New Books in Iberian Studies

The South China enclave of Macau was the first and last European colonial settlement in East Asia and a territory at the crossroads of different empires. In Neutrality and Collaboration in South China: Macau during the Second World War (Cambridge UP, 2023), Helena F. S. Lopes analyses the layers of collaboration that developed from neutrality in Macau during the Second World War. 

Exploring the intersections of local, regional and global dynamics, she unpacks the connections between a plurality of actors with competing and collaborative interests, including Chinese Nationalists, Communists and collaborators with Japan, Portuguese colonial authorities and British and Japanese representatives. Lopes argues that neutrality eased the movement of refugees of different nationalities who sought shelter in Macau during the war and that it helped to guarantee the maintenance of two remnants of European colonialism - Macau and Hong Kong. Drawing on extensive research from multilingual archival material from Asia, Europe, Australasia and America, this book brings to light the multiple global connections framing the experiences of neutrality and collaboration in the Portuguese-administered enclave of Macau.

Learn more about your ad choices. Visit megaphone.fm/adchoices

Economic history has always emphasized the importance of long-distance trade in the emergence of modern financial markets, yet almost nothing is known about the Manila trade. The Capital Market of Manila and the Pacific Trade, 1668-1838 (Palgrave Macmillan, 2024) offers the first reconstruction of the capital market of Manila using new archival sources that have never been used in the economic history of Pacific trade.

The book explains how trade between Asia and Spanish America across the Pacific, which lasted for 250 years (1571 – 1815) was financed from the city of Manila.The book analyses the political economy and institutional structures of the Manila capital market in the context of the global silver trade, as well as addressing key similarities and differences with European trade routes and differing approaches to colonialism and commerce in Asian waters. It traces how the Manila capital market emerged in a bottom-up process with a redistributive aspect that tied the interests of citizens with the fortunes of trade, using institutions familiar to the public like legacy funds, brotherhoods and lay religious orders to pool liquidity, originate working capital, and internalise the risk of loss at sea. It challenges the notion that there is a normative model for the development of capital markets and introduces an industrial organisation analysis to the broader structure of Early Modern trade in the Spanish Empire. Sitting at the intersection of economic and financial history, global history, imperial history and political economy, this book will be a cutting-edge and valuable resource for a broad range of scholars:

This book is based on the dissertation entitled:

AN ALTERNATIVE MODEL FOR EARLY MODERN LONG-DISTANCE TRADE FINANCE: THE CAPITAL MARKETS OF MANILA, 1680-1838, London School of Economics, University of London, 2023.

Winner of the Coleman Prize, 2024.

Juan Jose Rivas Moreno is currently a Max Weber Fellow at the European University Institute. He has previously held an Economic History Society Fellowship affiliated with University College London (UCL), and was the recipient of a short-term fellowship at the Newberry Library of Chicago to conduct archival research during his PhD.

Learn more about your ad choices. Visit megaphone.fm/adchoices

We tend to think of sixteenth-century European artistic theory as separate from the artworks displayed in the non-European sections of museums. In A New Antiquity: Art and Humanity as Universal, 1400–1600 (Penn State University Press, 2024) Dr. Alessandra Russo argues otherwise. Instead of considering the European experience of “New World” artefacts and materials through the lenses of “curiosity” and “exoticism,” Russo asks a different question: What impact have these works had on the way we currently think about—and theorise—the arts?

Centering her study on a vast corpus of early modern textual and visual sources, Dr. Russo contends that the subtlety and inventiveness of the myriad of American, Asian, and African creations that were pillaged, exchanged, and often eventually destroyed in the context of Iberian colonisation—including sculpture, painting, metalwork, mosaic, carving, architecture, and masonry—actually challenged and revolutionised sixteenth-century European definitions of what art is and what it means to be human. In this way, artefacts coming from outside Europe between 1400 and 1600 played a definitive role in what are considered distinctively European transformations: the redefinition of the frontier between the “mechanical” and the “liberal” arts and a new conception of the figure of the artist.

