Infinity Pool may not reach greatness, but when you’ve got Cronenberg’s knack for tension and creating an ominous aura, you don’t always have to stick the landing.

KMUW's Fletcher Powell says in the new movie Skinamarink, what you can't see is scarier than what you can.

KMUW's Fletcher Powell says the new movie The Drop isn't concerned with in your face comedy.

KMUW's Fletcher Powell looks at one of the major influences of a new hit movie.

KMUW's Fletcher Powell says The Pale Blue Eye leans hard into clichés instead of being afraid of them, and it turns this into exactly the kind of dark, deliciously brooding detective story we’re hoping for.

Fletcher Powell says a new movie is part of a growing trend in the kinds of movies we get to see.

Fletcher Powell says people looking to enrich their understanding of what can make the movies the great art they can be can turn to Sight and Sound.

Fletcher Powell says that Babylon is a deeply embarrassing, mind-melting exercise in tedium and bluster.

KMUW's Fletcher Powell says the director of The Eternal Daughter Joanna Hogg is a master at framing the people and places you see on screen.

KMUW's Fletcher Powell says EO is also a thrilling piece of filmmaking.