NBN Seminar

NBN Seminar

By Marshall PoeSociety & CulturePhilosophy
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NBN Seminar episodes

  • Iwan Rhys Morus, ed.,”The Oxford Illustrated History of Science” (Oxford UP, 2017)

    What is science?

    A seemingly profound, yet totally ridiculous question to try and answer. Yet, when Oxford University Press reached out to the brilliant scholar of Victorian science, Iwan Rhys Morris, they were tapping the right man for the job on the shoulder. He designed, contributed, and edited The Oxford Illustrated History of Science (Oxford University Press, 2017) which was published earlier this year. He assembled an all-star team of specialists with backgrounds in a variety fields in this history of science. His simple yet complex answer to the question I just posed is: science is humanity. Without humanity, there would be no science. No Newton, no Darwin, and no Dr. Who. This book is both conventional and not, sweeping yet focused, and really fun to read as both a reference source and as a piece of world history. Join me, J.N. Campbell and for podcasts to come, my colleague Steve Rooney, as we host new segments for New Books in Science. We will ask probing questions, and of course, we hope you enjoy our rapid fire installment at the end! Here is the first installment with my guest, Iwan Morris. Enjoy!

    J. N. Campbell is an independent scholar and writer in Houston, Texas. He is the co-author with Steven M. Rooney of How Aspirin Entered Our Medicine Cabinet (Springer, 2017), which can be found on Amazon. They have a second book entitled, Numb: A Chemical History of Opioid Epidemic, which is due out in 2018. He has written for the International Journal of the History of Sport, Reviews in History, and is a featured writer for Good Grit Magazine. After receiving an M.A. in History from the University of Kentucky, he fashions himself as a life-long student of history.


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    58 min
  • Ron Edwards, “The Edge of Evolution: Animality, Inhumanity, and Doctor Moreau” (Oxford UP, 2016)

    As I was reading Ron Edward’s fascinating and far-reaching new book, The Edge of Evolution: Animality, Inhumanity, and Doctor Moreau (Oxford University Press, 2016), I had a flashback. I must have been about seven. I was watching a film adaptation of H.G. Well’s classic work of science fiction, The Island of Doctor Moreau. It’s about a doctor who takes animals and tries to make them human by surgically alerting them. I don’t remember much about the movie–I think Burt Lancaster played Moreau–but what I remember is that the story really creeped me out. It stayed with me for a long time. And, even now, as I remember those half-man, half-beasts that populate Dr. Moreau’s island, I’m creeped out. The feeling is something like a primordial shiver. Now you may attribute that feeling to the sensitivity of a seven-year-old, and that’s probably right: what were my parents thinking letting me watch a horror movie at that age? Edwards, however, has a different answer, one based on Well’s original story. It’s that these man-beasts that Wells imagines force us to realize us that we are, in our essence, animals. This realization is something that, as a culture and as individuals, we don’t like to contemplate. It unnerves us. It creeps us out. And that’s what Edward’s book explores: it is, among other things, a case against human exceptionalism, one that asks us not only to rethink our animal selves, but also our relationship to those other creatures who share our animality.


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    56 min
  • Jon Dean, “Doing Reflexivity: An Introduction” (Policy Press, 2017)

    Doing Reflexivity: An Introduction (Policy Press, 2017) by Jon Dean, a senior lecturer in politics and sociology at Sheffield Hallam University, explores and explains reflexivity as one of the essential concepts in modern social research. The book draws on the work of Pierre Bourdieu as its starting point, but broadens out the definition of reflexivity to include a range of critical perspectives, particularly those associated with feminist standpoint epistemologies. The book also engages with the practice of research, setting out examples from Dean’s own work, on culture and on non-profits, along with detailed case studies of different types of reflexivity in different social research settings. The book is essential reading for social researchers everywhere.


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    34 min
  • David Matthews, “Medievalism: A Critical History” (Boydell and Brewer, 2017)

    A revealing exploration of representative modes of medievalism, Medievalism: A Critical History (Boydell & Brewer; hardcover 2015, paperback 2017), by David Matthews, examines the people, institutions, and moments that have driven societies around the world to reimagine and revive a medieval past. Eschewing shallow comprehensiveness, David Matthews instead offers a careful and extended handling of significant moments of medieval revival.

