – "Solid film with strong performances; a bit drawn out but emotionally effective."

• Michael: ★★★½☆ – "Visually compelling with a stacked cast. First-time director missteps but shows real talent."

39:00 – Thematic Deep Dive: Masculine Emotional Suppression The second half focuses on the film's central theme: male emotional repression—especially within British working-class culture. Ray's emotional barricades, military trauma, and the generational consequences are dissected.

46:00 – Symbolism of the Anemone Flower Michael interprets the title's metaphor: a subtle inheritance from the father, symbolizing buried emotion and unprocessed trauma blooming in isolation.

52:00 – Comparative Film Talk Mentions of The Lighthouse, Tree of Life, Phantom Thread, and The Witch as points of stylistic and thematic comparison.

59:00 – Closing Banter Discussion of upcoming episodes (likely Frankenstein by Guillermo del Toro), humorous talk of "OnlyVans" and critic calendars, and shoutouts to listeners and fellow reviewers.

Cast & Crew

Director: Paul Thomas Anderson Cinematographer: Michael Bauman Composer: Jonny Greenwood

Cast:

• Leonardo DiCaprio as Bob Ferguson

• Chase Infinity as Willa Ferguson

• Sean Penn as Colonel Lockjaw

• Benicio Del Toro as Sensei Luis

• Regina Hall as Mother Helena

Episode 102: One Battle After Another

Film Discussed: One Battle After Another (Dir. Paul Thomas Anderson) Hosts: Michael Cockerill & Dave Canfield Runtime: ~3 hours Theme: Resistance, legacy, generational change

⏱ Timestamps & Major Segments:

00:00–02:30 – 🎙 Intro & Film Overview Michael and Dave introduce PTA's latest film, outlining the premise, setting, and stylistic tone.

02:30–10:15 – 🎥 Visual Style & Cinematography A deep dive into Michael Bauman's kinetic visuals, PTA's aesthetic trademarks, and how imperfections amplify tension.

10:15–17:00 – 🎶 Sound & Musical Trends Discussion on loud, eclectic music as a storytelling device and how this film navigates current audio mixing trends.

17:00–25:00 – 🌟 Cast & Performances Praise for Leonardo DiCaprio, Sean Penn, Chase Infinity, and Benicio del Toro. Emphasis on character depth and casting synergy.

26:00–33:00 – ⭐ Reviews & Final Verdicts Both hosts award 5 stars, highlighting rhythm, emotional weight, and thematic power.

33:00–56:00 – 🧠 Themes: Resistance & Generational Struggle (Spoilers) Exploration of resistance as a timeless cycle, the burden of political fatigue, and the promise of youth-led change.

56:00–End – 🧵 Closing Reflections Analogies to classic films (E.T., Pan's Labyrinth), personal insights on activism, and why this is a capital "I" important film.

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Fifty boys start walking, three warnings get you shot, and somehow we are the ones out of breath. In this week's Mindframes, Michael and Dave march into The Long Walk—where Cooper Hoffman broods, David Jonsson keeps the heart beating, and Mark Hamill cosplays as your least favorite PE teacher. Along the way we debate whether dystopias should come with better snacks, why America's obsessed with televised misery, and if ★★★/5 means we survived… or just need new shoes.

Basic Facts

Role Name Director Francis Lawrence (Wikipedia) Screenwriter JT Mollner (Wikipedia) Producers Francis Lawrence; Roy Lee; Steven Schneider; Cameron MacConomy (Wikipedia) Cinematographer Jo Willems (Wikipedia) Editor Mark Yoshikawa (Wikipedia) Music / Score Jeremiah Fraites (Wikipedia) Production Companies Vertigo Entertainment; about:blank (Wikipedia) Distributor Lionsgate (Wikipedia) Chapters — Episode 101: The Long Walk

• 00:00:14 — Cold open & show intro

• 00:01:49 — Plot setup: rules of the Walk; Garraty & McVries

• 00:04:01 — "Keep the focus on cast": stripped-down craft, performances lead

• 00:08:55 — Why Hoffman & Jonsson elevate "a tough adaptation"

• 00:12:22 — Michael's review: the Walk as real antagonist; issues with the Major

• 00:21:01 — Michael's rating: ★★★/5

• 00:21:12 — Dave's review: resonance with present-day pessimism; skeletal dystopia

• 00:28:14 — Casting types, shifting identities on the road

• 00:30:40 — Mark Hamill thoughts vs. Life of Chuck praise

• 00:32:30 — Theme segment: "the spectacle of violence" in America

• 00:44:14 — Vietnam-era media, body-count reporting, long-walk parallels

• 00:48:08 — Phones, 24/7 news, desensitization

• 00:53:23 — Dignity stripped on camera; do we still see people?

