New Books in Comics and Graphic Novels

What if you could experience the opening chapters of the Torah as a graphic novel—without losing the depth, complexity, or ambiguity of the original text? In this episode, Rabbi Marc Katz sits down with writer and creator Jordan B. Gorfinkel to discuss The Koren Magerman Tanakh Graphic Novel: Bereshit, Volume 1: The Beginning (Koren Publishers, 2026), a visually stunning reimagining of Genesis.

From the first light of Creation through Eden, the Flood, and the Tower of Babel, the book brings the opening chapters of Bereshit to life in an entirely new way. But this is more than an illustrated Bible. Gorfinkel and his creative team ask a fundamental question: What kind of human being can become God's partner in creating a just and compassionate world?

Working alongside Israeli artist Yael Nathan, Gorfinkel combines cinematic storytelling with traditional Jewish interpretation, drawing on Tanakh, Midrash, archaeology, history, and centuries of Jewish commentary. The result preserves the full Hebrew biblical text while using the visual language of graphic novels to illuminate details, tensions, and layers of meaning that readers may have overlooked.

Together, Gorfinkel and Katz explore what happens when one of the world's oldest stories is told through one of its newest visual forms—and whether seeing Genesis differently can help us understand it differently, too.

About the Guest:
Jordan B. Gorfinkel (“Gorf”) is a cartoonist, musician, producer, and storyteller best known for his nearly decade-long career managing the Batman franchise at DC Comics, where he oversaw more than 2,000 stories across multiple media. His work has inspired comics, films, television, and games, including Birds of Prey and The Dark Knight Rises. He is also the creator of the bestselling Passover Haggadah Graphic Novel, which combines traditional Jewish text with the visual language of comics. Through his studio, Avalanche Comics Entertainment, Gorf creates and teaches storytelling across entertainment, education, and Jewish life. He is the writer and producer of The Koren Magerman Tanakh Graphic Novel, bringing his decades of experience in visual storytelling to the ancient stories of the Bible.

About the Host:
Rab­bi Marc Katz is the Senior Rab­bi at Tem­ple Ner Tamid in Bloom­field, NJ. He is author of the books Yochanan’s Gam­ble: Judaism’s Prag­mat­ic Approach to Life (JPS) cho­sen as a final­ist for the PROSE award and The Heart of Lone­li­ness: How Jew­ish Wis­dom Can Help You Cope and Find Com­fort (Turn­er Pub­lish­ing) which was cho­sen as a final­ist for the Nation­al Jew­ish Book Award. 

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Huda Fahmy's latest, Huda F Would Love You? (Dial Books, 2026) is a funny and tender finale to the Huda F series, Huda has a plan to find love—but she might need to find herself first! It’s the summer after Huda’s high school graduation, and love is in the air! Or it’s about to be, anyway. Because Huda has the ingredients for a perfect love story: a butt-kicking girl power squad of new friends, and a plan to woo all the aunties into setting her up with their eligible sons. But when she finds herself caught between her friends and her heart, gender roles and ambitions, and her fears and dreams, Huda begins to realize that finding her own “happily ever after” might require changing herself—or her expectations.

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On July 5, 1828, more than a century before Superman arrived on Earth, a superhero took flight in Philadelphia’s night sky. Buried on page three of a small local newspaper, the announcement of his arrival appeared under the title “The Night-Hawk, No. 1” with a cryptic epigraph from Romeo and Juliet: “I’ll be a candleholder and look on.” Who and what was the Night Hawk? As Dr. Matthew Warner Osborn reveals in Night Hawk: A Nineteenth-Century Superhero and the Dawn of American Mass Culture (University of Chicago Press, 2026), this was the sobriquet of a mysterious columnist for the weekly Mechanics’ Free Press, the first radical socialist newspaper in America. Dressed in a mysterious cloak, the Night Hawk soared over Philadelphia, revealing the evil crimes of prominent gentlemen, fighting murderous criminals, and calling out fraudulent moral authorities. 

