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How do military organizations learn? Robert W. Tomlinson's book The Influence of Foreign Wars on U.S. Domestic Military Policy (Lexington, 2022) covers an important instance of military learning in which the United States military systematically examined the lessons of Israel's decisive victory in the 1973 Yom Kippur War and applied those lessons towards major doctrinal and equipment changes. The book relies heavily on Paul Senge’s model of learning organizations outlined in his seminal work, The Fifth Dimension. Using Senge’s model, the book examines the Departments of the Army, Air Force, and Navy’s reactions to the Yom Kippur War and how they organizationally incorporated—or ignored—the lessons of the conflict within their force. Using source documents, including personal memoirs, doctrinal publications, and individual reflections, the book offers a vital examination of how militaries can use foreign conflicts to make substantive and necessary organizational changes. The Yom Kippur War, particularly the Israeli experience in that conflict, provided the American military a battle laboratory in which to develop new warfighting concepts and assess new weapons acquisitions. In its conclusion, the book offers a cautionary tale that suggests learning and change do not come automatically to military organizations. If they are to be successful in the future, military organizations must embrace learning structures.
Dr. Robert W. Tomlinson is an associate dean at the Naval War College.
The views expressed in this podcast by both participants are their own, and do not reflect the official position of any organization with which they are affiliated.
Sam Canter is a policy and strategy analyst, PhD candidate, and Army Reserve intelligence officer.
Welcome to week two of our Darts and Letters summer showcase! Darts and Letters is a show about the politics of ideas. We’re celebrating joining the New Books Network by bringing you some of our favourite past episodes of the show. Each week, we’re following a different theme. Last week’s was “ideas in strange places” - and today, we’re kicking off a week of episodes about the politics of education.
This episode asks a big and nefarious question: have intellectuals enabled the US empire? Our host Gordon Katic looks at the RAND corporation (famously lampooned in Dr. Strangelove as the BLAND Corporation), and the broader defence-intellectual industrial complex. Get ready to meet some of the boring calculator men who are partially responsible for our permanent state of war.
We’ll be launching brand-new episodes of Darts and Letters here on the New Books Network starting on September 18th - until then, stay tuned for more of our greatest hits.
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You can support the show for free by following or subscribing on Spotify, Apple Podcasts, or whichever app you use. This is the best way to help us out and it costs nothing so we’d really appreciate you clicking that button.
If you want to do a little more we would love if you chip in. You can find us on patreon.com/dartsandletters. Patrons get content early, and occasionally there’s bonus material on there too.
—————————-CONTACT US————————-
To stay up to date, follow us on Twitter and Facebook. If you’d like to write to us, email [email protected] or tweet Gordon directly.
———-CREDITS———-
Darts and Letters is hosted and edited by Gordon Katic. Our lead producer is Jay Cockburn. Our assistant producer for this episode was Ren Bangert. Our managing producer is Marc Apollonio. David Moscrop wrote the show notes and is a research assistant. Our theme song and music was created by Mike Barber, our graphic design was created by Dakota Koop, and our marketing was done by Ian Sowden.
The protests of summer 2020 led to long-overdue reassessments of the legacy of racism and white supremacy in both American academe and cultural life more generally. But while universities have been willing to rename some buildings and schools or grapple with their role in the slave trade, no one has yet asked the most uncomfortable question: Does academic freedom extend to racist professors?
It's Not Free Speech: Race, Democracy, and the Future of Academic Freedom (Johns Hopkins University Press, 2022) considers the ideal of academic freedom in the wake of the activism inspired by outrageous police brutality, white supremacy, and the #MeToo movement. Arguing that academic freedom must be rigorously distinguished from freedom of speech, Michael Bérubé and Jennifer Ruth take aim at explicit defenses of colonialism and theories of white supremacy—theories that have no intellectual legitimacy whatsoever. Approaching this question from two angles—one, the question of when a professor's intramural or extramural speech calls into question his or her fitness to serve, and two, the question of how to manage the simmering tension between the academic freedom of faculty and the antidiscrimination initiatives of campus offices of diversity, equity, and inclusion—they argue that the democracy-destroying potential of social media makes it very difficult to uphold the traditional liberal view that the best remedy for hate speech is more speech.
