Today I'm joined by Asleep At The Wheel's Ian Stewart to shine a spotlight on the cult classic fiddle super-group album 'Fiddlers 4' - Cajun legend Michael Doucet, old-time master Bruce Molsky, progressive bluegrasser Darol Anger, and cellist Rushad Eggleston. Ian talks about falling in love with the album as a kid attending fiddle camps, how the album fuses different styles and genre approaches from each member, polyrythms, cross tuning, the fiddle as a star instrument instead of accompanying, the one and done nature of the group, the sometimes prescriptive nature of roots genres, meeting all four Fiddlers 4 and playing one of the songs from the album with Michael Doucet.

Grammy-nominated singer, songwriter and vurtuousic madolinist Sierra Hull joins me to talk about the pivotal classic album that brought a generation into bluegrass music, Alison Krauss & Union Station's 1997 LP 'So Long So Wrong'.

Texas titan Will Johnson joins me to discuss one of the pod's favorite bands, The Replacements, and their classic album 'Let It Be'.

Kayla Hall, one-third of Nashville indie-pop trio Moody Joody, joins me to talk about Shania Twain's iconic 1997 album 'Come On Over'.

Songwriter, singer and producer Sean McConnell excavates a cult classic of 80s singer-songwriter music as we discuss David Wilcox's 'How Did You Find Me Here'.

Listen to Sean's new album SKIN wherever you listen to music.

Today, Global Editorial Director of GQ and Pitchfork Will Welch joins me to talk about the OutKast classic ‘ATLiens’. Will takes us on a journey from discovering the record as a kid in Atlanta to meeting and writing about Andre and Big Boi as a journalist, living in the world they were writing about on the record, the comic book that accompanied the CD, the musical partnership between Andre and Big Boi, the Dungeon Family Cinematic Universe, how OutKast kept it weird as they got more popular, Andre 3000’s flute album and much more.

We also talk about his recent documentary on Jason Isbell’s new album ‘Foxes in the Snow’, which you can watch here - https://www.thesametruthproductions.com/

The Queen of gnarly noir rock'n'roll, from Alabama via Nashville, Hannah Aldridge joins Jeremy Dylan for a delve into her epochal childhood favorite: Radiohead's Hail to the Thief.

We roar back into life for our 2025 season with the podcast crossover that nobody but us was asking for, as co-host of venerated blockbuster Beatles podcast Steven Cockcroft joins Jeremy Dylan to talk about George Harrison's solo classic 'Living in the Material World'.

In amongst numerous fab-adjacent tangents, Steven and Jeremy talk about the long shadow All Things Must Pass casts over this record, Ringo Starr and Jim Keltner's innovative double drumming techniques, the lead piano of the legendary Nicky Hopkins, how this album might have served as a template for the rest of Harrison's recording career, Harrison's bitterness around the Beatles and the push and pull between his spirituality and material appetites, lawyer-based hoedowns, Harrison's extremely intermittent history as a live act and more.

Plus, Steven shares his memories of attending the amazing Concert for George tribute night featuring every single living (at the time) rock legend plus a surprise Monty Python reunion.

Today we sadly lost the legendary Marianne Faithfull, so in tribute we are resharing this episode from 2016 with Emma Swift celebrating Faithfull's classic album 'Broken English'.

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Queen of the Sadcore Bangers Emma Swift returns to the show to talk about Marianne Faithfull’s brittle, confronting classic ‘Broken English’.

Faithfull started her career being exploited as a folk-pop starlet, hitting rock bottom with drugs and homelessness and then taking control of her life and identity with this album. Emma and I talk about the cock forrest of the punk / new wave scene, how women are often written out of pop history, the inappropriate way Emma discovered the album, how it’s influencing the shift in her music from despair to rage, and more.