    From Sir Walter Scott and Cardinal Newman embracing structures of medieval ceremony in the early nineteen century to today’s medieval reenactments and medieval markets that employ touristic capital by celebrating a medieval inheritance, Matthews explores the positive vision of the romantic middle ages. Imagined as a world of chivalry and preindustrial economy defined by courtesy and noblesse, the romantic medieval offers connection to the land, more primitive, and more peaceful, social relations, to those who long for a world before industrialism and global capitalism. Following the interlaced negative vision of the grotesque middle ages–a world of barbarity and violence, of cruelty, ignorance, superstition, and narrow parochialism–the argument examines the ways in which communities and thinkers recover both grim and grand visions of the medieval, also exploring aspects medievalism that fall outside this neat binary.

    Medievalism: A Critical History moves deftly from examinations of medieval recovery in statecraft, aesthetics, art, literature, architecture, and the scholarly discipline of medieval studies. Matthews shows that an investment in the medieval has often reached far beyond academic interest in historical detail or popular interest in knights and castles. He pays particular attention to what is here called civic medievalism–attempts by writers and thinkers to recover that part of the middle ages that encouraged trade, labor, and industry, an interest on the part of statesmen and business leaders who find in the middle ages a worthy model of infrastructural expansion and open commerce. Likewise, with careful eye on ways in which being “medieval” can serve as a condemnation, Matthews pays close attention to how the idea of being medieval in the present day has the power to both attract and repel those who see an unevenness of time in our present world.

    Discussing the ways in which various writers and communities have employed these modes of medievalism to great effect, Medievalism: A Critical History asks readers to consider why we employ the past to do work in the present, and how the pursuit of recovering the past makes that very past a malleable thing. Careful not to exaggerate the significance of medievalism in moments when it was merely one stream of many, while also directing attention to ways in which interest in the medieval world has been underrecognized, David Matthews makes a commendably searching and scholarly contribution to the study of medievalism.

    Carl Nellis is an academic editor and writing instructor who researches contemporary American community formation around appropriations of medieval European culture. You can learn more about Carl’s work and request an editorial consultation at carlnellis.wordpress.com.


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    59 min
  • Lee Trepanier, ed. “Why the Humanities Matter Today: In Defense of Liberal Education” (Lexington Books, 2017)

    Lee Trepanier, Professor of Political Science at Saginaw Valley State University in Michigan, edited this important analysis of why the humanities matter, especially within higher education. Trepanier’s collection, Why the Humanities Matter Today: In Defense of Liberal Education (Lexington Books, 2017), brings together authors in a variety of fields within the humanities to reconsider the arguments that have been made in support of the humanities over the past decades, even as these disciplines have declined in terms of majors and faculty appointments across the United States. Kirk Fitzpatrick, James W. Harrison, Nozomi Irei, David Lunt, Kristopher G. Phillips and the collection editor, Lee Trepanier, represent perspectives from philosophy, literature, history, languages, political philosophy, while also engaging the question of what constitutes a liberal education in the 21st century, especially given the role of education within society. This text, which provides some thoughtful considerations beyond the often-given reasons for why the humanities are fundamentally important, is a kind of starting point for dialogue across disciplines, within colleges and university, but also among the public in considering the role of higher education in our contemporary democracy.


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    30 min
  • Carrie Jenkins, “What Love is: And What it Could Be” (Basic Books, 2017)

    Carrie Jenkins‘ new book is a model for what public philosophy can be. Beautifully written, thoughtful, and compellingly and carefully argued, What Love Is: And What it Could Be (Basic Books, 2017) invites us to think openly and critically about romantic love: what it is, what it could be, and why it is crucial for us to ask these questions and come to our own answers. Engaging the work of bell hooks, Bertrand Russell, Simone de Beauvoir, and more, Jenkins argues that love has a dual nature both social and biological and the book develops that position while offering a critical perspective on the arguments and evidence proposed by scientists, philosophers, and other interlocutors on whose work Jenkins builds. Romantic love is in the process of changing, suggests Jenkins, and the norm of monogamy could be one of the features in flux. The work offers a critique of amatonormativity including the assumed norm of monogamous dyads as the basis of romantic relationships while leaving readers with a take-home message that is simultaneously generous, bold, and inspiring: think about love for yourself.


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    1 hr 7 min
  • McKenzie Wark, “Molecular Red: Theory for the Anthropocene” (Verso, 2015)

    McKenzie Wark’s new book begins and ends with a playful call: “Workings of the world untie! You have a win to world!” Molecular Red: Theory for the Anthropocene (Verso, 2015) creates a conversation between work from two very different Soviet and American contexts. After guiding readers through the work and theories of Alexander Bogdanov, whose focus on the importance of labor in organizing knowledge forms a central thread through the book as a whole, Wark traces some of those notions in the writing of novelist and utopian Andrey Platonov. The second half of the book extends the conversation into science studies, beginning in a chapter that considers the work of Feyerabend, Haraway, Barad, and Edwards in light of Bogdanov and Platonov’s approaches to labor and knowledge, and continuing into a chapter devoted to Kim Stanley Robinson’s Mars Trilogy. The result is a fascinating treatment of the centrality of labor and the importance of the not-necessarily-human to understanding and theorizing the Anthropocene. (As Wark reminds us, Labor is the mingling of many things, most of them not human.) The entire book is highly recommended, and for the STS-minded among us the third chapter of the book would make an especially useful assignment in a discussion group or seminar devoted to contemporary theory and/in STS.