The Night Hawk was the ingenious invention of an impoverished actor, Cornelius A. Logan, who created the character as a public champion of Philadelphia’s Working Men’s movement, the first successful American labor party. The Night Hawk’s nocturnal adventures transformed their socialist ideology into an entertaining fantasy that dramatized the struggle against industrial exploitation and the degradation of working people. The success of the character made Logan into a celebrity, and he went on to become a popular and innovative comedian on the antebellum stage.

A harbinger of the superheroes we know today, the Night Hawk promises to illuminate dark secrets from the past, but he can also shed light on our present. He ignites our need to see corrupt elites unmasked and held accountable for their actions, all while protecting the innocent and oppressed. Americans have always loved to fantasize about powerful superheroes who hide behind masks while chasing bad guys, and Dr. Osborn shows in this entertaining history how the Night Hawk was perhaps the first standard bearer for that enduring mystique. 

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

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Susan E. Kirtley and Nhora Lucía Serrano's Women in Comics (Black Dog & Leventhal, 2026) is a richly illustrated, essential guide to the importance of women in the comics space from across time and around the globe.

Comics in the form of editorial cartoons, comic strips, digital comics, comic books, and graphic novels have combined words and images to tell stories of hundreds of years. Though often overlooked, women have played a vital role in shaping this genre, both as creators and characters within the stories themselves.

Through six archetypes frequently found in comics—the patriot, the working woman, the socialite, the fashionista, the reporter, and the spy—Kirtley and Serrano trace some of comics’ most influential women. This insightful exploration of international characters celebrates the feminist role model Wonder Woman, the warrior-maiden Oscar François de Jarjayes in the gender-defying manga tale Berusiyu no Bara (The Rose of Versailles), the real-life groundbreaking journalist Nellie Bly, and many others. Profiles throughout the book highlight the important work of female creators, heralding the bravery of political cartoonists such as Corinne “Coco” Rey and Rayma Suprani, the power of biography as reportage with Marjane Satrapi and Sophia Glock, and the value of visibility with Alison Bechdel and Mariko Tamaki. 

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Filial Lines: Art Spiegelman, Alison Bechdel, and Comics Form (Cambridge UP, 2026) by Dr. Emmy Waldman is the first book to place the autobiographical projects of canonical comics authors Art Spiegelman and Alison Bechdel alongside each other, focusing on new and neglected works (and with an epilogue on the Pulitzer Prize-winning tour-de-force debut of Tessa Hulls). The book offers a lively cast of five formal tropes-boxes, spirals, tic-tac-toe, mirrors, and webs-through which to model fundamental elements of the comics grammar and its material processes. Built around rich close readings, it shows what makes the comics form particularly suited to negotiate complex familial and creative inheritances and manage layered, relational identities.

Interweaving accounts of Jewish identity, female embodiment, legacies of modernism, and feminist practice, the book traces how contemporary graphic memoirists visually work and rework their filiations and affiliations through form, situating the medium as a privileged site and staging ground for arguments about the enabling possibilities of form now.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

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John talks to Bruce Rutledge, founder of Chin Music Press, about running an independent Asia-focused press, the origins of the company in Tokyo, and the move to Seattle, where Chin Music now has a bookstore in Pike Place Market. They talk about Chin Music’s highly successful graphic novel trilogy on the Japanese American incarceration experience during World War II. The wide-ranging conversation is an honest celebration of the challenges and pleasures of independent publishing.

Chin Music Press books mentioned in the episode include:

The Books on Asia Podcast is co-produced with Plum Rain Press.

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Since its debut in 1984, Dragon Ball has become one of the most popular, influential, and lucrative media franchises in the world. In Next Time on Dragon Ball: Playing with a Manga and Anime Franchise (U Minnesota Press, 2026), Dr. Vincent Haddad investigates how the franchise has maintained huge global demand despite its formulaic plotlines. Examining its exhaustive repetition of storytelling forms across comics, TV series, games, and merchandise, Haddad argues that the convergence of play, fandom, and narrative made Dragon Ball an unlikely success—and a harbinger of broader shifts in the media landscape of franchises from the 1980s to the present.