Original and convincing, A New Antiquity is a pathbreaking study that disrupts existing conceptions of Renaissance art and early modern humanity. It will be required reading for art historians specialising in the Renaissance,scholars of Iberian and Latin American cultures and global studies, and anyone interested in anthropology and aesthetics.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

Learn more about your ad choices. Visit megaphone.fm/adchoices

Unorthodox Kin: Portuguese Marranos and the Global Search for Belonging (U California Press, 2017) is a lively, readable exploration of "chosen" identity, kin, and community in a global era. Anthropologist Naomi Leite examines the complexity of how we know ourselves -- who we "really" are -- and how we recognize others as strangers or kin through the case of Portugal's "Marranos", people in Lisbon and Porto who identify as descendants of 15th-century Portuguese and Spanish Jews who were forcibly converted to Catholicism. As the book's story unfolds, these individuals are first dismissed by the local Portuguese Jewish community as "non-Jews" and then embraced by foreign Jewish tourists and other visitors, who are fascinated to meet a remnant of Portugal's "lost" medieval Jewish population. Drawing on more than a decade of participatory research, Leite explores how both the Marranos' and their visitors' perceptions of self, peoplehood, and belonging are transformed through their face-to-face encounters with one another. Written in a compelling, first-person narrative style, this acclaimed book will appeal to a wide audience.

Accolades: Finalist, National Jewish Book Award (2017) * StIrling Prize for Best Book in Psychological Anthropology (2018) * Graburn Prize for Best First Book in Anthropology of Tourism (2018) * Honorable Mention, Douglass Prize for Best Book in Europeanist Anthropology (2018)

Adam Bobeck received his PhD in Sociocultural Anthropology from the University of Leipzig. His PhD was entitled “Object-Oriented ʿAzâdâri: Ontology and Ritual Theory”.

Learn more about your ad choices. Visit megaphone.fm/adchoices

Today I talked to Duncan Simpson about his book Tenho o prazer de informar o senhor director: cartas de portugueses à PIDE (1958-1968)   ("I am pleased to inform the director: letters from Portuguese people to PIDE (1958-1968)")

Were the Portuguese mere victims of the PIDE and the oppressive policies it imposed or, in reality, as under any authoritarian regime, did they interact with this police force by serving it or making use of it?

Created in 1945, in a merely cosmetic reformulation of its predecessor (the PVDE), as it was too closely associated with the “fascist era”, the PIDE (acronym for International and State Defense Police) maintained the extensive arbitrary powers of the PVDE in its triple mission: guaranteeing “state security” (eliminating political dissent), controlling borders and acting as an intelligence service. To this end, it was necessary to create a network of informants.

To this day, the bibliography dedicated exclusively to PIDE continues to focus on the mechanisms of repression exercised over the small minority of opponents to the regime, as if this were the only form of relationship between society and PIDE. The main consequence of this type of approach was to reduce the bulk of the population to the status of “victim people”, who passively endured the repression carried out by PIDE.

However, the reality is much more complex, as this work aims to demonstrate. The relationship between Portuguese society and PIDE has always been much more active and multifaceted than has been recognized to date. The Portuguese were never a simple “victim people” passively and fearfully enduring the repressive impetus of the PIDE. On the contrary, Portuguese society actively adapted to the presence of the political police and this book aims to illustrate the ways in which ordinary citizens interacted freely with the PIDE, often (but not always) using it to fulfill personal interests or satisfy basic needs. of everyday life.

Learn more about your ad choices. Visit megaphone.fm/adchoices

Peter Paul Rubens (1577–1640) never crossed the Atlantic himself, but his impact in colonial Latin America was profound. Prints made after the Flemish artist’s designs were routinely sent from Europe to the Spanish Americas, where artists used them to make all manner of objects.

Rubens in Repeat: The Logic of the Copy in Colonial Latin America (Getty Research Institute, 2021) by Dr. Aaron M. Hyman is the first comprehensive study of this transatlantic phenomenon, despite broad recognition that it was one of the most important forces to shape the artistic landscapes of the region. Copying, particularly in colonial contexts, has traditionally held negative implications that have discouraged its serious exploration. Yet analysing the interpretation of printed sources and recontextualizing the resulting works within period discourse and their original spaces of display allow a new critical reassessment of this broad category of art produced in colonial Latin America—art that has all too easily been dismissed as derivative and thus unworthy of sustained interest and investigation. This book takes a new approach to the paradigms of artistic authorship that emerged alongside these complex creative responses, focusing on the viceroyalties of New Spain and Peru in the seventeenth and eighteenth centuries. It argues that the use of European prints was an essential component of the very framework in which colonial artists forged ideas about what it meant to be a creator.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

Learn more about your ad choices. Visit megaphone.fm/adchoices

A Twist in the Tail: How the Humble Anchovy Flavoured Western Cuisine (Hurst, 2024) by Christopher Beckman takes readers on a tantalising voyage through European and American gastronomic history, following the trail of a small but mighty fish: the anchovy.