• 01:01:13 — Film vs. book crowds; keeping focus on the walkers

• 01:03:53 — Wrap on causes vs. enablers of violence; no easy answers

The Roses is a 2025 satirical dark comedy–drama directed by Jay Roach (Austin Powers, Meet the Parents, Bombshell) and written by Tony McNamara (The Favourite, The Great). It is a modern reimagining of The War of the Roses, based on Warren Adler's 1981 novel and the 1989 film adaptation.

✨ Cast

• Olivia Colman as Ivy Rose — a restaurateur whose career blossoms.

• Benedict Cumberbatch as Theo Rose — an architect whose career falters.

• Supporting cast: Andy Samberg, Kate McKinnon, Allison Janney, Sunita Mani, Ncuti Gatwa, Jamie Demetriou, and Zoë Chao.

🕒 Timestamps

• 00:32 — Intro & Guest Michael welcomes back contributor Tarek Fayoumi (Movies with Tarek, Positively Naperville, Movie Archer).

• 00:59 — Film Background Setting the stage: how The Roses reimagines The War of the Roses and where it sits in Jay Roach's career.

• 02:47 — Themes Discussion of marriage, ambition, toxic competitiveness, and the cultural obsession with success.

• 05:12 — Performances Olivia Colman and Benedict Cumberbatch praised for layered portrayals; how their acting makes satire both biting and human.

• 09:45 — Ending Without spoilers, the group highlights the fiery, symbolic finale and how it compares to the 1989 version.

• 24:17 — Verdicts & Ratings

• 45:25 — Cinematography & Craft Talk of Florian Hoffmeister's naturalistic cinematography, the symbolic house design, and connections to films like This Is 40 and Parasite.

🎧 Episode 99: Weapons – Horror, Mystery, and Institutions in Crisis

In this episode of Mindframes, Michael and Dave welcome special guest Tim Peebles—theologian, pastor, martial artist, and long-time film aficionado—for a deep dive into Zach Cregger's new film Weapons.

Cregger, known for Barbarian (2022), returns with a multi-layered, genre-bending thriller where a small town unravels after its children mysteriously disappear into the night. With a Rashomon-style narrative, striking cinematography from Larkin Seiple (Everything Everywhere All at Once), and a cast led by Josh Brolin, Julia Garner, and Benedict Wong, Weapons pushes the boundaries of modern horror.

🔑 Topics We Discuss

• The intense bidding war for the film—why even Jordan Peele wanted it

• How the script stayed almost entirely intact from page to screen

• A Rashomon-inspired structure and its effect on pacing and suspense

• Cinematic homages: from Magnolia to The Shining to Italian giallo classics

• Performances: Brolin's rugged father figure, Garner's demanding lead role, and Wong's unexpected turn as a school principal

• Themes of institutional failure (schools, police, community) and whether the film offers political commentary

• The balance of horror, comedy, and surreal mystery that keeps audiences hooked

🎬 Why It Matters

Weapons is more than just another horror release—it's a cultural reflection on distrust of institutions, layered with dread, dark humor, and unforgettable imagery. Our conversation unpacks how Cregger masterfully controls tone, from the eerie to the playful, while still delivering an unnerving ride.

⭐ Ratings

• Dave: 4–4.5 stars – "A thrill ride you'll want to rewatch."

• Michael: 3.5–4 stars – "Ambitious, mixed-genre storytelling with a few tonal bumps."

• Tim: Highly recommends – "Dreadful and beautiful, horrifying and humorous—Cregger's step up from Barbarian."

Film Overview

• Title: Eddington (2025) by Ari Aster

• Setting: Small-town New Mexico during the COVID-19 pandemic

• Premise: Tension and division between a local sheriff (Joaquin Phoenix) and the town's mayor (Pedro Pascal), reflecting broader cultural and social fractures in America.