In recent years, those with traditional liberal ideals have had very limited effectiveness in responding to the resurgence of white supremacism in American life. It is time, Bérubé and Ruth write, to ask whether that resurgence requires us to rethink the parameters and practices of academic freedom. Touching as well on contingent faculty, whose speech is often inadequately protected, It's Not Free Speech insists that we reimagine shared governance to augment both academic freedom and antidiscrimination initiatives on campuses.
Michael Bérubé (interviewed here) is Edwin Erle Sparks Professor of Literature at Pennsylvania State University; Jennifer Ruth is a professor of film at Portland State University. Both have served in various roles within the American Association of University Professors, and also coauthored The Humanities, Higher Education, and Academic Freedom: Three Necessary Arguments (2015).
Catriona Gold is a PhD candidate in Geography at University College London, researching security and mobility in the 20-21st century United States. Her current work concerns the US Passport Office's role in the Cold War. She can be reached by email or on Twitter.
Darts and Letters is a show about the politics of ideas, and this week we’re searching for progressive politics in strange places… such as pro-wrestling.
There have been 37 Wrestlemanias. That’s a lot of wrestling. And a lot of entertainment for the millions of people who enjoy watching wrestling, including our host, Gordon Katic. Maybe you’re a fan, maybe not. Fans and non-fans alike have often dismissed wrestling as frivolous. But there’s more to wrestling than meets the tombstone piledriver. Pro wrestling is like a Rosetta Stone for our politics; It brought us one President, and a recent poll suggests it might give us another. On this episode, we jump from the top rope into the wild, layered, complex world of pro wrestling and the folks who love it.
This is part of the week’s theme of “ideas in strange places”. Darts and Letters is doing a different theme each week until we launch the new season on September 18.
—————————-SUPPORT THE SHOW—————————-
You can support the show for free by following or subscribing on Spotify, Apple Podcasts, or whichever app you use. This is the best way to help us out and it costs nothing so we’d really appreciate you clicking that button.
If you want to do a little more we would love if you chip in. You can find us on patreon.com/dartsandletters. Patrons get content early, and occasionally there’s bonus material on there too.
—————————-CONTACT US————————-
To stay up to date, follow us on Twitter and Facebook. If you’d like to write to us, email [email protected] or tweet Gordon directly.
—————————-CREDITS—————————-
Darts and Letters is hosted and edited by Gordon Katic. Our lead producer is Jay Cockburn, This episode’s assistant producer is Polly Leger, and our managing producer is Marc Apollonio. The research coordinator was David Moscrop. Our theme song was created by Mike Barber. Our graphic design was created by Dakota Koop.
What is unfeeling? According to today’s guest, Xine Yao, unfeeling includes “a broad range of affective modes, including withholding, disregard, growing a thick skin, refusing to care, opacity, numbness, dissociation, inscrutability, frigidity, insensibility, obduracy, flatness, insensitivity, disinterest, coldness, heartlessness, fatigue, desensitization, and emotional unavailability.”
In short, Xine argues in a new book from Duke University Press, titled Disaffected: The Cultural Politics of Unfeeling in Nineteenth-Century America, “people who are disaffected break from affectability and present themselves as unaffected” (11). Xine is a Lecturer of English before 1900 at University College London. Xine is a BBC Radio 3/AHRC New Generation Thinker and the co-host of the PhDivas Podcast which focuses on social justice and academia across the STEM/Humanities divide. Disaffected is an urgent book that examines how sentimentality was (and is) a part of the political architecture of white supremacy and governmentality—and the forms of unfeeling that writers of color used (and continue to use) to roil that architecture.
