MorningPoems Podcast

MorningPoems Podcast

By Tess McCarthyArtsFiction
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MorningPoems Podcast episodes

  • S.2, E.0.75, New Poetry: “She & Me”

    She & Me

    It's been months
    since she and me have been together—my heart misses her.
    I am so happy to be near to her
    —as she is happy to be with me.
    It has been too long,
    too much to be away from her already,
    but then I see,
    I see she is meant to be away from me.
    It's so the missing is sweeter.
    It’s so the reunions are deep.
    We walk together on bright days
    —when the fall wind comes seeping in.
    The chill in the air isn’t a death knell.
    The trees, they cannot stay green anymore
    —they want to fade.
    We walk silently through them
    as the wind rustles the leaves more.
    There is nothing we can say to each other.
    Nothing left to improve things.
    There is the longing in the miss,
    and the missing in the longing.
    Let that open today.
    —
    August 29, 2025, at 2:30 p.m.

    The MorningPoems Podcast Full Circle

    After much deliberation, I decided to take control of my previously published poems that I had on Facebook & Instagram. At the time I enlisted the help of Aina (Instagram: https://www.instagram.com/ainaklima) to help me catalog my work.

    You’d think someone like me—a former archivist & librarian—would be able to wield their own poetry collection around but it's daunting to organize one’s own work. The sane thing to do is enlist help. It creates distance and that distance creates the right amount of detachment to edit on your own.

    I do recommend hiring editors and auxiliary staff to help manage intellectual property.

    Any-the-how…

    Upon delivery, I couldn't resist doing something with the over 780 poems propped up on a spreadsheet for me to ogle.

    Moreover, content platforms like Meta own the rights to use (unlimited usage rights) your work for their benefit.

    Last June I read “Poor Doggie” (2015) aloud:

    🐕https://tessmccarthy.substack.com/p/morningpoem-319

    I began Season 1, Episode 1 with my dog. And, Season 2 is arching on the heels of spending time with my dog.

    I'll be moonwalking back to May 2021 for S.2, E.1—and, I can't wait to release it because it's about my late father.

    Recently, I got a mixer and finally hooked up my Rode mic with the help of a friend who does mixing & recording for a living. I’m lucky for that.

    Here is the bookmark to this mini-episode. Take a listen—

    🎧: https://open.substack.com/pub/tessmccarthy/p/me-and-she



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    2 min
  • Season 2, Episode 0.5: Poetry reading from May 16, 2025, “Oh. Fantasy!”

    Oh. Fantasy!

    Render me speechless with your kisses,
    I’ll close my eyes—go ahead.
    Trace your fingers across my belly
    so that I take your hands—as if to stop them
    —and kiss them as punishment.
    You feel so good.
    Who are you, and more importantly,
    why are you in my head?
    Why can’t you be in my bed?
    It would be funner if you were.
    But now, vivid doesn’t cut it.
    Instead of you touching me, I’m touching myself.
    Instead of kissing you, I’m kissing my pillow,
    I’m taking out my dildo—and, this has got to stop,
    break reality—please, for me,
    like an actor talking to the fourth wall.
    Step out of the set, walk down the hall,
    out the studio gates of this movie-like fantasy.
    Just promise me one thing—
    Let me be the Bogie to your Bacall.
    —
    May 16, 2025, at 7:11 a.m. // @morningpoems_

    Credits

    The MorningPoems Podcast is spoken, written & produced by yours truly. You can follow me—or not follow me—on Instagram, but I don’t want them having your attention. I just want you, my darlings.

