Ministry Monday

Today on Ministry Monday we speak with Kathleen Pluth, hymn text author and translator whose work frequently appears in the prayer guide Magnificat, GIA Publications, and CanticaNova. Her hymn text, "Let the Earth Acclaim Christ Jesus," was chosen as the official hymn for the 2024 National Eucharistic Congress. She also wrote a hymn titled, "Hymn for the Soul of a Pope", which she offered for free during the month of May as many parishes honored the life of Pope Francis. Today Kathleen and I talk about all things hymnody: What is "hymnody"? Are there guiding documents that help us to discern the considerations of hymnody? And more.

Wedding season is well upon us, and with it always comes with a story. Many of you may already know that prior to working full-time for NPM, I was a full-time DIrector of Music at a Catholic church, which was set in a very beautiful, very visible, and also very tourist-laden area of my city. For 13 years I played 60-70 weddings annually, half of which were non-parishioners. The experiences came with a sense of excitement and joy…but also a time for catechesis for the bride and groom. We’ve probably all had the couple who needed a bit more clarification on why their favorite secular tune cannot be a part of the music at their Catholic wedding, and honestly, I’m sure we could compile our best wedding stories into a book! (I’ve heard it said, “I could write a book” many times…)

I’ve often heard a dreadful saying by pastoral musicians that “I’d rather play three funerals versus one wedding.” While this has always bothered me, I think the roots lie in a mutual misunderstanding of young couples being married, and the pastoral musicians who serve them. The beauty of the Sacrament of Marriage can often be eclipsed by the secular aesthetic that couples mostly worry about, from the flowers to the bridal party to, of course, the bride and groom’s ensembles. But just because a couple may not fully grasp the Sacrament does not mean that they cannot enter into a paradigm of catechesis prior to their wedding day. And in fact, I think we shortchange many couples by assuming they do not grasp a general understanding of the liturgy and how it will relate to their wedding. Why not take it as an opportunity to bridge that gap of understanding, even if only to help them more deeply understand their wedding?

Today on Ministry Monday we speak to Paul Radkowski, Director of Music at the Church of St. Edward the Confessor in Granville, Ohio. Paul discusses the ways that pastoral musicians can support couples as they prepare for the Sacrament of Marriage: how can they best plan their ceremony music? what if a loved one wants to sing in the wedding? What if the couple wants to include secular music in the wedding? Paul addresses these questions and more.

Growing up in the Catholic Church I was familiar with the poster of the liturgical calendar. You know the one: its circular design reflects the changing colors and seasons in the Church calendar. I always found this poster to be fascinating, even as a very young person: What did it mean? How did the The Church decide these things? Why do the colors change? As a young adult I asked myself questions about the saints on the calendar, the nuances of Holy Days of Obligation, and more. The practical and historical contexts of our Church calendar have always fascinated me.

Which brings me to our episode today. I recently came across Fr. Paul Turner’s new book, Sacred Times, which is described as “A Guide to the General Roman Calendar and the Table of Liturgical Days.” The book reads like a story you’d find at a sacred bookstore, but is so full of information it’s as indespensible as an encyclopedia at times. I reached out to Fr. Paul and asked to interview him for the podcast, of which he obliged, thankfully. In preparation for my interview I read the book. I quickly realized that this could be a series of episodes, simply to capture the full breadth and depth of the book. And so consider the following interview as an introductory course on the book, Sacred Times, published by Liturgical Press. Our chat addresses many questions about the Church’s observances, such as: What is the Proper of Time versus the Proper of Saints? Why does Easter move each year, versus being on one set date? How are Holy Days of Obligation chosen? and more.

Today is the last episode Ministry Monday will be airing before a brief Holy Week and Easter hiatus. We wanted to leave you with an episode that would provide a prayerful pause as you wrap up the last rehearsals, make the last binders, and write the last “thank you” notes to your Holy Week musicians. Today we begin a conversation focusing on the sequences and hear from Fr. J. Michael Joncas. What is the history of a sequence’s form? What terminology predates the sequences? How can we most effectively employ sequences in our parishes? It is a great episode from which to prepare the Sequence for Easter Sunday.

We’re in the small window between the Christmas and Lenten seasons, which means it’s time to plan. Lenten music, Triduum music, and Easter music are in its final stages of planning. How can we stretch our dollars in our music ministry budget to add new variety, new depth, into our chosen music?

Today we feature an episode from 4 years ago that explores the music available to us in the public domain. Public domain music can be somewhat work-intensive, as it’s not regulated in the same way as a published piece, but the efforts to sift through the selections can repay you in spades. This free music has lovely arrangements to embrace the liturgical seasons in renewed ways, all for free.

NPM is hitting the road this summer for 2-day events across the United States! Today we're sitting down with Executive Director Jennifer Kluge to unpack these series of events, titled "NPM On the Road." What can we expect out of these events? Who should attend them? Where can we stay? These questions - and many more - are answered in this jam-packed episode.