New Books in Caribbean Studies

“In this subtle and beautifully crafted ethnography, Cearns invites us to travel through the many Cuban circuits of exchange that give shape to mutating histories of connection within and between Havana and Miami. The result is an exhilarating and illuminating journey into the changing contours and expansive terrain of contemporary cubanidad.”—Jeffrey S. Kahn, author of Islands of Sovereignty: Haitian Migration and the Borders of Empire

Despite decades of diplomatic hostilities and economic sanctions, the border between Cuba and the United States—arguably one of the most politicized in the world—is in a state of constant flux. Tracing the flows of people, material items, and digital content between Havana and Miami, as well as between Cuba and Panama, Guyana, and Mexico, Circulating Culture: Transnational Cuban Networks of Exchange (UP of Florida, 2023) explores how and why these circuits are a part of everyday life for millions of Cubans who negotiate extraordinary circumstances daily.

Drawing on extensive ethnographic research in these locations, Jennifer Cearns highlights groups of Cuban society that are often overlooked, considering what Cuban culture and identity mean in a transnational setting. Weaving evocative vignettes into her discussion of these larger questions, Cearns pieces together the story of the creators of an emerging and dynamic network that punctures geopolitical boundaries and has outlasted a period of rapid social change—from the Obama administration through the death of Fidel Castro and into the Trump administration.

Ultimately, by focusing on everyday objects and the strategies used to move them across borders, this book reveals how new cultural forms can develop from the cracks in societies often seen as “broken.” It demonstrates the worldmaking of marginalized Cuban communities who have long been building their own infrastructures of possibility.

Jennifer Cearns is a postdoctoral research fellow in the Department of Anthropology at University College London and an associate research fellow at the Alan Turing Institute.

Katie Coldiron is based at Florida International University. She is Outreach Program Manager for the Digital Library of the Caribbean at FIU Libraries and doctoral student in the FIU Department of History.

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After the Dance, the Drums Are Heavy: Carnival, Politics, and Musical Engagement in Haiti (Oxford University Press, 2020) is a study of carnival, politics, and the musical engagement of ordinary citizens and celebrity musicians in contemporary Haiti. Drawing on more than a decade and a half of ethnographic research, Rebecca Dirksen presents an in-depth consideration of politically and socially engaged music and what these expressions mean for the Haitian population in the face of challenging political and economic circumstances. The book centers the voices of Haitian musicians and regular citizens by extensively sharing interviews and detailed analyses of musical performance in the context of contemporary events well beyond the musical realm.

Dr. Rebecca Dirksen is an ethnomusicologist working across the spectrum of musical genres in Haiti and its diaspora. Her research concerns cultural approaches to development, crisis, and disaster; sacred ecologies, diverse environmentalisms, and ecomusicology; and applied/engaged/activist scholarship. She is a professor in the Department of Folklore and Ethnomusicology at Indiana University Bloomington and a founding member of the Diverse Environmentalisms Research Team (DERT).

Dr. Isabel Machado serves as reviews editor for the Oral History Journal and is guest editing a forthcoming special issue of the Journal of Festival Studies on the “Materiality of Festivities.”

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Twentieth-century African American history cannot be told without accounting for the significant influence of Pan-African thought, just as the story of U.S. policy from 1900 to 2000 cannot be told without accounting for fears of an African World. In the early 1900s, Marcus Garvey and his followers perceived the North American mainland, particularly Canada following U.S. authorities' deportation of Garvey to Jamaica, as a forward-operating base from which to liberate the Black masses. After World War II, Vietnam War resisters, Black Panthers, and Caribbean students joined the throngs of cross-border migrants. In time, as urban uprisings proliferated in northern U.S. cities, the prospect of coalitions among the Black Power, Red Power, and Quebecois Power movements inspired U.S. and Canadian intelligence services to collaborate, infiltrate, and sabotage Black organizations across North America. Assassinations of "Black messiahs" further radicalized revolutionaries, rekindling the dream for an African World from Washington, D.C., to Toronto to San Francisco to Antigua to Grenada and back to Africa. Alarmed, Washington's national security elites invoked the Cold War as the reason to counter the triangulation of Black Power in the Atlantic World, funneling arms clandestinely from the United States and Canada to the Caribbean and then to its proxies in southern Africa. 

By contending that twentieth-century global Black liberation movements began within the U.S.-Canadian borderlands as cross-border, continental struggles, Cross-Border Cosmopolitans: The Making of a Pan-African North America (University of North Carolina Press, 2023) reveals the revolutionary legacies of the Underground Railroad and America's Great Migration and the hemispheric and transatlantic dimensions of this history.

Wendell Nii Laryea Adjetey is assistant professor of post-Reconstruction U.S. and African Diaspora history at McGill University, where he holds the William Dawson Chair. He also goes by Nii Laryea Osabu I, Oblantai Mantse of Atrekor We.

Caleb Zakarin is the Assistant Editor of the New Books Network.