    Regrettably, this was posted on my Astrology/Jungian coaching account 🙄



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    4 min
  • MorningPoems Preludes—A Season 2 Opener

    Ghosts Ghosts of my father, my mother, my sister, and brother no longer bother. They still talk to me. My lover ghosts still haunt me —in good ways. I love the help they give me —especially in bed while sleeping. II. But give me the ghosts of my pets, please. Bring back Poogie—who ran away —after eight years. Bring back Piglet —who did not die in my company because I left my ex. And bring back Georgia —oh, for the love of the goddess, please. She was someone I loved so deeply and purely. She’s the ghost I miss the most. I want to hear her stirring in quiet morning hours. I want to hear the couch poof to her psychic landing. I want to smell summer grass at the top of my nose and I want to feel mossy mud between my toes for those are things that remind me of her. Pet ghosts are good things I am not afraid of —even the three ghosts of goldfish I flushed down the toilet —I’m so deeply sorry, forgive me. III. Ghosts are the energy patterns which stand for my love, and our sweet interactions. Ghosts of my friends, my ancestors, and those who have loved me, sit beside me, walk with me, and drive shotgun in my car, please. I miss your company, my Sweeties. — May 8, 2025, at 7:28 a.m.



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    3 min
  • Season 1 Finale! S.1, E.8: Poetry from my mother's birthday, August 17th, 2014 & 2016

    Season 1’s End: A Tribute to My MomMy parents! Now that they’ve passed, I try to surround myself with their pictures because I miss them deeply. Recently, I heard on a podcast that true wisdom comes from forgiving your parents. While I don't claim to be wise, I can say that I've learned a great deal from forgiving my parents for their imperfections, for being human, for their shortcomings and mistakes, for the times they hit me, called me worthless, ugly, and stupid, for not valuing me, and for not standing up for me. It has taken me several decades to reach this realization. Forgiving my parents has been a long and arduous journey, akin to weeding a garden.

    Happy birthday, Mommy (from Lyon)

    Hope you liked walking through streets
    with Eileen and I.
    You even followed me into
    that Gallic-Roman museum
    and
    watched over my shoulders
    as I drew
    ancient Roman
    artifacts.
    "All stone," you told me
    "too much."
    But we went into that church
    high on the hill.
    A long tapered candle
    I lit in your name
    for one Euro
    and you were gone.
    Guess there was someone
    calling for you.
    You went out in a "poof"
    like when you've made
    your birthday wish,
    on your birthday cake.
    //
    August 17, 2014, at 7:23 a.m. in Lyon
    Morning Poem #57

    August 17, 1927

    I do not know the weather
    conditions on that day, nor
    can I recall what day it was
    that my mother brought me
    into this world, but
    it was a force of effort
    which I would experience
    myself
    having brought in about
    twelve children of my own,
    but really some not surviving,
    which always has made me sad.
    On this day, I'll tell you that my
    brothers and sisters welcomed me
    if not, they were perhaps
    jealous?
    But I am the last of all my
    mother's children, so
    I must be the best and last.
    I tell my daughter stories
    because I can't remember details
    nor can I find the words in her language--English--to describe relationships
    to people or things
    the way I can in my language.
    I know, I've said this before, but
    in my language
    we have words for those
    interrelated things!
    Maybe I told my youngest
    daughter how all the doctors:
    witch doctors, midwives and
    physicians
    ran to our home to help
    my mother in labor:
    Because I knew,
    somehow,
    there was a big, dramatic
    commotion stirring,
    then all things stopped
    the minute
    I breathed
    into the air.
    That was the true story.
    However, I told my daughter
    I was born under a lily pad,
    and was found by my father
    who discovered me on top
    of that lily pad
    and that I was
    covering myself with the petals
    of the flower that grew from it,
    silly me, huh?
    I also forgot
    to tell her that
    I had fairy wings
    //
    August 17, 2015 at 8:08 a.m.
    Morning Poem #372

    SYNOPSIS

    In Season 1, Episode 8 of the Morning Poems Podcast, Tess still talks about Emily Dickinson. She candidly discusses her mission's exhaustion, her COVID bouts, and her reflections on parental forgiveness. Celebrating her mother's birthday, the poet reads two heartfelt poems from 2014 and 2016, reminiscing about a visit to Lyon and embodying her mother's voice in the Lyon poem.

    Shoutouts to some Substack accounts and a heads-up to listeners about an upcoming poetry series called Witchlore in Season 2.

