Lenora Hanson's The Romantic Rhetoric of Accumulation (Stanford UP, 2022) provides an account of the long arc of dispossession from the British Romantic period to today. Lenora Hanson glimpses histories of subsistence (such as reproductive labor, vagrancy and criminality, and unwaged labor) as figural ways of living that are superfluous—simultaneously more than enough to live and less than what is necessary for capitalism.

Hanson treats rhetorical language as an archive of capital's accumulation through dispossession, in works by S.T. Coleridge, Edmund Burke, Mary Robinson, William Wordsworth, Benjamin Moseley, Joseph Priestley, and Alexander von Humboldt, as well as in contemporary film and critical theory. Reading riots through apostrophe, enclosure through anachronism, superstition and witchcraft through tautology, and the paradoxical coincidence of subsistence living with industrialization, Hanson shows the figural to be a material record of the survival of non-capitalist forms of life within capitalism. But this survival is not always-already resistant to capitalism, nor are the origins of capital accumulation confined to the Romantic past. Hanson reveals rhetorical figure as entwined in deeply ambivalent ways with the circuitous, ongoing process of dispossession.

Reading both historically and rhetorically, Hanson argues that rhetorical language records histories of dispossession and the racialized, gendered distribution of the labor of subsistence. Romanticism, they show, is more contemporary than ever.

Lenora Hanson is Assistant Professor of English at New York University.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel.

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What are the origins of the hostile environment against immigrants in the UK? In We’re Here Because You Were There: Immigration and the End of Empire (Verso, 2021), Patel retells Britain's recent history in an often shocking account of state racism that still resonates today.

In a series of post-war immigration laws from 1948 to 1971, arrivals from the Caribbean, Asia and Africa to Britain went from being citizens to being renamed immigrants. In the late 1960s, British officials drew upon an imperial vision of the world to contain what it saw as a vast immigration “crisis” involving British citizens, passing legislation to block their entry. As a result, British citizenship itself was redefined along racial lines, fatally compromising the Commonwealth and exposing the limits of Britain’s influence in world politics. Combining voices of so-called immigrants trying to make a home in Britain and the politicians, diplomats and commentators who were rethinking the nation, Ian Sanjay Patel excavates the reasons why Britain failed to create a post-imperial national identity.

Ian Sanjay Patel is Assistant Professor in Sociology and Social Research at Birkbeck College, University of London. His work explores connections between human rights, intellectual history, global history, and political thought. His first book, We're Here Because You Were There: Immigration and the End of Empire, was shortlisted for the PEN International Hessell-Tiltman Prize and chosen as a BBC History Magazine Book of the Year. He is a Fellow of the Royal Historical Society.

Lamis Abdelaaty is an associate professor of political science at the Maxwell School of Syracuse University. She is the author of Discrimination and Delegation: Explaining State Responses to Refugees (Oxford University Press, 2021). Email her comments at [email protected].

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When uprisings against colonial rule broke out across the world after 1945, Britain responded with overwhelming and brutal force. Although this period has conventionally been dubbed "postwar," it was punctuated by a succession of hard-fought, long-running conflicts that were geographically diffuse, morally ambiguous, and impervious to neat endings or declarations of victory. Ruthless counterinsurgencies in Malaya, Kenya, and Cyprus rippled through British society, molding a home front defined not by the mass mobilization of resources, but by sentiments of uneasiness and the justifications they generated.

Age of Emergency: Living with Violence at the End of the British Empire (Oxford UP, 2023) traces facts and feelings about violence as torture, summary executions, collective punishments, and other ruthless methods were employed in "states of emergency." It examines how Britons at home learned to live with colonial warfare by examining activist campaigns, soldiers' letters, missionary networks, newspaper stories, television dramas, sermons, novels, and plays. As knowledge of brutality spread, so did the tactics of accommodation aimed at undermining it. Some contemporaries cast doubt on facts about violence. Others stressed the unanticipated consequences of intervening to stop it. Still others aestheticized violence by celebrating visions of racial struggle or dramatizing the grim fatalism of dirty wars. Through their voices, Erik Linstrum narrates what violence looked, heard, and felt like as an empire ended, a history with unsettling echoes in our own time.

Vividly analyzing how far-off atrocities became domestic problems, Age of Emergency shows that the compromising entanglements of war extended far beyond the conflict zones of empire.

Ran Zwigenberg is an associate professor at Pennsylvania State University.

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Deanne Williams's newest book, Girl Culture in the Middle Ages and Renaissance: Performance and Pedagogy (Bloombury, 2023), is a groundbreaking study of the girl actor in the medieval and early modern world, demonstrating the existence of the girl performer in England long before the Restoration. Challenging existing academic assumptions about the supposed male dominance of the early modern stage, this book reveals girls' participation in a host of areas, from medieval religious drama to pageants and royal entries under the Tudors, country house entertainments, and Jacobean masques. Williams situates her historical study of the girl actor within the wider contexts of 'girl culture', including singing, translating, and writing. By examining the impact of the girl actor in Shakespeare's various constructions of girlhood– those girl characters which play upon the precedent of the performing girl in the medieval world– Girl Culture in the Middle Ages and Renaissance argues that girls' actively shaped culture in the middle ages and Renaissance through their various performances. Interweaving her study of literary texts with the lives of girls who wrote, collected, and performed them—people like Hroswitha of Gandersheim, Anne Boleyn, Jane Lumely, the Russell sisters, and Elizabeth Carey—Williams centers the lived reality of girl children as they interacted with dramatic culture.