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Sarah E. Vaughn’s Engineering Vulnerability: In Pursuit of Climate Adaptation (Duke UP, 2022) examines climate adaptation strategies that upend the neat divisions of linear temporality separate the past, present, and the future, and shows how multiple temporalities co-exist in the pressing sense of crisis that engulfs coastal spaces vulnerable to flooding. Her ethnographic account takes us to Guyana in the aftermath of the 2005 catastrophic floods that ravaged the country’s Atlantic coastal plain. The country’s ensuing engineering projects reveal the contingencies of climate adaptation and the capacity of flooding to shape Guyanese expectations about racial (in)equalities as seen through the lens of ‘apan jaat’ (loosely translated from Hindi/Bhojpuri to for our kind or community), which has been the dominant political ideology creating a divide between the Afro-Guyanese and Indo-Guyanese diasporas, in the postcolonial independent nation-state, that has been the site of both plantation slavery and indentured labor during the colonial period.

Analyzing the coproduction of race and vulnerability, Vaughn details why climate adaptation has implications for the limits of ideologies such as ‘apan jaat’ and demands newer forms of political ideation and action. Such understandings become particularly apparent not only through engineering experts’ and ordinary citizens’ disputes over resources but in their attention to bringing ethical questions to bear on the technoscientific climate adaptation projects. Vaughn offers us a complex and compelling narrative that begins from the local, personal, and deeply material aspects of climate adaptation from the Global South while never losing sight of the stakes for these struggles on the global and planetary stages—showing how questions of environmental justice are inextricably tied to questions of historical racialization.

Archit Guha is a PhD researcher in the Duke University History Department.

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Throughout its quest for freedom from colonial rule, the Puerto Rican Nationalist Party (PNPR) created strategy through a solidarity that moved far beyond the archipelago. It invested significant energy, members, and resources in attending regional conferences, distributing its literature throughout the hemisphere, creating solidarity committees, presenting its case to elected officials and the general public, and promoting the causes of oppressed peoples. The hemispheric connections between supporters of Puerto Rican independence have been obscured by larger, later liberation movements as well as the island's ultimate failure in its quest for independence, but they were nonetheless at the vanguard of the postcolonial revolutions that swept the world after the Cuban revolution. 

Margaret M. Power's new history of the PNPR, Solidarity Across the Americas: The Puerto Rican Nationalist Party and Anti-Imperialism (University of North Carolina Press, 2023) focuses on how it built a broad movement with active networks in virtually all of Latin America, much of the Caribbean, and New York City. This hemispheric view introduces a sprawling transnational network, nurtured by the PNPR from its founding in 1922 to its dissolution in 1965, that included individuals, parties, organizations, and governments throughout the Americas, and it resituates the Puerto Rican nationalist movement as a transnational revolutionary influence.

Margaret M. Power is professor emerita of history at Illinois Institute of Technology.

Caleb Zakarin is the Assistant Editor of the New Books Network.

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In Caribbean American Narratives of Belonging (Ohio State University Press, 2023), Vivian Nun Halloran analyzes memoirs, picture books, comic books, young adult novels, musicals, and television shows through which Caribbean Americans recount and celebrate their contributions to contemporary politics, culture, and activism in the United States. The writers, civil servants, illustrators, performers, and entertainers whose work is discussed here show what it is like to fit in and be included within the body politic. From civic memoirs by Sonia Sotomayor and others, to West Side Story, Hamilton, and Into the Spider-Verse, these texts share a forward-looking perspective, distinct from the more nostalgic rhetoric of traditional diasporic texts that privilege connections to the islands of origin.

There is no one way of being Caribbean. Diasporic communities exhibit a broad spectrum of ethnic, racial, religious, linguistic, and political qualities. Claiming a Caribbean American identity asks wider society to recognize and affirm hybridity in ways that challenge binaristic conceptions of race and nationality. Halloran provides a common language and critical framework to discuss the achievements of members of the Caribbean diaspora and their considerable cultural and political capital as evident in their contributions to literature and popular culture.

Vivian Nun Halloran is Professor of English and Associate Dean for Diversity and Inclusion in the College of Arts and Sciences at Indiana University Bloomington. She is a scholar of Caribbean literature, food studies, ethnic American literature, postmodernism, and popular culture. She previously wrote The Immigrant Kitchen: Food, Ethnicity, and Diaspora (Ohio State University Press, 2016) and Exhibiting Slavery: The Caribbean Postmodern Novel as Museum (University of Virginia Press, 2009).

Aleem Mahabir is a PhD candidate in Geography at the University of the West Indies, Mona, Jamaica. His research interests lie at the intersection of Urban Geography, Social Exclusion, and Psychology. His dissertation research focuses on the link among negative psychosocial dispositions, exclusion, and under-development among marginalized communities in Port of Spain, Trinidad and Tobago. You can find him on Twitter.