• Themes: Polarization, the influence of social media, performative activism, the corporatization of crisis, and the psychological weight of 2020.

Cast & Performances

• Joaquin Phoenix (Sheriff Joe Cross): Widely praised for his layered, committed performance. Considered perfect for the role.

• Pedro Pascal (Mayor Ted Garcia): Serves as a foil to Phoenix's sheriff. Also well-cast, though not a co-lead.

• Emma Stone: Mixed feelings about her casting due to age and tone. Some discussion of alternative casting.

• Austin Butler: Divisive but ultimately defended. His character is seen as representative of evangelical or conspiracy-driven youth.

• A recurring homeless man character is discussed as a possible metaphor for society's ignored truths or the prophetic outsider.

Cinematography & Technical Merits

• Director of Photography: Darius Khondji (corrected after initially being misattributed to Bruno Delbonnel)

• Visuals praised as among the best of the year—shot in New Mexico using real locations, lighting used to evoke horror pacing and psychological tension.

• Stylistic comparisons to Hereditary and Seven.

• Return of Ari Aster's visual motifs: isolation, daylight-to-night transitions, and symbolic elevation (e.g., houses on hills).

Genre & Stylistic Notes

• Described as:

  • "Not quite a horror film, but horror-influenced"

  • A blend of satire, tragedy, psychological thriller, dark comedy, and drama

• Compared to:

  • No Country for Old Men (tone and landscape)

  • Robert Altman's Nashville (ensemble structure and social chaos)

  • King of Comedy and Taxi Driver (Scorsese comparisons in the spoiler section)

• Rejection of Coen Brothers comparisons as too simplistic

Thematic Analysis (Spoiler Section)

• Fragmentation of Reality: The main theme is how social media algorithms and performative digital culture drive people apart.

• Bothsides-ism: The film avoids heroes or villains; it's more about the system manipulating everyone.

• Performative Activism: Especially embodied in the youth protest scenes—young people react to national injustices despite their local irrelevance.

• Corporate Exploitation: A data center being built in the town is the real power move while townsfolk are distracted by culture wars.

• The Sheriff as a Symbol: Joe Cross embodies both traditional authority and the poisoned populism of social media-age politics.

• Final Acts of Violence: Symbolize collapse under social pressure and loss of moral compass.

⭐️ Ratings

• Michael: 4 out of 5 stars – "Bold, sharp, close to perfect…"

• Dave: 4 out of 5 stars – "Difficult but essential viewing… very funny, deeply human…"

🗣️ Start of Reviews

⏱️ Timestamp: 40:50

• Michael opens the review section, defending the film's boldness, satire, and visual style.

• Emphasizes how the film captures the chaos and performative energy of 2020.

• Strong praise for the thematic relevance and technical execution.

• Final rating: 4 out of 5 stars

⏱️ 46:31 – Dave's Review

• Compares the emotional weight of Eddington to films like Civil War and No Country for Old Men.

• Praises the film for humanizing characters and confronting social disintegration.

• Final rating: 4 out of 5 stars

• Ends with a call for the film to be recognized as one of the most thought-provoking of the year.

🧠 Start of Thematic Discussion

⏱️ Timestamp: 50:34

"Let's talk about the cacophony that is this film in our spoiler section…"

• 00:20 – Explores how Eddington portrays social media as a force of division, aligning with Ari Aster's Wired interview.

• 01:11 – Aster's quote about telling a coherent story from an incoherent miasma is discussed and praised.

• 02:15 – Dave references a protest scene and critiques performative activism in a majority-white town.

• 04:46 – Joe Cross as a stand-in for embodied social media, broadcasting manipulation via megaphone.

• 06:08 – Dave compares the film to Scorsese's King of Comedy and Taxi Driver, especially in how antagonists are aggrandized.

• 07:26 – Michael analyzes characters like Sarah, pointing out value systems shaped entirely by online culture.

• 08:13 – Cross and the protesters mirror each other's rhetoric but cannot communicate—highlighting echo chambers.

• 08:46–12:12 – The unhoused character is explored as a possible prophetic figure. The town ignores real suffering in favor of symbolic outrage.

• 12:25–14:11 – The sheriff's arc from performative compassion to violence is unpacked. His choices reflect moral confusion and performative politics.