In this episode of NeedleXChange I interview Robert John Hodge.
Robert John Hodge makes cross-stitch work based on Renaissance sculptures, using a CMYK / screenprint-style layering approach and recurring Wingdings symbols.
We talk about being a finalist in the Hand & Lock Embroidery Prize, how the work is technically constructed, and the bigger ideas underneath it: art vs craft, nostalgia, digital “glitch” language, and how slow, tactile making can transform images that started life as fast and disposable.
Timestamps:
00:00:00 - Introduction
00:01:10 – Hand & Lock finalist story + mentor + family cheer squad
00:03:56 – Renaissance sculpture → CMYK layers → Wingdings glitch
00:06:30 – Time-saving stitching: let the fabric do some work
00:09:27 – Hobby → medium (London limits shaping the practice)
00:11:58 – Art vs craft: embroidery as the point, not the punchline
00:14:36 – 90s Windows nostalgia: Wingdings, WordArt energy
00:17:19 – Making patterns: first self-draft + tools/workflow
00:20:01 – Scale, time, and the realities of big stitch work
00:26:30 – Inputs and influences feeding the work
00:30:28 – Process evolution: designing for a “digital” feel
00:36:40 – New “collage” series: smaller, quicker stitched mashups
Links:
Website: robertjohnhodge.com
Instagram: robertjohnhodge
Intro music is Cotton Candy by Cospe via Epidemic Sound.
About NeedleXChange
An artist interview podcast exploring contemporary embroidery and textile art. Hosted by Jamie "Mr X Stitch" Chalmers.
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