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Water is often tasked with upholding division through the imposition of geopolitical borders. We see this in the construction of the Rio Grande/Río Bravo on the US-Mexico border, as well as in how the Caribbean Sea and the Pacific Ocean are used to delineate the limits of US territory. In stark contrast to this divisive view, Afro-diasporic religions conceive of water as a place of connection; it is where spiritual entities and ancestors reside, and where knowledge awaits.

Departing from the premise that water encourages confluence through the sustainment of contradiction, Channeling Knowledges: Water and Afro-Diasporic Spirits in Latinx and Caribbean Worlds (U Texas Press, 2023) fathoms water’s depth and breadth in the work of Latinx and Caribbean creators such as Mayra Santos-Febres, Rita Indiana, Gloria Evangelina Anzaldúa, and the Border of Lights collective. Combining methodologies from literary studies, anthropology, history, and religious studies, Rebeca L. Hey-Colón’s interdisciplinary study traces how Latinx and Caribbean cultural production draws on systems of Afro-diasporic worship—Haitian Vodou, La 21 División (Dominican Vodou), and Santería/Regla de Ocha—to channel the power of water, both salty and sweet, in sustaining connections between past, present, and not-yet-imagined futures.

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Atlases are being redrawn as islands are disappearing. What does an island see when the sea rises? Sea Change: An Atlas of Islands in a Rising Ocean (U California Press, 2023) weaves together essays, maps, art, and poetry to show us—and make us see—island nations in a warming world.

Low-lying islands are least responsible for global warming, but they are suffering the brunt of it. This transportive atlas reorients our vantage point to place islands at the center of the story, highlighting Indigenous and Black voices and the work of communities taking action for local and global climate justice. At once serious and playful, well-researched and lavishly designed, Sea Change is a stunning exploration of the climate and our world's coastlines. Full of immersive storytelling, scientific expertise, and rallying cries from island populations that shout with hope—"We are not drowning! We are fighting!"—this atlas will galvanize readers in the fight against climate change and the choices we all face.

Christina Gerhardt is Associate Professor at the University of Hawai'i at Mānoa, Senior Fellow at the University of California, Berkeley, and former Barron Professor of Environment and the Humanities at Princeton University. Her environmental journalism has been published by Grist.org, The Nation, The Progressive, and the Washington Monthly. Twitter.

Brian Hamilton is chair of the Department of History and Social Science at Deerfield Academy. Twitter. Website.

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Contracting Freedom: Race, Empire, and U.S. Guestworker Programs (U Pennsylvania Press, 2022) explores the origins of twentieth-century U.S. guestworker programs from Mexico and the Caribbean. It investigates these government-sponsored programs as the unexplored consequence of the history of enslaved labor, Japanese American incarceration, the New Deal, the long civil rights movement, and Caribbean decolonization. Quintana shifts the focus on guestworker programs to the arena of political conflict, revealing how fierce debates over the bracero program and Caribbean contract labor programs extended and legitimated U.S. racial and imperial domination into the present era. Her work also unearths contract workers' emerging visions of social justice that challenged this reproduction of race and empire, giving freedom new meanings that must be contemplated

Dr. Quintana earned her Ph.D. at the University of Washington and taught at San Francisco State’s College of Ethnic Studies before joining the Department of History at California State University, Sacramento.

Michael G. Vann is a professor of world history at California State University, Sacramento. A specialist in imperialism and the Cold War in Southeast Asia, he is the author of The Great Hanoi Rat Hunt: Empires, Disease, and Modernity in French Colonial Vietnam (Oxford University Press, 2018). When he’s not reading or talking about new books with smart people, Mike can be found surfing in Santa Cruz, California.

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In To Tell a Black Story of Miami (UP of Florida, 2022), Tatiana McInnis examines literary and cultural representations of Miami alongside the city's material realities to challenge the image of South Florida as a diverse cosmopolitan paradise. McInnis discusses how this favorable "melting pot" narrative depends on the obfuscation of racialized violence against people of African descent.

Analyzing novels, short stories, and memoirs by Edwidge Danticat, M.J. Fievre, Carlos Moore, Carlos Eire, Patricia Stephens Due, and Tananarive Due, as well as films such as Dawg Fight and Moonlight, McInnis demonstrates how these creations push back against erasure by representing the experiences of Black Americans and immigrants from Caribbean nations. McInnis considers portrayals of state-sanctioned oppression, residential segregation, violent detention of emigres, and increasing wealth gaps and concludes that celebrations of Miami's diversity disguise the pervasive, adaptive nature of white supremacy and anti-Blackness.

To Tell a Black Story of Miami offers a model of how to use literature as a primary archive in urban studies. It draws attention to the similarities and divergences between Miami's Black diasporic communities, a historically underrepresented demographic in popular and scholarly awareness of the city. Increasing understanding of Miami's political, social, and economic inequities, this book brings greater nuance to traditional narratives of exceptionalism in cities and regions.

Publication of this work made possible by a Sustaining the Humanities through the American Rescue Plan grant from the National Endowment for the Humanities.

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