In today’s episode, we leave the dockyards and engine rooms behind to step aboard the ocean liner as it appears not at sea, but on the page. From the gilded salons of Edwardian fiction to the psychological depths of modernist prose, ocean liners have long served as floating stages for human drama, capturing the hopes, tensions, and contradictions of the modern age. We explore how writers such as E.M. Forster, Noël Coward, Virginia Woolf, Katherine Mansfield, and Agatha Christie used these vast ships as microcosms of society—places where class, desire, ambition, and anxiety collided in close quarters. Christie’s fascination with liners, in particular, reveals how perfectly they lent themselves to closed-circle mysteries: isolated worlds where familiar social types gather, secrets simmer, and violence quietly waits beneath the surface. The conversation ranges from glamour and luxury to migration and the uneasy faith in progress that defined the early twentieth century. Ocean liners emerge as symbols of empire and innovation, but also of displacement, vulnerability, and transition—spaces where identities could shift and certainties dissolve. To find out more Dr Sam Willis is joined by the brilliant Professor Faye Hammill, whose work illuminates why these ships so powerfully shaped literary imagination, and why they continue to haunt it today.

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