    00:00 Introduction and Host Background

    01:32 Housekeeping and Social Media

    02:51 Shout Outs and Inspirations

    04:08 Episode Recap and Personal Reflections

    04:51 Mommy's Birthday and Poetry Reading

    13:47 Poem: Happy Birthday Mommy from Lyon

    15:03 Poem: August 17, 1927

    17:39 Conclusion and Season 2 Teaser



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    20 min
  • S.1, E.7 June 2015 MorningPoem: "I Didn't Like Going to Mass" on Gender, and Humor

    Morning Poems Podcast S1, E7: Navigating Poetry, Gender, and Humor In this episode of the Morning Poems podcast, host and poet Tess McCarthy sinks into a June 2015 poem from her previously published poetry collection, sharing insights into her creative process and personal experiences. Tess talks about her future plans for digitizing her poetry collection, her fascination with Emily Dickinson, and the influence of her own gender identity in the autobiographical poem “I Didn’t Like Going to Mass,” where she talks about wanting to dress up as a tomboy when forced to wear dresses all the time along with their childhood experiences with gender expectations and sensory sensitivities, Tess emphasizes the blend of humor and seriousness in the MorningPoems Podcast aiming to bring levity into the listeners' lives. Stay tuned for more insights and poetry in this engaging episode.

    00:00 Introduction 01:20 Podcast Recap and New Formats 02:08 Exploring AI and Voice Recording 05:05 The Importance of Humor in Life 06:38 Emily Dickinson: A Lifelong Fascination 08:47 Analyzing Poetic Form and Medium 10:08 Introducing the Poem: 'I Didn't Like Going to Mass' 11:15 Themes of Gender and Acceptance 15:01 Reading the Poem: 'I Didn't Like Going to Mass' 17:57 Conclusion and Future Plans



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    20 min
  • July 2016 Poetry: “Sunday, Let’s Do This”

    POETRY

    Sunday? Let's Do This

    All I have to do is get off my butt,and put yoga pants on.

    The rest of the day is —not to worry about what I’ll do just go to class, do so now—get a spot.

    Maybe fellow yoga mates will be there?Maybe that charming lad originally from Pakistan with a British accent?Maybe that woman will wear her green sweater—again? And that new person—another to see—the one who looks like that actor, Michael Fassbender?

    Go, Tess. Get a (yoga) move on. Go.

    The original version 

    Sunday? Let's Do This:

    All I have to do is get off my butt and put yoga pants on.The rest of the day is not worrying about what I will do, just go to class--do so now to get a spot.

    Maybe your fellow classmates will be there?That English guy originally from Pakistan;The woman who always wears a green sweater; The new guy who looks like Fassbender;

    go Tess.Go.

    ANALYSIS

    The mundane, and daily affairs in life are the topics of MorningPoems and after reacquainting myself with this current catalog of poetry I’m revising, it seems the themes are synonymous with breathing.

    ASTROLOGICALLY SPEAKING

    Because this author is both a professional astrologer/tarot practitioner, and librarian/educator, the themes are all pertaining to the 6th House. What’s the 6th House? In a natal astrology chart the houses are the life theme the planetary aspects take place. There are 12 Houses and each speak to an area of life or general theme. Therefore, the 6th house reflects, work, daily habits, health (health routines), pets (no larger than a goat according to the ancients), and all the things we do for ourselves to serve others.

    But to further explain this, I’ve tapped my AI bot, Oracle von Cleef, a bot I manage on Poe.com to chime in.

    LLM ANALYSIS

    AI Analysis by Oracle von Cleef:

    “The 6th house in astrology is associated with daily work, health, and routines. It represents the things we do on a regular basis to maintain our well-being and contribute to society.

    The poetry you shared is a beautiful and relatable piece about the simple act of going to yoga class. It captures the feeling of motivation, anticipation, and the joy of connecting with others in a shared activity.
    The poem's focus on the mundane, yet important, act of putting on yoga pants and going to class speaks to the 6th house's themes of daily routines and self-care. The speaker's anticipation of seeing familiar faces and the possibility of meeting someone new also reflects the 6th house's connection to social interaction and community.
    The poem's use of repetition, particularly the word "go," emphasizes the importance of taking action and moving forward. This aligns with the 6th house's association with work and productivity.
    Overall, the poem's themes of routine, self-care, social connection, and action resonate with the 6th house's astrological significance. It's a reminder that even the simplest acts can have a profound impact on our well-being and our lives.”