John Yargo holds a Ph.D. in English from the University of Massachusetts Amherst. His specializations are early modern literature, the environmental humanities, and critical race studies. His dissertation explores early modern representations of environmental catastrophe, including The Tempest, Oroonoko, and the poetry of Milton. He has published in Studies in Philology, The Journal for Early Modern Cultural Studies, and Shakespeare Studies.
In The Emancipation Circuit: Black Activism Forging a Culture of Freedom (Duke UP, 2022) Thulani Davis provides a sweeping rethinking of Reconstruction by tracing how the four million people newly freed from bondage created political organizations and connections that mobilized communities across the South. Drawing on the practices of community they developed while enslaved, freedpeople built new settlements and created a network of circuits through which they imagined, enacted, and defended freedom. This interdisciplinary history shows that these circuits linked rural and urban organizations, labor struggles, and political culture with news, strategies, education, and mutual aid. Mapping the emancipation circuits, Davis shows the geography of ideas of freedom---circulating on shipping routes, via army maneuvers, and with itinerant activists---that became the basis for the first mass Black political movement for equal citizenship in the United States. In this work, she reconfigures understandings of the evolution of southern Black political agendas while outlining the origins of the enduring Black freedom struggle from the Jim Crow era to the present.
For decades, immigration has been one of the most divisive, contentious topics in American politics. And for decades, urgent calls for its policy reform have gone mostly unanswered. As the discord surrounding the modern immigration debate has intensified, border enforcement has tightened. Crossing harsher, less porous borders makes unauthorized entry to the United States a permanent, costly undertaking. And the challenges don't end on the other side.
At once enlightening and devastating, The Border Within: The Economics of Immigration in an Age of Fear (U Chicago Press, 2021) examines the costs and ends of America's interior enforcement--the policies and agencies, including ICE, aimed at removing immigrants already living in the country. Economist Tara Watson and journalist Kalee Thompson pair rigorous analysis with deeply personal stories from immigrants and their families to assess immigration's effects on every aspect of American life, from the labor force to social welfare programs to tax revenue. What emerges is a critical, utterly complete examination of what non-native Americans bring to the country, including immigration's tendency to elevate the wages and skills of those who are native-born.d
News coverage has prompted many to question the humanity of American immigration policies; The Border Within opens a conversation of whether it is effective. The United States spends billions each year on detention and deportation, all without economic gain and at a great human cost. With depth and discipline, the authors dissect the shock-and-awe policies that make up a broken, often cruel system, while illuminating the lives caught in the chaos. It is an essential work with far-reaching implications for immigrants and non-immigrants alike.
Living in the Future: Utopianism and the Long Civil Rights Movement (U Chicago Press, 2022) reveals the unexplored impact of utopian thought on the major figures of the Civil Rights Movement.
Utopian thinking is often dismissed as unrealistic, overly idealized, and flat-out impractical-in short, wholly divorced from the urgent conditions of daily life. This is perhaps especially true when the utopian ideal in question is reforming and repairing the United States' bitter history of racial injustice. But as Victoria W. Wolcott provocatively argues, utopianism is actually the foundation of a rich and visionary worldview, one that specifically inspired the major figures of the Civil Rights Movement in ways that haven't yet been fully understood or appreciated.
Wolcott makes clear that the idealism and pragmatism of the Civil Rights Movement were grounded in nothing less than an intensely utopian yearning. Key figures of the time, from Martin Luther King Jr. and Pauli Murray to Father Divine and Howard Thurman, all shared a belief in a radical pacificism that was both specifically utopian and deeply engaged in changing the current conditions of the existing world. Living in the Future recasts the various strains of mid-twentieth-century civil rights activism in a utopian light, revealing the power of dreaming in a profound and concrete fashion, one that can be emulated in other times that are desperate for change, like today.
Hi! This is Darts and Letters. We’ve just become a part of New Books Network, so we want to introduce ourselves.
