Waiting Games And Widespread Smoke (feat. Narcy) by Andra McCartney is included on 19th edition of the Deep Wireless Compilation Album, which is produced by New Adventures in Sound Art (NAISA) for the 2025 edition of the annual Deep Wireless Festival of Radio & Transmission Art. The compilation includes works by radio artists and sound artists that examine the relationship of people and the natural world. Unheard and unexpected encounters with nature are brought to life in works by Omar Reyna (Canada), Emmie Tsumura (Canada), Marieke Van de ven (Holland), Andra McCartney (Canada), Matthew Driggs McMurray (USA) and Dann Disciglio (USA). Info and more radio art compilations are available here - https://naisa.ca/media-archive/compactdiscs/#DWCD18
This piece is based on a train trip from Toronto to Vancouver that Andra McCarthy took in August 2018. In the piece she reflects on the journey, and the widespread smoke and freight delays that structured it. The way that she worked with the sounds was inspired by a quote from Dylan Robinson's curatorial score Soundings (Kingston ON 2018) "the sub-frequency of colonial labour resonates your body". Vocals are by Andra McCartney and Narcy (the Narcicyst). This piece premiered by New Adventures in Sound Art, South River, ON, in multi-channel form realized by Darren Copeland.
Andra McCartney (1955-2019) is a sound artist and composer that led public SOUNDwalks and created gallery installations, recordings, performances and radio works. Her works were heard on CBC radio, and on 1st Deep Wireless Compilation CD along with releases by Terra Nova and the Canadian Electroacoustic Community.
After completing her PhD dissertation at York University on the soundscape work of Vancouver composer Hildegard Westerkamp, Andra taught at Concordia University and published articles with Organised Sound, Leonardo Music Journal, Perspectives of New Music, Musicworks, Axis Voor de Kunsten V/M, Contact!, Array, Resources for Feminist Research, and Borderlines, as well as chapters in several edited volumes, including Performing Nature, Aural Cultures, Gender and Music, Ghosts in the Machine.
In 2002, she edited an issue of the journal Organised Sound on the topic of soundscape composition. In 2006, she co-edited with Dr. Ellen Waterman a special issue of Intersections Journal of Canadian Music, based on papers presented at the “In and Out of the Sound Studio” Conference on gender and sound technologies, which she directed at Concordia University in July 2005. You can hear her works on the andrasound Soundcloud page.
Deep Wireless 19 Credits for New Adventures in Sound Art (NAISA):
Artistic Director: Darren Copeland
Executive Director: Nadene Thériault-Copeland
Image Illustration: Prashant Miranda