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    2 min
  • “The Conference” - June 27, 2015, MorningPoem

    The Conference

    We converge(not clash with culture).

    We explore city streets with open minds—if not hearts, and cataloguers take note of the typo in a book at a bookstore. 

    The director stepson soft gum on the street.

    No one laughs, but everyone on the tour is charged with a solution for gum removal.

    -Edited 7/8/24 at 9:14 a.m. 

    The original poem reads differently:

    The Conference

    We converge as a group of librarians. We do not clash with culture.

    We explore city streetswith open minds—if not hearts,and catalogerstake note of the typoin a book at a bookstore. 

    The library director stepson soft gumstuck on the street, —then stuck on he. 

    No one laughs,but everyoneon this walking touris chargedwith a solution for gum removal.

    -Edited 7/8/24 at 9:14 a.m. 



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    1 min
  • High Prey Drive

    High Prey Drive

    Let me romance you in the winter,—for the summer is too carefree and simple.

    There’s too much in the way of hot summer days—besidesI’d rather pursue you in the snow—looking at your body covered in layerslends to the intrigue.

    I’ve got a high prey drive.

    I’ll go after you with ease.I don’t mind if you tease.

    Half of my job—of this doing this romance—is two partslistening to youanother part is watching you,(and that’s pretty much it).

    You’d have all of my attention—with no distractions.

    My body leans in to shield you from a cold wind,then, in your heavy coat and knit hat,you smile at me—with that smile of yours, and warm lipstick.__July 8, 2024 at 10:25 a.m.

    Well, hello, my pretty pretties. It’s me, Tess—the Great Tyrant. What possessed me to write this? I was on public transportation, and I saw someone who delighted me, that’s what. But I didn’t want to invade visual boundaries either, so I turned away, and being the helpless romantic that I am, I whipped out my phone and texted the first few lines of “Let me romance you in the winter—for the summer is too carefree and simple,” knowing that I’d have fodder for poetry come my morning coffee.

    Analysis

    “High Prey Drive” is a modern-romantic poem about Primal Play.

    The structure "doesn't follow a traditional rhyme scheme or meter, which makes it a free verse poem. This gives the poet a lot of freedom to express their thoughts and feelings without being constrained by strict rules.
    The poem is divided into stanzas of varying lengths, which helps to create a sense of rhythm and flow. The stanzas are also used to shift the focus of the poem, moving from the speaker's desire to romance the other person to their description of their own personality and their attention to the other person.
    The poem also uses repetition to emphasize certain ideas. For example, the phrase "I've got a high prey drive" is repeated twice, which highlights the speaker's strong desire for the other person. The repetition of "listening to you" and "watching you" also emphasizes the speaker's focus on the other person.
    Overall, the poem's structure is designed to create a sense of intimacy and connection between the speaker and the other person. The free verse form allows the speaker to express their feelings in a natural and unconstrained way, while the use of stanzas and repetition helps to create a sense of rhythm and flow."
    The poem focuses on the speaker's intent on observation and listening. The poet herself is neurodivergent, so being attentive requires presence. The concept of playing “The Long Game” and practicing patience are areas of practice for the pursuer. The preference to linger around until the winter, when conditions are less favorable, speaks to commitment and fidelity—rather than the summer—watching and understanding the object of affection first.
    - Beyond fidelity, it’s also about foreplay—the pursuit before the hunt.

    About Primal Play—the fetish

    I’ll come out with it: in the world of BDSM, I’m not wholly a Dominatrix, although I’m Dominant. We can call me a power bottom, too, but the kink that best describes me—according to bdsmtest.org, is Primal (Hunter).

    Psst: Don’t look at that score of Sadist. I don’t get off hurting people. I am just exceptionally good at doing what I’m told and vice versa. Do you want me to spank you? Does it make you happy? I’ll allow myself to do that if it pleases. Okay. Fine, dear. Take it.

    What is Primal Play? According to “The Primal Play Reference Guide,” from the site domsubliving.com, Primal Play is a specific type of role-playing and power exchange between individuals that can often be linked to dom or sub-roles.

