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My guests this week are Brooklyn-via-Oakland rapper Nappy Nina and Philly-based producer, multi instrumentalist, and engineer, Swarvy. We spoke about The Drama, undertone, the Twilight movies, Nina's filmmaking aspirations, the works of Boots Riley, The Fugitive, Brown Sugar, Swarvy’s musical background, the crazy story behind how he and Nina first connected, international touring, government subsidies for artists, and the creative process behind their two albums—Nothing Is My Favorite Thing and their latest, Sow & So, out on Tuesday, May 12 via Nina’s label LucidHaus. Come fuck with us.

Sow & So is available now wherever music is sold, streamed, or stolen (except for Spotify). Consider copping the album directly via Nina and Swarvy's Bandcamp. Follow Nappy Nina on Instagram and Twitter: @Nappy_Nina. Follow Swarvy on Instagram (@swarvy) and Twitter (@swrvy). Follow LucidHaus on Instagram and Twitter: @lucidhaus

Reel Notes stands in solidarity with American immigrants against ICE and the oppressed peoples of Palestine, Congo, Sudan, Tigray, and Haiti. Please consider donating to the Coalition for Humane Immigrant Rights, the Palestine Children's Relief Fund,  The Palestinian Youth Movement, The Zakat Foundation, HealAfrica, FreeTigray, and/or Hope For Haiti. Protest, fight back, and fuck the system. 

My first book, Reel Notes: Culture Writing on the Margins of Music and Movies, is available now, via 4 PM Publishing. Order a digital copy on Amazon.

Follow me on Instagram (@cinemasai), Twitter (@CineMasai_), TikTok (@cinemasai), Letterboxd (@CineMasai), and subscribe to my weekly Nu Musique Friday newsletter to stay tapped in to all things Dylan Green.  Follow Hearing Things at hearingthings.co or @hearingthingsco on all social platforms.