Elspeth Currie is a PhD student in the Department of History at Boston College where she studies women’s intellectual history in early modern Europe.

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Negotiating Relief and Freedom: Responses to Disaster in the British Caribbean, 1812-1907 (Manchester University Press, 2023) by Dr. Oscar Webber is an investigation of short- and long-term responses to disaster in the British Caribbean colonies during the 'long' nineteenth century. Dr. Webber explores how colonial environmental degradation made their inhabitants both more vulnerable to and expanded the impact of natural phenomena such as hurricanes, earthquakes, and volcanic eruptions. He shows that British approaches to disaster 'relief' prioritised colonial control and 'fiscal prudence' ahead of the relief of the relief of suffering.

In turn, that this pattern played out continuously in the long nineteenth century is a reminder that in the Caribbean the transition from slavery to waged labour was not a clean one. Times of crisis brought racial and social tensions to the fore and freedoms once granted, were often quickly curtailed.

This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

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The East India Company is remembered as the world's most powerful, not to say notorious, corporation. But for many of its advocates from the 1770s to the 1850s it was also the world's most enlightened one. 

Joshua Ehrlich reveals that a commitment to knowledge was integral to the Company's ideology. In The East India Company and the Politics of Knowledge (Cambridge UP, 2023), he shows how the Company cited this commitment in defense of its increasingly fraught union of commercial and political power. He moves beyond studies of orientalism, colonial knowledge, and information with a new approach: the history of ideas of knowledge. He recovers a world of debate among the Company's officials and interlocutors, Indian and European, on the political uses of knowledge. Not only were these historical actors highly articulate on the subject but their ideas continue to resonate in the present. Knowledge was a fixture in the politics of the Company – just as it seems to be becoming a fixture in today's politics.

Joshua Ehrlich is a historian of knowledge, political thought, the East India Company, the British Empire, and South and Southeast Asia. Currently Assistant Professor of History at the University of Macau, he received a PhD and MA from Harvard University and a BA from the University of Chicago.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel.

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During the Irish Civil War, events of late 1922 and early 1923 together with waves of 'dishonourable' killings created poisoned relations between Republicans and 'Free Staters' which would last for several generations. The most enduring of these controversies, a policy of summary executions carried out by the Provisional Government from November 1922, continues to surround the argument.

John O'Donovan's book An Introduction to the Irish Civil War (Mercier Press, 2022) offers a fresh perspective on the causes, development and consequences of the Irish Civil War. Triggered by the signing of the Anglo-Treaty, there were those that would accept nothing less than complete Irish independence. Very few IRA commanders active in the field supported the Treaty and, as happens often in the dissection of civil wars, controversy over the conduct of both sides figures heavily within the text, where, at a local and national level, it left bitter legacies.

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Can Britain escape from being a nation trapped in its past? In Imperial Island: A History of Empire in Modern Britain (Penguin, 2023), Charlotte Lydia Riley, an Associate Professor of History in the Department of History at the University of Southampton, and co-host of the Tomorrow Never Knows podcast explores the history of Britain as an imperial nation, both at home and abroad. The book shows how it is impossible to separate the history of post-war Britain from the history of empire, even as contemporary politics demands we misremember or deliberately forget. Moving chronologically from the 1940s to the present, but drawing on a wealth of themes and ideas, the book makes a compelling case for rethinking British, and global, identities in light of a reckoning with the role of empire in shaping society. An important historical and popular intervention, the book will be read widely beyond arts and humanities, and is essential reading for anyone keen to better understand the history of both Britain and the world today.

Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Manchester.

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Throughout the early modern period, political theorists in France and England drew on the works of Plutarch to offer advice to kings and princes. Elizabeth I herself translated Plutarch in her later years, while Jacques Amyot's famous translations of Plutarch's The Parallel Lives led to the wide distribution of his work and served as a key resource for Shakespeare in the writing of his Roman plays, through Sir Thomas North's English translations. 

Rebecca Kingston's Plutarch's Prism: Classical Reception and Public Humanism in France and England, 1500–1800 (Cambridge UP, 2022) explores how Plutarch was translated into French and English during the Renaissance and how his works were invoked in political argument from the early modern period into the 18th century, contributing to a tradition she calls 'public humanism'. This book then traces the shifting uses of Plutarch in the Enlightenment, leading to the decline of this tradition of 'public humanism'. Throughout, the importance of Plutarch's work is highlighted as a key cultural reference and for its insight into important aspects of public service.

Benjamin Phillips is an MA student in History at Ohio University. His primary field is Late Antique Cultural and Intellectual History.

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The idea that women are dangerous - individually or collectively - runs throughout history and across cultures. Behind this label lies a significant set of questions about the dynamics, conflicts, identities and power relations with which women live today.

The Art of Being Dangerous: Exploring Women and Danger through Creative Expression (Leuven UP, 2021) offers many different images of women, some humorous, some challenging, some well-known, some forgotten, but all unique. In a dazzling variety of creative forms, artists and writers of diverse identities explore what it means to be a dangerous woman.

With almost 100 evocative images, this collection showcases an array of contemporary art that highlights the staggering breadth of talent among today's female artists. It offers an unparalleled gallery of feminist creativity, ranging from emerging visual artists from the UK to multi-award-winning writers and translators from the Global South.

This book emerges from the Dangerous Women Project. For more information, visit dangerouswomenproject.org

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