    Take the fur out of your mouth and quit cooing. If we go down to that page I cite, it’s a no, hell no. I don’t want to put on animal sounds for our music playlist. I’m not an animal. I’m a Huntress (Hunter).

    What’s a Hunter? Therefore, a Hunter (we generally capitalize a Dominant role, forgive me) is a primal “who typically maintains a human mindset and does not take on an animal role while hunting prey.”

    I agree and disagree because both primal partners can be animalistic. There doesn’t have to be a “human mindset” with some pairs because having a human mindset is insidious at times. If a pair is into reciprocity, then a Hunter who is ‘leonine’ and prey that’s gazelle-like, I’m sure, is game. However, they don’t have to embody the traits. Primal Play, to me, isn’t what you think it is. It’s more about embodying the power dynamics and actions instead of mimicking animal traits. I can expound further

    * Almost all of the suggestions listed for Primal on that PDF are deal breakers.

    * The last thing I want to do is think about sex when I’m having sex with someone. All these questions get in the way: Am I doing it right? Is she liking this? How much can I do? How far can we both go? With primal play, we both agree we’re going H.A.M.

    * Going primal doesn’t mean I’m into bestiality. It doesn’t mean I like to act like an animal—like howl at people or bark in bed, either. No. No. And, no.

    * From an astrological standpoint, I also think it’s because my Mars is in Sagittarius, and my Venus is in Capricorn. Yes, that sounds tangential, but it makes sense to another astrologer.

    But what does that mean?

    It means that I do what excites me—and what my partner desires, and where consent is paramount. Specifically, what do I like?

    * I like being in my body—I don’t want to talk or think. I want to be in touch with my raw emotions and desires. I want her to do whatever she wants and with reason and consent.

    * I want to totally invest all my senses in another woman/femme/person.

    * I like the high state of arousal, and sometimes it’s biting, scratching, and wrestling—but not growling. I stop there. That’s as far as the boat goes.

    * Power dynamics. I like to explore this with a partner who sees me and makes me feel safe enough to be my Dominant self in the bedroom.

    * Submissives who get it. Submissives can have lots of fun play-fighting, and in my poem, they can explore being the object of desire—without being overly objectified by me. The sub has to be a very intelligent, resilient, and open-minded partner to allow the game even to begin. And the sub can’t be a total doormat. There are boundaries. If I want you, I ask; if you want it, you’ll agree.

    * This agreement is the “take/allow” power dynamic at play. I’ve had a history of allowing partners to do so much to me without my consent because I often don’t enjoy giving up control. The gift of allowing. Allow. “I’ll allow you to do x in order for you to feel joy/satisfaction.”

    * Allowing is one of David Richo’s 5 A’s in loving relationships; however, allowing is discussed in Betty Martin’s “Wheel of Consent,” as seen below.

    Consent: The Fast and DirtyConsent is about giving and receiving. But there’s another component: taking and allowing. There are distinctions between the four concepts. Dr. Betty Martin, who added the distinction of "taking and allowing,” was a former chiropractor and, then, a Sexological Bodyworker and Intimacy Coach. Oftentimes, we need more in sex and in life. Betty Martin’s “matrix” is broken down into two halves and four quadrants, and in her video, Giving is Serving. Receiving is Accepting. Taking action is taking action for your own benefit, not only in bed but also in the world. > “We think of our culture as me, me, me, get what we can…on the other hand, most people have difficulty experiencing pleasure in a direct, simple, tangible way (taking). Our inability to experience real pleasure contributes to our tendency to grab, grab, grab.” —Betty Martin.Since I can’t make a diagram using mermaid.js right now and/also, I’ve conveniently “nicknamed” the roles:

    A1. YOU, THE GIVER (Also the Doer)- - Serve (aka “Giving” as an action to wholly benefit your partner) // Serve —> Accept

    A2. YOU, THE DOER (Also Receiving)— Take (an action you and only for your benefit) // Take —> Allow

    B1. THEY, THE DONE UNTO (Also Giving) — Allow (you allow for others to do as they want) // Allow ← Take

