Independent filmmaker Zach Clark joins to discuss the work of punk auteur legend Jon Moritsugu and his 1994 cult favorite Mod Fuck Explosion. A riff on classic Hollywood tales like West Side Story, the film is brash, outrageous, occasionally reprehensible, and is (in Zach's words) less about teen angst so much as it simply *is* teen angst manifested onscreen.

We first discuss the singular style of Moritsugu as filmmaker, his movies' no-budget charms, and how their hyper-stylized aesthetic, formalism, and performances turn the film's budgetary limitations into distinctive attributes that call attention to the their own artifice. Then, we discuss Mod Fuck Explosion's brilliance as a totem of 90s teen ennui and an interrogation of Moritsugu's career-long targets such as the prison of domesticity, anti-Asian racism, and gender roles. Finally, we discuss why the film's of Moritsugu transcend basic descriptiors like satire and camp, embracing genuine sincerity and uncovering deep emotional truths with a commendable level of vulnerabiltiy.

On the back half of the show, we spend some time discussing Zach's new film The Becomers, a 21st century take on science fiction B-movies about body snatching aliens finding love in the time of COVID.

The Becomers is out on VOD today! Check out the trailer here.

Pre-order The Becomers on limited edition Blu-ray from Vinegar Syndrome.

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Our theme song is "Mirror" by Chris Fish.