Minnesota Native News

This week's Minnesota Native News Headlines include an update from Camp Nenookasi and the transfer of the Upper Sioux Agency Park, and updates in tribal leadership across the state. 

The Native American Graves Protection and Repatriation Act, or NAGPRA, was recently amended, and the new rules became effective this year. Photo: NAGPRA Logo

The Shakopee Mdewakanton Sioux Community are reintroducing themselves to the Buffalo nation, welcoming them back to their Dakota homelands here in Minnesota. Reintroduction of buffalo enhances the prairies on tribal lands in Minnesota by promoting biodiversity. Photo Credit SMSC.

All My Relations Art Gallery in Minneapolis was the site of a brand-new Indigenous winter arts market.  (Image Description: My Relations Art Gallery entrance with a sign inviting shoppers to the Winter Artisan Fair. Photo by Chandra Colvin)

This week on Minnesota Native News, we revisit a story from May 2021 about Ojibwe Language revitalization in Minnesota. 
Image description: Memegwesi harvesting wild rice (Courtesy of Memegwesi Sutherland)

On this week’s Headlines: a controversial Indigenous encampment for unhoused relatives was cleared in Minneapolis, the Shakopee Mdewakanton Sioux Community partners with the University of Minnesota on deer research, and Indigenous people nationwide celebrate a historic film victory.

The Minneapolis American Indian Center renovation project enters its final stages. For the past year, the Minneapolis American Indian Center has been undergoing major renovations- Travis Zimmerman has the story.
IMAGE: Architectural renderings of the completed project, courtesy of the Minneapolis American Indian Center.

The City of Red Wing recently closed a dog park that stood on top of Dakota burial mounds. The move was made possible by the Prairie Island Indian Community and the City’s memorandum of understanding — an unusual arrangement that lets them work together on big local decisions.
PHOTO: Representatives of the City of Red Wing and the Prairie Island Indian Community meet to discuss plans for a local landmark—photo courtesy of Franky Jackson. 

This week, a Bemidji resident receives an unsung hero award, several Minnesota Indigenous leaders were chosen to participate in the 2023 Native Nation Rebuilders Cohort, and Minnesota Lt. Governor Peggy Flanagan becomes the first Native woman to lead a national party committee at the Tribal Nations Summit in Washington, D.C., and the National Hockey League gets called out for more racist policies against the Native American community. 

Announcer: This is Minnesota Native News. This week, the Minneapolis Institute of Art is currently holding an exhibition focusing on indigenous photography from the late 1890’s to the present day. Reporter Chandra Colvin has the story.

Chandra Colvin: In October, the Minneapolis Institute of Art, also known as the MIA, opened an exhibition focused on Native Photography titled, “In Our Hands.” The exhibit was formed primarily by a council of Native artists and scholars. Jaida Grey Eagle, who is a member of the Oglala Lakota Sioux tribe, is a photographer and artist. She is a co-curator for the exhibit and was the initial inspiration for it during her time as a fellow at the MIA.

Jaida Grey Eagle: I’ve been practicing photography since I was a young kid. I think I was probably 11 when I got my first camera. Native, you’re always wondering, “are there other people doing what I’m doing?” In schools here, they never talk about Native photographers in Minnesota. And it wasn’t until I went to the Institute of American Indian Arts down in Santa Fe that I was introduced to this whole world of native photographers. Why do I have to travel so far away from home to find that? Why is that just not talked about?

I think for myself, I just, I really want it to inspire people, and to just introduce them to this incredible history of, you know, Native people practicing the art of photography. It's such a different experience to see photography from the viewpoint of Native people. So it's inspiring to me, and I just hope that it's inspiring to other people to just see the art practiced by the people themselves that it's about.

CC: The Native artists and scholars worked alongside MIA curators, like Jill Oberg, a curator of Native arts and a co-curator of the exhibit.

Jill Oberg: Jaida was our fellow at the time. And she came in and asked us about our collection of photography made by Native people. And we came together and we knew that we didn't have many. And that we needed to build that. So it was a great way for us to understand the field through going to the experts who have been dedicating their entire lives to the field. And that was the beginning of the exhibition.  

CC: The exhibit features over 150 photographs by, of, and for Native people. Joseph Allen, who is a member of the Rosebud Sioux tribe and a direct descendent of White Earth Nation, has been doing photography for 30 years. His featured piece titled, “Free Land,” was captured in front of the MIA in 1992. 

Joseph Allen: From that original image that, you know, is in the show - it's such a small piece, it’s 8in by 10in. But that connection back to that beginning, I lived in Minneapolis for 25 years. And so and then having that image taken on the grounds of the MIA, that really connects to my career, you know, as a photographer it means a lot. 

CC: Allen said it’s an honor to be a Minnesota-based photographer featured in the exhibit. Co-curator Casey Riley agrees.

Casey Riley: We say this throughout the sort of overviews of the show, but, you know, this really was a show first and foremost, for Native audiences, and Native visitors. And, you know, this, hopefully, is an invitation to many younger photographers to join the profession, and continue this work, because there are so many amazing people who have influenced the medium from the beginning. And I would say that for me as someone who's trained in photo history, that is a really important message for all of us who have studied the field. Native people have been left out of our discourse, and they have been so important to its development. I think it's a really important takeaway. That, you know, the canon needs to change.

CC: “In Our Hands” will be on display at the Minneapolis Institute of Arts  until January 14th [2024]. Members of the indigenous community can visit for free. For Minnesota Native News, this is Chandra Colvin.

Announcer: For more information on the In Our Hands exhibit, visit the MIA’s website at new.artsmia.org.