My Favorite Album with Jeremy Dylan

Today, Indiecast co-host, Uproxx cultural critic and author Steven Hyden returns to the show to discuss his book about one of the most iconic albums of all time, "There Was Nothing You Could Do: Bruce Springsteen's "Born in the USA" and the End of the Heartland.

Steve talks about the album's uneasy relationship with Bruce's die-hard fans, Bruce's internal tug of war with the level of fame this album brought, misread meanings of Bruce's songs and how his music has become more didactic over time, the universality and timelessness of Nebraska and Born in the USA vs the more explicit protest music of the time, Springsteen the storyteller, the "Bruce voice", the emotional comedown whiplash of exiting an E Street Band show, the death of the unifying American myth, 'heartland rock' as a genre, Bruce's hopefulness vs the fatalism of Fogerty and Mellencamp, why the Replacements were the antithesis of Springsteen, the lessons Bruce drew from Bob Dylan and our hopes for the Born in the USA 40th Anniversary.

Today the spellbinding Emily Wurramurra joins me to discuss Cleo Sol's dynamic 2023 album 'Gold'. We talk about how she discovered and fell in love with Cleo's music, how Cleo builds community and connection through her music, the genuine hope and optimism in this album vs the toxic positivity of soical media, relating to the album's religious themes as a non-religious person, how Emily surrounds her daughter with music that will inspire her, the music she starts the day with, standing up for the power of art, "fucking shit up in a loving way" and more.

Today, I'm joined by the Reverend Shawn Amos to turn a spotlight on a classic blues record that has reverberated down almost six decades since its recording - Junior Wells 'Hoodoo Man Blues'. We talk about the contrast between Junior Wells unprecedented creative feedom and the restraints on blues artists at Chess Records, the interplay with Buddy Guy's guitar playing and Buddy's friendship with Junior, how the album defies blues stereotypes, Junior's harmonica playing, Wells' influence on Shawn as a live performer, the trap of fake authenticity, inventing yourself as an artist, what Beyonce and Bob Dylan have in common, how the album fits into the context of the mid-60s, hiccup licks, how Shawn approaches performing 'Hoodoo Man Blues', why blues music shouldn't be a museum piece and more.

Today, Carla Geneve zooms in from WA to celebrate the almost-20th anniversary of The Drones classic  'Wait Long By the River and the Bodies of Your Enemies Will Float By'. Carla talks about being introduced to the record by her Dad at age 11, the violence of the music and subject matter, the epic nature of the nine songs, leaving space for meaning and atmosphere, using slower tempos to create intensity, the unadorned nature of the record, the brutal literature of Gareth Liddiard's lyrics, the importance of chronicling the stories of who Gareth is writing about, what movie would best sync up with the album, the influence of this record on guitar players, and much more, including why P!nk is the Tom Cruise of pop music. 

Today singer-songwriter and Frontier Ruckus frontman Matthew Milia joins me to celebrate Paul and Linda McCartney's 1971 masterpiece RAM. We talk about the freedoms and pressures on Paul as an artist in the wake of the Beatles breakup, his philosophy of 'don't fix the mistake, explore the accident', the darkness in some of the lyrics, the derangement of Monkberry Moon Delight, reclaiming the mantle of the avant garde from John Lennon, Linda's contributions as a producer and vocalist, the influence of the production on modern indie music and more.

TW: Suicide Today, celebrated author Ken Womack joins me to unpack his extraordinary new definitive biography of Beatles road manager Mal Evans, 'Living the Beatles Legend'. Ken talks about the incredible access given to him by the Evans family, including Mal's unpublished memoirs and diaries, the digital warehouse he built to sort through the incredible archival material, how much of the Beatles story is Mal's story, how the Beatles invented the pop superstar industry as they went along, how Mal managed to take on roles that would now be filled by dozens of individuals, how the Beatles laid the template for every rock'n'roll narrative that has followed, the friction between Mal and Brian Epstein, how Mal compartmentalised his life, how Mal championed and produced Badfinger in the face of Allen Klein's opposition, Mal's friendship with Paul McCartney, the upcoming quartet of Sam Mendes directed Beatles movies, the myth of the solitary genius, how important every member of the Beatles inner circle was to their success, and the conterfactuals in Beatles history, including how Mal's story might have unfolded over the past decades if it hadn't been so tragically cut short.

Today we bring you a (if you can believe it) new perspective on the Beatles story, as Dierdre Kelly joins me to discuss her fascinating book 'Fashioning The Beatles: The Looks That Shook The World', in which she unpacks the journey of the Fab Four's style across their careers, how they influenced and were influenced by fashion and the culture at large. From the edgy elegance of their early years, the contradictions between their working class drawl and sharp presentation, the rapid pace of change in both their look and sound, how they helped popularise corduroy, the rise of menswear as a form of cultural expression and the case for Ringo Starr as the most stylish Beatle.

Today I'm joined by songwriter, multi-instrumentalist and co-founder of The Lumineers, Jeremiah Fraites, to wax rhapsodic on Radiohead's iconic 1997 album 'OK Computer'. We talk about Jeremiah's journey from hating to loving Radiohead as a teenager, the album's diverse but coherent sound, the album's sonic easter eggs, the balance of performed and constructed elements, the early live incarnations of the OK Computer songs, road testing songs in the pre-iPhone era, the power of boredom as creative fuel and more. We also breakdown Jeremiah's beautiful interpretation of 'No Surprises', featured on his new album 'Piano Piano 2', and the process of arranging the song and recording with Gregory Alan Isakov.

Today I'm joined by Ed Nash, bassist of UK indie heroes Bombay Bicycle Club, down the line from North London to chat about Kurt Vile's modern classic 2011 album, 'Smoke Ring for My Halo'. Ed talks about discovering the album on tour in Australia, how it became the soundtrack of BBC's breakthrough period, listening to it on repeat on tour, the sonic space and soundscape of the album, Vile's sophisticated and distinctive guitar style, how Vile disguises the sophistication of his music with his 'slacker rock' image, and how the album influenced Ed's approach to guitar, arrangements and lyrics in the years since. 

We kick off our tenth anniversary year with ARIA-winner Mia Dyson, who joins me to talk about the soundtrack of the iconic Talking Heads concert film 'Stop Making Sense'. We talk about wearing out VHS tapes in the pre-streaming era, the contrast between the band's musical eccentricity and austere aesthetic, why the film is the perfect entry point for new Talking Heads fans, how the show builds from David Byrne solo acoustic to the full expanded band extravaganza, Byrne's obsession with deconstruction, how the analogue staging and filmmaking techniques have kept the film timeless 40 years later, the overriding joyousness of the performances despite the contentious interband dynamics, the unconventional choreography in the show, the earnest emotional core behind all the weirdness and Mia's NYC David Byrne sighting. Mia talks about how this music gave her permission to be herself in her own music, different concepts of authenticity and how Talking Heads influenced her 2018 album 'If I Said Only So Far, I Take It Back', and her approach to vocal performance and revisiting abandoned material for her new album 'Tender Heart'.