Don’t go anywhere, We’re about to get crackalackin on our review of Misery, one of Stephen Kings most successful and critically acclaimed novel adaptations.

When world class author Paul Sheldon takes a spill he falls under the care of Annie Wilkes, his Nurse. As Paul regains his strength to learn to walk again, he also finds himself learning to love again. Little does he know that Annie Wilkes is his #1 fan. As Annie becomes his muse for his next novel, Annie tries to remain professional and hide her true feelings. From the Director Princess Bride and When Harry Met Sally comes the feel good romantic comedy of the 90’s, which asks, why unrequited love can lead to such… Misery.

Misery is a horror movie that proves you don’t need all the bells and whistles of the genre to be truly terrifying. Sometimes all you need is one truly unhinged person and no escape.

Kathy Bates performance is truly impressive and well deserving of her academy award win. She is convincingly able to portray a cavalcade of mental health disorders at the flip of a switch. Going from Manic fan girl to menacing anger, to unnerving disassociation. James Caan comparatively has light work being nonplussed at Annie’s theatrics.

William Goldman’s adapted screenplay deserves a lot of credit for its tight pacing, the smart addition of a sheriff character, and great dialogue.

Rob Reiner had a lot to prove with this film in expanding his credibility as a director outside of comedy. It undeniably is a great thriller, but my one criticism is that it is often visually uninteresting. It might be intentional, but the over reliance on monologue long closeups felt claustrophobic at times. It’s said that Reiner studied the films of Hitchcock before shooting Misery, but I don’t see anything close to that level of visual storytelling.

Overall, this is a great movie. The tension never lets up and Kathy Bates performance is required viewing.

10/10