    B2. THEY, THE RECEIVER (Also Done To)__ Accept (aka “Receiving” benefits from the actions of others) // Accept ← ServeI learned about Betty Martin from a fine, ol’ sex education library/archive/gallery helmed by Dr. Carol Queen and Dr. Bitch Sir (Robert Morgan Lawrence) in San Francisco. At the same time, I learned a lot about consent through the literature there. I served as a library intern and then the archivist-in-residence at the Center for Sex & Culture from 2012 to 2014. I gained valuable experience there. Before I got the role, I asked my advisor in library school, “Should I take this role? Would it taint me?” “Hell no. Experience is an experience—we need to be discerning when managing the material, not judging it.”

    Lastly, everyone who is sexually active, whether or not you are into kink, should learn the Wheel of Consent. We can even apply Martin’s Wheel to interacting in other areas of our lives as well as visually understanding our boundaries. While my poem may sound misogynistic, it isn’t from the poet’s standpoint. The reader/listener buys into the notion the speaker had acquired consent before the poem begins. Personally, I’m working through trauma, layers of shame, and inner misogyny through this work and the poet’s Byronic voice. In turn, I’m finding a voice I lay dormant for so long.



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    2 min
  • MorningPoem Interludes: Poetry Narration of "You Live Your Life"

    July 10, 2015, You Live Your LifeMorningPoem #588

    I see visions of your pretty, smiling face, learning to walk and giggling with delight.

    I see a teen version of you on the phone, the cord wrapped around your finger, talking to friends until all odd hours of the night--your parents: only mildly exasperated.

    You live your life so fully and elegantly, and no moment passes by where your energy is dulled.

    No, not yours.

    Yours is the energy of a million butterflies fluttering, overwhelming the senses, and stunning the simple folk.

    MorningPoems

    SYNOPSIS:Morning Poems Interludes: 'You Live Your Life' by Tess McCarthy

    In this mini-episode of Morning Poems Interludes, host and poet McCarthy—a prolific poet with over 1,400 poems to her name—introduces a reading of her earlier work, 'You Live Your Life' from the Morning Poems catalog dated July 10th, 2016. The poet also makes a playful reference to Emily Dickinson's poem count and how badly she wants to beat writing 1.800 poems. The episode offers a heartwarming and vivid depiction of life's moments through Tess's poetic narrative. TRANSCRIPT:00:00 Introduction to MorningPoems Interludes

    Welcome to Morning Poems Interludes. This is a short mini-episode in which I read poems between episodes, so there aren't any to be missed.  

    00:12 I'm Your Poet

    Hi, I'm Tess McCarthy, and I've written over 1,400 poems. Ha ha. Top that! And I'm well on my way to besting Emily Dickinson's record of 1,800 poems. You know her. 

    00:34 Who is Emily Dickinson?

    Who in the Dickinson was Emily Dickinson?  You have to ask. You don't know? She was the 19th-century recluse and poet who wrote… God! title slips me. 

    00:52 Today's Poem: You Live Your Life Intro

    Today is July 15th, 2024, and I'm reading a poem from the primary morning poems catalog dated July 10th, 2016, entitled “You Live Your Life.” It just so happens to be Morning Poem 588 in the collection. Enjoy.

      📍   

    01:20 Reading the Poem, You Live Your Life 

    You Live Your LifeI see visions of your pretty, smiling face, learning to walk and giggling with delight. I see a teen version of you on the phone, the cord wrapped around your finger, talking to friends until all odd hours of the night—your parents are only mildly exasperated.

    You live your life so fully and elegantly, and no moment passes by where your energy is dulled.

    No, not yours. 

    Yours is the energy of a million butterflies fluttering,  overwhelming the senses and stunning the simple folk.MorningPoems

    02:16 Conclusion // What's Next

    And that concludes our mini episode of  MorningPoem Interludes.  Written, produced, and spoken by Tess McCarthy.  

    Next up is probably another poem or possibly another episode in which I read poetry in between my longer languishing episodes. Stay tuned.  



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    3 min

About MorningPoems Podcast

From the publisher's feed

MorningPoems is the poetry series McCarthy created on Facebook and Instagram.