Whether in ubiquitous Roman garum, mass-produced British condiments, elaborate French haute cuisine or modern Spanish tapas, anchovies have been enhancing the flavour of many dishes for thousands of years. Yet, depending upon the time and place—and who was eating them—they have also been disdained as worthless little fish, deemed too small, bony and inconsequential for popular or elite consumption. From Western Europe to the USA, Beckman shows how the evolving and ambiguous position of anchovies provides surprising insights into the relationship between food, class and status throughout history.

Drawing on cookbooks, literature and art, this is the hidden story of the diminutive anchovy, and its outsized role in shaping the West’s cuisine.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

Learn more about your ad choices. Visit megaphone.fm/adchoices

Well into the early nineteenth century, Luanda, the administrative capital of Portuguese Angola, was one of the most influential ports for the transatlantic slave trade. Between 1801 and 1850, it served as the point of embarkation for more than 535,000 enslaved Africans. In the history of this diverse, wealthy city, the gendered dynamics of the merchant community have frequently been overlooked.

Vanessa S. Oliveira traces how existing commercial networks adapted to changes in the Atlantic slave trade during the first half of the nineteenth century. Slave Trade and Abolition: Gender, Commerce, and Economic Transition in Luanda (U Wisconsin Press, 2021) reveals how women known as donas (a term adapted from the title granted to noble and royal women in the Iberian Peninsula) were often important cultural brokers. Acting as intermediaries between foreign and local people, they held high socioeconomic status and even competed with the male merchants who controlled the trade. Oliveira provides rich evidence to explore the many ways this Luso-African community influenced its society. In doing so, she reveals an unexpectedly nuanced economy with regard to the dynamics of gender and authority.

Learn more about your ad choices. Visit megaphone.fm/adchoices

Queer Obscenity: Erotic Archives in Dictatorial Spain (Stanford University Press, 2024) takes us inside the archive to demonstrate how the incongruities of the Primo de Rivera (1923–1930) and Franco (1939–1975) regimes were manifested in the regulation of erotic material cultures. Focusing on amateur pornographers and their confiscated and censored erotica, this book adds a rich complexity to both the history and theory of pornography, demonstrating that surveillance depends entirely on documenting intimacy and preserving transgression. This book sheds new light on the production, consumption, and circulation of pornography and erotica in Spain over the course of the twentieth century, drawing connections between intimate queer desires, preservation, and erasure.

Javier Fernández-Galeano is Ramón y Cajal postdoctoral fellow at Universitat de València in Spain.

Tatiana Klepikova is a postdoctoral fellow at the University of Regensburg, where she leads a research group on queer literatures and cultures under socialism.

Learn more about your ad choices. Visit megaphone.fm/adchoices

Baseball’s introduction to the Philippines. The slot machine trade between Manila and Shanghai. A musical based extremely loosely on the life of the sultan of Sulu.

These are just a few of the historical topics from Lio Mangubat’s Silk, Silver, Spices, Slaves: Lost Tales from the Philippine Colonial Period (Faction Press: 2024), a collection of 13 essays on stories from Filipino history as a Spanish and then American colony. All the stories come from Lio’s podcast, The Colonial Department, which features long-lost stories from the country's past under Spanish, British, American, and Japanese rule.

In this interview, Lio and I talk about what inspired his essay collection, his conversation with Albert Samaha (an earlier podcast guest!) and what’s missing in how we talk about the Philippines

Lio is also the editor in chief of publishing house Summit Books, and is based in Manila. Find him on Instagram at @liomangubat and @thecolonialdept.

You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Silk, Silver, Spices, Slaves. Follow on Twitter at @BookReviewsAsia.

Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon.

Learn more about your ad choices. Visit megaphone.fm/adchoices