Dr. Haddad conceives of Dragon Ball as a “franchise toy,” a corporate media property that is constantly remixed by its fans in ways that its owners resist but also ultimately embrace: appropriation is essential to the franchise’s popularity. Over the past forty years, Dr. Haddad argues, Dragon Ball’s deployment of familiar tropes, cultural references, and narrative forms—from classical Chinese stories and the films of Bruce Lee and Jackie Chan to American franchises like Superman and Star Wars—has invited unique transcultural play. Through diverse examples of how fans use its characters as “playthings,” Dr. Haddad shows how Dragon Ball travels across international networked fandoms, highlighting the queer, gendered, and racialized dimensions of this play.

Parsing the dynamics of “sites of conflict” between authorized media and fan content, Next Time on Dragon Ball illuminates how fan engagement across the Americas changes the parameters of what a manga and anime franchise is and can be.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

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As I Dream of You (First Second, 2026) illustrated by LeUyen Pham and written by Jennifer Lee. Falling in love is supposed to hurt. That’s what Franny and Sam, two cynical teenagers raised on tales of heartbreak and loss, have come to understand. Yet when they fall for each other, they find the reality of love is something else entirely: it’s electrifying, all-encompassing, and easy. Theirs is a love that can conquer anything...perhaps even death. But Franny and Sam’s quest to stay together—no matter the cost—soon blurs the line between reality and fantasy, and their shared dream threatens to turn into a nightmare.

In this episode, Pham talks about illustrating graphic novels and picture books as well as working as an artist.

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Fans of Batman are used to seeing the Caped Crusader associate with the likes of Superman and Wonder Woman, but what if one were to put the Dark Knight into the company of figures such as Beowulf, Robin Hood, Oedipus, and Sun Tzu, among others? Batman and the Classics: Echoes of Mythology, Literature and Philosophy in the Comics and Films (McFarland, 2026) is the first book to compare famous Batman graphic novels, story arcs, and films to classic texts of literature and philosophy from around the world. Through this comparison we can see, for instance, how the epic warrior archetype of Beowulf or Roland persists in The Dark Knight Returns, or how the metaphor of the journey, found in such works as The Odyssey, occurs in the story arc Knightfall. By placing Batman stories into conversation with such classic texts, this book sheds light on the deeper meanings of key stories of the Dark Knight, as well as how long-lasting themes of literature and philosophy have persisted in the fiction of this popular character.

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In the mid-1930s the amateur French ethnographer and filmmaker Bernard de Colmont ventured into the mountainous state of Chiapas to study the Lacandón people and broadcast their way of life to a curious European public. Considered a “lost tribe,” the Lacandón were thought to be the closest living relatives of the ancient Maya.
De Colmont became a celebrity explorer whose adventures generated considerable attention. The Lacandón themselves, however, were silenced in his tale. Nearly a century later, in In the Land of the Lacandón: A Graphic History of Adventure and Imperialism (McGill-Queen’s UP, 2025), Dr. Richard Ivan Jobs and Dr. Steven Van Wolputte have taken up this story in all its complexity, creating a graphic history from de Colmont’s narratives and images in the form of a heroic adventure comic. An essay contextualizing and historicizing the tale follows, as does an evocative, reflective poem by Tsotsil writer Manuel Bolom Pale, which offers an Indigenous perspective on the encounter. A captivating experiment in form, the book puts an immersive new spin on studying the past.
In the Land of the Lacandón illuminates de Colmont’s expedition against the backdrop of late imperialism on the eve of the Second World War in Europe. It investigates the history of exploration, science, and media, revealing how these narratives represented and constructed Indigenous Peoples for the public – and how such representations continue to resonate.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

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