Fundamentally, This is a show about the politics of ideas. Another way to say that would be “intellectuals”, but we don’t really gel with this classic idea of intellectuals being white guys at Harvard. We’re more populist than that, and we have a whole segment in this episode about what we really mean by populism.
This is our first episode, and we made it in 2020 in the run up to Biden’s election. We’ve had 60 episodes since then and our production is tighter and we have a much clearer idea of who we are as a show, but we wanted to start by playing you this because I think we have stayed pretty true to our original goal of democratising ideas, and looking for them in unusual places.
We’re taking a bit of a production break right now for summer, so until September we’re going to catch you up with our favourite episodes from the catalogue, then on September 18th we launch the new season of Darts and Letters.
Until then we’re doing a different theme each week and our theme for this week is what I said before - ideas in strange places. Starting with episode 1, and the owner of the Pigeon Shit Bookstore. An intellectual of the street, who the show’s host Gordon found selling books in downtown Toronto.
—————————-SUPPORT THE SHOW—————————-
You can support the show for free by following or subscribing on Spotify, Apple Podcasts, or whichever app you use. This is the best way to help us out and it costs nothing so we’d really appreciate you clicking that button.
If you want to do a little more we would love if you chip in. You can find us on patreon.com/dartsandletters. Patrons get content early, and occasionally there’s bonus material on there too.
—————————-CONTACT US————————-
To stay up to date, follow us on Twitter and Facebook. If you’d like to write us, email [email protected] or tweet Gordon directly.
—————————-CREDITS—————————-
This week, Darts and Letters was produced by Jay Cockburn and Gordon Katic. Research and support from Addye Susnick.
Daniel Wirls, Professor of Politics at the University of California-Santa Cruz, has a new book that continues his research stream on the United States’ Senate. Wirls’ previous book on the Senate, The Invention of the United States Senate (Johns Hopkins University Press, 2004), written with his brother, Stephen Wirls, explains the historical basis for the Senate, especially in context of the broader American constitutional system as established in 1787.
This new book, The Senate: From White Supremacy to Governmental Gridlock (U Virginia Press, 2021), interrogates the general understanding of the U.S. Senate within the constitutional system and the way that we have come to consider the role of the Senate. Wirls explains what he has dubbed “Senate exceptionalism” which is connected to the more expansive notion of American exceptionalism—this is the notion that the U.S. Senate was a unique and special creation within the constitutional system, and that it reflects the greatest ideals of democratic governance. Wirls’ analysis might suggest otherwise, since the book explores the structure of the Senate and how it actually undermines the democratic conception of “one person=one vote.” The idea of the Senate, and its role in preventing the tyranny of the majority—one of the goals ascribed to the new system established in 1787—is more problematic than the violation of democratic norms.
One of the fascinating threads woven through The Senate: From White Supremacy to Governmental Gridlock is the concept of the Senate and how this concept has become embedded in our understanding of the role of this half of the U.S. Congress. Wirls’ argument with regard to Senate exceptionalism is connected to the narrative about the Senate itself, as the “world’s greatest deliberative body” when it sits in a murky position between the states and the people within the federal system. Senators understand, some of the time, that they represent the people of their respective states, but in so doing, they represent those voters in a dramatic violation of the notion of equal representation, since the states themselves have vastly different population totals and demographics, whereas each state has the same number of U.S. senators. Senators also see themselves, at times, as representing the states as distinct entities. Senators selectively determine if they want to represent the people or the state in different instances. The peculiarity of the filibuster only contributes to the heroic narrative about the Senate, since the filibuster was a creation of the Senate itself (it is not in the Constitution), and the changes in the filibuster and the evolution of those reforms have only made the inequality of representation in the Senate more acute. In a sense, the filibuster or the threat of a filibuster has essentially given a few members of the U.S. Senate a very powerful veto over legislation and reform.
Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), as well as co-editor of Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Academic, 2015). Email her comments at [email protected] or tweet to @gorenlj.
Please use the code 10WIRLS if purchasing the book from the University of Virginia Press for 30% any format of the book until 30 September 2022.
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