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Met Opera oboist Nathan Hughes shares insights on how he prepares, so that he can play more confidently on stage, under pressure. Not just in terms of practicing the music, but managing the mental game and the uncertainty of reeds as well.
Nathan Hughes: On Being Honest in the Practice Room, and Learning How to Balance Being Analytical and Being Expressive
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By Noa Kageyama4.9
156156 ratings
Met Opera oboist Nathan Hughes shares insights on how he prepares, so that he can play more confidently on stage, under pressure. Not just in terms of practicing the music, but managing the mental game and the uncertainty of reeds as well.
Nathan Hughes: On Being Honest in the Practice Room, and Learning How to Balance Being Analytical and Being Expressive
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