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    1 hr 2 min
  • Simon Critchley, “ABC of Impossibility” (Univocal Publishing, 2015)

    From its opening fragment on “Fragments” to its “Possibly dolorous tropical lyrical coda,” Simon Critchley‘s new book is a pleasure to hold in the hand and the mind. ABC of Impossibility (Univocal Publishing, 2015) is a collection of fragments and a catalog of “impossible objects”: poetry, America, emptiness, indirection, money, and more. Thoughts and jokes and quotes and small essays ranging from one line to several pages are arranged in a sequence that plays with unusual juxtapositions and acts as a form of “counterpoint,” riffing on and playing off of the work of Pessoa and Augustine and Rousseau and Blake and Heidegger and others. This is a thoughtful and playful book about time, and the sea, and humor, and loss, and slavery, and the importance of unlearning. Highly recommended!


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    1 hr 5 min
  • John Durham Peters, “The Marvelous Clouds: Toward a Philosophy of Elemental Media” (U of Chicago Press, 2015)

    John Durham Peters‘ wonderful new book is a brilliant and beautifully-written consideration of natural environments as subjects for media studies. Accessible and informative for a broad readership. The Marvelous Clouds: Toward a Philosophy of Elemental Media (University of Chicago Press, 2015) is structured as a series of meditations on and explorations of water, fire, air, earth, and ether media. After a chapter that sets out some of the foundational ideas shaping the book and charts an intellectual landscape for rethinking media, each of the following chapters offers a carefully curated series of studies of particulars – dolphin jaws, candles, towers, watches, clouds, feet, bells, weathermen, Google, and more – as a means of examining the significance of infrastructure, forgetting, technicity, and other modes of understanding media. Peters asks us to come with a fresh perspective to notions that we otherwise take for granted, and the result is a thoughtful and inspiring account that brings together media studies, theology, philosophy, and the natural sciences in thoroughly compelling ways. Among other things, the book is a call for a “greener media studies” that “appreciates our long natural history of shaping and being shaped by our habitats as a process of mediation.” What if, Peters asks, we took nature instead of the mind as the “epitome of meaning”? What are the stakes of doing so? The result is among the most exciting and enjoyable books that I’ve read in some time.


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    1 hr 4 min
  • Eugene Thacker, “Horror of Philosophy” (Zero Book, 2011-2015)

    Eugene Thacker‘s wonderful Horror of Philosophy series includes three books – In the Dust of this Planet (Zero Books, 2011), Starry Speculative Corpse (Zero Books, 2015), and Tentacles Longer than Night (Zero Books, 2015) – that collectively explore the relationship between philosophy (especially as it overlaps with demonology, occultism, and mysticism) and horror (especially of the supernatural sort). Each book takes on a particular problematic using a particular form from the history of philosophy, from the quaestio, lectio, and disputatio of medieval scholarship, to shorter aphoristic prose, to productive “mis-readings” of works of horror as philosophical texts and vice versa. Taken together, the books thoughtfully model the possibilities born of a comparative scholarly approach that creates conversations among works that might not ordinarily be juxtaposed in the same work: like Nishitani, Kant, Yohji Yamamoto, and Fludd; or Argento, Dante, and Lautramont. Though they explore topics like darkness, pessimism, vampiric cephalopods, and “black tentacular voids,” these books vibrate with life and offer consistent and shining inspiration for the careful reader. Anyone interested in philosophy, theology, modern literature and cinema, literatures on life and death, the history of horror…or really, anyone at all who appreciates thoughtful writing in any form should grab them – grab all of them! – and sit somewhere comfy, and prepare to read, reflect, and enjoy.

    For Thacker’s brand-new book Cosmic Pessimism (published by Univocal with a super-groovy black-on-black cover) go here. Thacker is co-teaching a course with Simon Critchley on “Mysticism” at the New School for Social Research this fall 2015. You can check out the description here.


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    1 hr 7 min

About NBN Seminar

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Interviews with Authors about their New Books